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    <loc>https://www.sdrubin.org/blog</loc>
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    <lastmod>2022-03-22</lastmod>
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    <loc>https://www.sdrubin.org/blog/2021/11/7/visual-aids-day-without-art-2021-enduring-care-12121</loc>
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    <lastmod>2021-11-07</lastmod>
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      <image:title>NEWS - Visual AIDS: "Day With(out) Art 2021: ENDURING CARE" - 12/1/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event flier that reads “ENDURING CARE,” “DAY WITH(OUT) ART 2021,” and “Visual AIDS” interposed on a cropped image of a barb-wired fence.</image:caption>
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  <url>
    <loc>https://www.sdrubin.org/blog/2021/11/7/asia-art-archive-in-america-wikipedia-asian-month-edit-a-thon-on-art-schools-with-ponja-genkon-112021</loc>
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    <lastmod>2021-11-07</lastmod>
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      <image:title>NEWS - Asia Art Archive in America: "Wikipedia Asian Month: Edit-a-thon on Art Schools with PoNJA-GenKon" - 11/20/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A black and white photograph of three people painting abstract shapes on a large white banner with black paint.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/10/12/brooklyn-public-library-cbh-talk-black-protest-black-art-music-111721</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-28</lastmod>
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      <image:title>NEWS - Brooklyn Public Library: "CBH TALK - Black Protest, Black Art: Music" - 11/17/21 - Make it stand out</image:title>
      <image:caption>[Image Description: The words “BLACK PROTEST” and “BLACK ART” in black text with the word “MUSIC” in white text on a red background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/10/28/lewis-latimer-house-museum-baldwins-fire-baptized-truth-to-be-pentecostal-preacher-and-a-questioning-artist-111721</loc>
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    <lastmod>2021-10-28</lastmod>
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      <image:title>NEWS - Lewis Latimer House Museum: "Baldwin's Fire Baptized Truth: To Be Pentecostal Preacher and A Questioning Artist" - 11/17/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A photograph of James Baldwin, wearing sunglasses, a long coat with fur cuffs and collar, a black suit and tie, and a white shirt, standing in front of a diner. To his right behind the diner window, which has a painting of an ice cream sundea on it, is a white male waiter. Superimposed onto the photograph’s bottom reads in white text “James Baldwin’s America: Both Light and Dark Reading &amp; Discussion Series,” “September-November 2021,” and “ Virtual Events on Wednesday Evenings 5:00-6:30pm.” In the bottom righthand corner is Lewis Latimer House Museum’s logo made of two orange-yellow triangles, one smaller than the other, almost like mountain peaks, with “Lewis Latimer House Museum” written in white text.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/11/7/queens-museum-honoring-our-connection-to-ocean-ancestors-and-reclaiming-ceremony-shane-weeks-and-tecumseh-ceaser-in-conversation-111121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/a015321f-0a84-4911-ae4d-77ccc2ad8d89/Wax-Studios-QM-YoU-16x9-Horizontal-UPDATED-1_RECLAIMING-CEREMONY.jpeg</image:loc>
      <image:title>NEWS - Queens Museum: "Honoring Our Connection to Ocean Ancestors and Reclaiming Ceremony: Shane Weeks and Tecumseh Ceaser in Conversation" - 11/11/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event flier that reads “YEAR OF UNCERTAINTY,” “Online Event,” “Honoring Our Connection to Ocean Ancestors and Reclaiming Ceremony,” “Shane Weeks and Tecumseh Ceaser in Conversation,” “Thursday, November 11, 2021 - 6:30pm to 7:30pm,” “YoU,” and “QUEENS MUSEUM” on a neon acid background.</image:caption>
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  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/10/28/cue-art-foundation-visual-artists-immigration-clinic-11921</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1635453777992-G0PGY7IJLPTDNXEXXR5U/VAIC%2Bgraphic.png</image:loc>
      <image:title>NEWS - CUE ART Foundation: "Visual Artists' Immigration Clinic" - 11/9/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event flier with white text that reads “VISUAL ARTISTS’ IMMIGRATION CLINIC,” “Co-hosted by the Center for Art Law,” and “Tuesday, November 9, 3:30-6PM ET” on a background that begins with a warm yellow to the far left that gradually changes color gradient to a lime green on the far right. The CUE logo in white text is placed at the top righthand corner.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/10/28/brooklyn-public-library-cbh-talk-what-you-dont-know-will-hurt-you-claiming-the-untold-stories-of-enslaved-women-warriors-102821</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1635446695850-PMFDWTQMVXZD783JBWMI/Screen+Shot+2021-10-28+at+2.44.43+PM.png</image:loc>
      <image:title>NEWS - Brooklyn Public Library: "CBH TALK - What You Don’t Know Will Hurt You: Claiming the Untold Stories of Enslaved Women Warriors" - 10/28/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An image with three columns. On the left is a photograph of scholar Rebecca Hall, who has dreadlocks and wears eyeglasses with a black blazer and white T-shirt. In the middle column is a book cover reading “WAKE” and “THE HIDDEN HISTORY OF WOMEN-LED SLAVE REVOLTS.” On the bottom of the book cover is an image of 8 slaves on an overlook focusing on the cityscape before them. In the right column is a photograph of educator Nneka Dennie, who smiles, has short black hair, and is wearing a light blue shirt.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/10/27/the-guardian-from-genetics-to-allyship-how-queer-culture-changed-the-family-portrait-102721</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1635359757847-8626ACLJ2XS70NR7T2UW/Andrea+Geyer%2C+Constellations+%28Alice+B.+Toklas+and+Gertrude+Stein+with+Pepe+and+Basket%29%2C+2018%2C+Hand-cut+archival+print+on+rag+paper%2C+101.2+x+68.5+x+3.81+cm%2C+39+x+27+x+1+in+A_GEY0040%2C+Photo+by+Stan+Narten.jpg</image:loc>
      <image:title>NEWS - The Guardian: "From genetics to allyship: how queer culture changed the family portrait, a Feature on Kindred Solidarities: Queer Community and Chosen Families" - 10/27/21 - Make it stand out</image:title>
      <image:caption>Andrea Geyer, Constellations (Alice B. Toklas and Gertrude Stein with Pepe and Basket), 2018. Hand-cut archival print on rag paper. Courtesy of the artist and Hales Gallery, London and New York. [Image Description: A photograph of two women with short hair who are wearing floral-pattern dresses. There is a dog with brown fur on the lap of the woman on the left and a dog with white fur on the lap of the woman on the right. Pieces of the photograph are rearranged, creating a geometric dynamic.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/10/12/el-museo-del-barrio-x-as-intersection-latinx-artists-in-conversation-art-in-uncertain-times-102021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1634079568094-3AFUJFGMLYM2F6WWKE69/mfah.png</image:loc>
      <image:title>NEWS - El Museo del Barrio: "X as Intersection: Latinx Artists in Conversation 'Art in Uncertain Times'” - 10/20/21 - Make it stand out</image:title>
      <image:caption>[image Description: On the left is an image of a soft sculpture hand holding a white flower. In the middle, there are two people standing in a candy store. One has their back turned and the other faces the camera. Their shirts read “NÃO ME PRENDA” and “EU SOU UM CONSUMIDOR.” On the right is a photograph of performance artist Carlos Martiel nude and hog tied with an American flag.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/9/22/socrates-sculpture-park-socrates-x-recess-field-guide-pheromone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1632364086740-J3VF12UNZUL16PTNYDCL/Incense-1536x2048.jpeg</image:loc>
      <image:title>NEWS - Socrates Sculpture Park: "SOCRATES X RECESS FIELD GUIDE: PHEROMONE" - 10/16/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A burned cone of incense stands on a silver dome. The silver dome is surrounded by dried rose petals on top of a brown board.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/10/12/wendys-subway-performance-philosophy-reading-group-with-jjjjjerome-ellis-101321</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1634078500441-0ZVK7U1DA3KXO6LPP1I6/jerome_ellis.png</image:loc>
      <image:title>NEWS - Wendy's Subway: "Performance Philosophy Reading Group with JJJJJerome Ellis" - 10/13/21 - Make it stand out</image:title>
      <image:caption>[Image Description: Photograph of Jerome Ellis, a Black man with short black hair, mustache, and beard who wears a long black coat, a striped shirt, and black pants.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/9/28/theatre-of-the-oppressed-nyc-i-live-here-too-10921</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1632851641037-W555VPK60R33M3D5HFHN/Screen+Shot+2021-09-28+at+1.51.25+PM.png</image:loc>
      <image:title>NEWS - Theatre of the Oppressed NYC: "I LIVE HERE TOO" - 10/9/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A film still from the promotional video of Theatre of the Oppressed NYC’s play I LIVE HERE TOO. In the still, the words “I Live Here Too” are splashed in light yellow calligraphy across the screen with an image of urban buildings in the background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/9/28/hgdzq9i0zvk8zpmgbmx7ci92xf1wyd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1632850623716-L4TGLPSHPGZ0S7J3VU4J/Screen+Shot+2021-09-28+at+1.36.39+PM.png</image:loc>
      <image:title>NEWS - Movement Research: "Open Performance Series" - 10/5/21-1/25/22 - Make it stand out</image:title>
      <image:caption>Image by Harry Shunyao Zhang. [Image Description: An audience watches a performer. The performer has their held tilt back with their hands to the sky. They are wearing a black tank top and blue plants.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/9/22/10221</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1632364766504-MAS5JZWEWR7J8IELSZ1Y/https___cdn.evbuc.com_images_145828125_166494887675_1_original.jpeg</image:loc>
      <image:title>NEWS - Jamaica Center for Arts &amp;amp; Learning: "Saturday in the Gallery - Our Roots" - 10/2/21 - Make it stand out</image:title>
      <image:caption>Julia Justo, Who Gets to Determine Who Belongs Where? Courtesy of the artist. [Image Description: An American flag made up of several different fabrics. At the bottom of the flag in black text reads “WHO GETS TO DETERMINE WHO BELONGS WHERE?”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/9/28/queens-museum-is-it-possible-to-amend-an-unequal-system-healing-justice-circle-with-malikah-10121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1632850172991-38XY36UZ85X1W5WSK5UA/HealingJustice_MalikahAlexTali.jpeg</image:loc>
      <image:title>NEWS - Queens Museum: "Is it Possible to Amend an Unequal System? Healing Justice Circle with Malikah" - 10/1/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An art piece comprising five posters in various block colors with the words “PROPOSAL FOR A 28TH AMENDMENT?” and “IS IT POSSIBLE TO AMEND AN UNEQUAL SYSTEM?” in different languages.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/9/21/dancenyc-rehearsal-space-as-equity-conversations-with-the-dance-community-92821</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1632229806409-GQW0WQ5U4LU5KPKY4IQ5/Screen+Shot+2021-09-21+at+9.08.29+AM.png</image:loc>
      <image:title>NEWS - dance/nyc: "Rehearsal Space as Equity: Conversations with the Dance Community" - 9/28/21 - Make it stand out</image:title>
      <image:caption>[Image Description: Event flier that reads “Rehearsal Space as Equity: Conversation with the Dance Community,” “September 28 5:00PM EST,” “Virtual Town Hall,” and “dance/nyc” on a green tinted photo of three women knelt in a crouching position.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/29/asian-american-arts-alliance-september-town-hall-nyc-arts-restart-92121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1630287838573-67S8ODE4DHQ6ALPK7U9C/September_TH_2021_-_Website.jpeg</image:loc>
      <image:title>NEWS - Asian American Arts Alliance: "September Town Hall: NYC Arts Restart!" - 9/21/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event flier that reads “SEPTEMBER TOWN HALL,” “NYC ARTS RESTART!,” “Celebrating Arts Recovery &amp; Live Programming,” “ASIAN AMERICAN ARTS ALLIANCE,” and “Tuesday, September 21, 2021 6:30 - 8:15PM EDT Online, Zoom”.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/29/cue-art-foundation-cripd-art-ecologies-fermenting-cripd-desire-grief-celebration-and-rage-91121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1630287056100-X83SO17I3PX355EESM1J/Crip%27d-Art-Ecologies-Graphic%2B%282%29.jpeg</image:loc>
      <image:title>NEWS - CUE Art Foundation: "Crip’d Art Ecologies: Fermenting Crip’d Desire, Grief, Celebration, and Rage" - 9/11/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event flier that reads “Crip’d Art Ecologies: Fermenting Crip’d Desire, Grief, Celebration, and Rage,” “An in person and online event organized by Ezra Benus and moira williams,” “With artists Stephanie Alvarado, Christopher Unpezverde Núñez and Bl3ssing Oshun Ra,” “Saturday, September 11th,” “4-6pm EST / 1-3pm PST,” and “CUE Art Foundation 137 W 25th St. NYC (212) 206-3583” with the CUE logo at the bottom left corner.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/29/nuyorican-poets-cafe-beatnix-online-9121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1630286550972-AO2B6QX43O4O3JHML3LB/ClientFile%28397368%29.jpeg</image:loc>
      <image:title>NEWS - Nuyorican Poets Cafe: "BEATNIX Online" - 9/1/21 - Make it stand out</image:title>
      <image:caption>[Image Description: Headshot of Caridad de la Luz, aka La Bruja, who has long black hair, wears gold hoop earrings, and is smiling.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/22/brooklyn-public-library-art-world-conference-the-future-of-care-with-chlo-bass-and-hannah-zeavin-83121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1629608827106-KFI7CYNNGWNVUWVIFUPW/Screen+Shot+2021-08-22+at+1.06.57+AM.png</image:loc>
      <image:title>NEWS - Brooklyn Public Library: "Art World Conference: The Future of Care with Chloë Bass and Hannah Zeavin" - 8/31/21 - Make it stand out</image:title>
      <image:caption>[Image Description: Headshots of two women.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/2/lewis-latimer-house-museum-natural-andems-outdoor-poetry-amp-bookmaking-workshop-82821</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1627947564428-5IVH9Z0RVSN7H4EYQ7NI/Untitled-1.jpeg</image:loc>
      <image:title>NEWS - Lewis Latimer House Museum: "Natural An/Dems Outdoor Poetry &amp;amp; Bookmaking Workshop" - 8/28/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event flier with the left side reading “Natural An/Dems, Outdoor Poetry &amp; Bookmaking Workshop, 08/28/2021 3:00pm.” On the right side of the flier is a photograph of a woman holding multi-colored cards across a table covered in books and other materials for a young girl in an urban park.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/22/old-stone-house-amp-washington-park-land-markings-exhibition-opening-82221</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1629608190493-EIYNM8GML6Y52XZE9A5L/Darkeem-Flag-e1628183886190-845x321.jpeg</image:loc>
      <image:title>NEWS - Old Stone House &amp;amp; Washington Park: “Land Markings Exhibition Opening" - 8/22/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A banner with a blue bar on the left and an orange bar on the right. In the middle of the banner is a crest with an Indigenous person standing on a dead white person’s body surrounded by two barrels, an eagle, the cap of a windmill, “1625,” and “Only The Strong Survive.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/22/jamaica-center-for-arts-amp-learning-vitals-health-amp-wellness-music-festival-82121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1629607728772-Y4ZSD5R5X5NJGVHU9VVN/https___cdn.evbuc.com_images_143460269_166494887675_1_original.jpeg</image:loc>
      <image:title>NEWS - Jamaica Center for Arts &amp;amp; Learning: "Vitals Health &amp;amp; Wellness Music Festival" - 8/21/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event flier with the title, date, time, and address of the event with four logos at the bottom. At the top of the image is a heart, a cardiac reading, and music notes.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/2/materials-for-the-arts-from-posters-to-podcasts-social-activism-from-the-20th-century-to-today-online-summer-2021-89-81421</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1627946363155-2Y6CQE4S6XCWCBETQOQ0/Art-as-Activism-Graphic-Art-from-the-Merrill-C.-Berman-Collection.jpg</image:loc>
      <image:title>NEWS - Materials for the Arts: "From Posters to Podcasts: Social Activism from the 20th Century to Today (Online: Summer 2021)" - 8/9-8/14/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A political poster with a group of six women and men carrying signs that read “5 Day Week,” “SHORTER HOURS,” and “HIGHER WAGES,” amongst others. At the bottom of the poster, it reads “VOTE, AMERICAN LABOR PARTY, ROOSEVELT AND LEHMAN, JOINT BOARD DRESSMAKERS’ UNION, Locals `10 22 60 89, VOTE.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/8/2/recess-closing-the-manipura-sanctum-folded-hands-full-of-flowers-a-performance-by-smita-sen-8521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1627945868432-4FBOST8042ZJSKWWQ1M0/https___cdn.evbuc.com_images_139765793_71275785261_1_original.jpeg</image:loc>
      <image:title>NEWS - Recess: "Closing the Manipura Sanctum: Folded Hands Full of Flowers, a performance by Smita Sen" - 8/5/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A person with long hair in a single braid wears a white gown and stands in water, making their body a gesture to the environment before them.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/7/26/the-bronx-museum-of-the-arts-5-indices-on-a-tortured-body-the-migrant-body-8421</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1627336513334-VG3LVFLV7K5G8NMZ5DRL/Migrant_Body8.jpeg</image:loc>
      <image:title>NEWS - The Bronx Museum of the Arts: "5 Indices on a Tortured Body: The Migrant Body" - 8/4/21 - Make it stand out</image:title>
      <image:caption>The Migrant Body Performers: Zachary Tye Richardson, DJ Chappel, Brittney Bringuez, and Lindumuzi (Jabu) Ndlovu. Photographer: Bones. [Image Description: A woman in a blue dress stands defiantly at the forefront of the photo looking down on the viewer. Behind her is a performer carrying another performer.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/7/26/jamaica-center-for-arts-amp-learning-tower-projection-nights-jamaica-flux-726-8721</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1627338482875-0B31LW9L2HQ5H1NLWARS/https___cdn.evbuc.com_images_140378441_166494887675_1_original.jpeg</image:loc>
      <image:title>NEWS - Jamaica Center for Arts &amp;amp; Learning: "Tower Projection Nights - Jamaica Flux" - 7/26-8/7/21 - Make it stand out</image:title>
      <image:caption>[Image Description: On the left side of the image is a photo of a tower of white screens standing in an urban public park. On the right side of the image is a photo of white screens with projections of people speaking on them.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/29/paper-pulp-to-fiction-online-summer-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1624985737128-SCAU3Z679YKBW709WKY9/papertopulp.jpeg</image:loc>
      <image:title>NEWS - Materials for the Arts: "Paper; Pulp to Fiction (Online: Summer 2021)" - 7/26-7/31/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A photograph of a person silkscreening a sugar skull to a background with egg shapes in varying sizes. To the right of them is a black canister of paint and squeegee dabbed in different colors of paint.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/7/26/cue-art-foundation-lizania-cruz-gathering-evidence-santo-domingo-amp-new-york-city-722-82521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1627337283168-FNKFB1LYSUODQINLVI36/SebuscanTestigos_NYC_02.jpg%2B2000x.jpg</image:loc>
      <image:title>NEWS - CUE Art Foundation: "Lizania Cruz: Gathering Evidence: Santo Domingo &amp;amp; New York City" - 7/22-8/25/21 - Make it stand out</image:title>
      <image:caption>Lizania Cruz, ¡Se Buscan Testigos! [Looking for Witnesses!] Portrait of a Detective in NYC, 2021. Documentation of happening, dimensions variable. Photo by Neha Gautam. [Image Description: A woman wearing a royal blue jacket, mask, and red high heels stands in front of two storefronts carrying a brown suitcase on a NYC sidewalk.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/29/gt11brgpacdz7owbu3jgii7a67619s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1624981391218-0IGK2FJQF897599S9P2W/Sky%2BKesler_Scorpio%2BRising_2018_Digital%2BArtwork.jpeg</image:loc>
      <image:title>NEWS - A.I.R. Gallery: "Glow in the Dark" - 7/2-8/1/2021 - Make it stand out</image:title>
      <image:caption>Sky Kesler, Scorpio Rising, Digital Artwork. [Image Description: Two people with three eyes and colorful lipstick, jewelry, tattoos, and wardrobe stand in a brightly colored pink and purple room to the right of the image. Amongst the various objects in the room is a lamp with a cow print light-shade, indoor houseplants, and a poster with a knife that has a ribbon wrapped around it with the words “DEAD MEN DON’T CATCALL” written on it. Outside of the house is an arid landscape with light brown mountains and a coconut tree.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/15/cue-art-foundation-homoland-security-come-in-gurl-part-1-show-me-your-papers-showcase-62921</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1623757423175-3BC57EFH27I0C27DTS11/HOMOLAND_PART%2B1_SQUARE.png</image:loc>
      <image:title>NEWS - CUE Art Foundation: "Homoland Security: Come in, Gurl!, Part 1: Show Me Your Papers Showcase" - 6/29/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event flier that reads in big black bold font at the top “HOMOLAND SECURITY: COME IN, GURL!,” followed by black text that reads “6/29/21,” “6PM ET,” “PART 1: Show Me Your Papers Showcase,” “With Anthony Barroso, Kemi Bello, Armando Ibanez, Ximena Ospina, Soultree, Jennif(f)er Tamayo, Jesus I. Vallez, and Laura Veira-Ramirez,” and “CUE.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/29/queens-museum-the-queens-teens-overcoming-adapting-and-resisting-626-81521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1624980329371-5RK41Z7O1MFFSBW48TTF/Giulia-5_25.jpeg</image:loc>
      <image:title>NEWS - Queens Museum: "The Queens Teens: Overcoming, Adapting, and Resisting" - 6/26-8/15/21 - Make it stand out</image:title>
      <image:caption>Giulia Fontaine, The 2020 Exhibition, 2021. Graphite on paper. [Image Description: A black and white drawing of three artworks. On the left there is a piece that reads “ART” with a person’s hand drawing with a pencil. In the middle are three protests signs: one is on a pole with a fist on it that reads “BLM;” another has two LGBTQ+ flags, reading “LGBTQ+ RIGHTS ARE HUMAN RIGHTS;” and the other poster is of a gun crossed out reading “ENOUGH IS ENOUGH.” On the right of the image is a drawing of the American flag with the United States drawn on top of it (some states are colored in darker than others).]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/3/nuyorican-poets-cafe-neighborhood-stories-voices-of-pride-62521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1622754201338-0234OSV24RG8K1RUR786/ClientFile%28384929%29.jpeg</image:loc>
      <image:title>NEWS - Nuyorican Poets Cafe: "Neighborhood Stories: Voices of Pride" - 6/25/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A graphic advertising an event that reads “Neighborhood Stories” and “June 25th 7pm” in white text and “Voices of Pride” in the colors comprising the original pride flag.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/15/dancenyc-aesthetics-and-artistry-town-hall-disability-aesthetics-62321</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1623757003170-BVLLUHENS9M0M4MNPP05/Disability+Aesthetics.png</image:loc>
      <image:title>NEWS - Dance/NYC: "Aesthetics and Artistry Town Hall: Disability Aesthetics" - 6/23/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A composite image of four headshots belonging to the four event participants. In the middle of the four photos white text on a maroon background reads “Aesthetics and Artistry,” “Disability Aesthetics,” and “June 23”.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/3/el-museo-del-barrio-la-trienal-talks-form-62321</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1622752938951-EF8SGPV2TT98WWDZH0X9/Untitled-design-2-1.png</image:loc>
      <image:title>NEWS - El Museo del Barrio: "La Trienal Talks – FORM" - 6/23/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An image of an exhibition in a white-walled gallery space flanked by a marigold border. In the middle of the image a multi-colored textile piece hangs from the ceiling and on the floor to the right of the image is a sculpture shaped like a triangle.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/14/weeksville-heritage-center-meals-as-collective-memory-61921</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1623701262488-L9IXX6TCHCOTV9WG5ANR/MACMWebsiteEventThumb_revised.png</image:loc>
      <image:title>NEWS - Weeksville Heritage Center: "Meals as Collective Memory" - 6/19/21 - Make it stand out</image:title>
      <image:caption>[Image Description: An event image with “Meals as Collective Memory” written in green cursive towards the top followed by “PRESENTED BY WEEKSVILLE HERITAGE CENTER,” “SATURDAY, JUNE 19, 2021,” and “12:30 - 4pm EST.” Towards the bottom of the image are five photographs (a woman smiling, a plate with food, a man in a bar, a window display of food, and another of two tables in a restaurant). Below the photos is a logo that reads “NYC Cultural Affairs” and “This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/5/19/visual-aids-comic-velocity-hiv-and-aids-in-comics-611-71121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1621481018336-WRDMEXR13SF623AIP1NQ/Promo_Cruse_A.jpeg</image:loc>
      <image:title>NEWS - Visual AIDS: "Comic Velocity: HIV and AIDS in Comics" - 6/11-7/11/21 - Make it stand out</image:title>
      <image:caption>Details from Safe Sex (1983) by Howard Cruse. [Image Description: Three sections of a comic with sets of two people in each. The sections clockwise read “DID YOU HEAR ABOUT-?”, “DID YOU HEAR ABOUT-?”, and “SUE SAID THAT MARTIN HAS A FRIEND WHO-”.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/5/19/brooklyn-public-library-cbh-talks-brooklyn-resists-act-three-black-lives-matter-52521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1621479804399-89V5KEAGU4AWE7LVXDCD/Screen+Shot+2021-05-19+at+11.02.23+PM.png</image:loc>
      <image:title>NEWS - Brooklyn Public Library: "CBH Talks: Brooklyn Resists, Act Three: Black Lives Matter" - 5/25/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A gathering of people protesting in front of the Brooklyn Public Library, carrying signs and flags. In the middle of the picture a man with a black tank top, golden chain, and black baseball cap raises his fist.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/6/3/shellyne-rodriguez-80-blocks-from-tiffanys-the-insistence-of-life-on-the-periphery-of-empire-online-only</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1622752096188-BZX8OMMJ7E9CJJO5PZDP/3_Hillary_Paints_a_Banner1.jpeg</image:loc>
      <image:title>NEWS - The Bronx Museum of the Arts: "Shellyne Rodriguez: 80 Blocks From Tiffany's: The Insistence of Life on the Periphery of Empire" (Online Only) - 5/17-8/9/21 - Make it stand out</image:title>
      <image:caption>Shellyne Rodriguez, Hillary Paints a Banner, 2020. [Image Description: A woman reclines on a banner looking at her cell phone. She wears a red shirt and blue jeans. Near her head is a white container with two paintbrushes. On the banner, in dark green paint, are the words “TURISTAS GO HOME.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/5/5/socrates-sculpture-park-guadalupe-maravillas-planeta-abuelx-exhibition-opening-with-healing-sound-baths-51521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1620257127768-PPA8DOFPLVXYNVOV5KYC/gongperformance-2048x1414.jpeg</image:loc>
      <image:title>NEWS - Socrates Sculpture Park: "Guadalupe Maravilla's 'Planeta Abuelx' Exhibition Opening with Healing Sound Baths" - 5/15/21</image:title>
      <image:caption>Gaudalupe Maravilla playing a gong, 2021. Courtesy of the Artist, Socrates Sculpture Park, and PPOW Gallery. Photo by Sade Armour. [Image Description: A man plays a silver gong with a mallet in a public park on green grass surrounded by trees with pink flowers, green bushes, and the Manhattan skyline. In the reflection of the gong is the man’s face.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/5/5/theatre-of-the-oppressed-nyc-systemic-pandemic-housing-works-online-performance-51221</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1620251580180-EF3D33UK1F0KGA147T1A/HousingWork21_%281%29.jpeg</image:loc>
      <image:title>NEWS - Theatre of the Oppressed NYC: "Systemic Pandemic (Housing Works Online Performance)" - 5/12/21</image:title>
      <image:caption>[Image Description: On top of a blurry, multi-colored television background are three huge viral cells with eyes in the middle and the words “Theatre of the Oppressed NYC,” “SYSTEMIC PANDEMIC,” “MAY 12TH @ 6:30PM,” and “FREE! ONLINE @ ZOOM WWW.TONYC.NYC/EVENTS.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/5/5/wendys-subway-the-peoples-vigil-x-no-dear-release-reading-5621</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1620250352261-2QY9GNB4PRBHVY1SGB99/updated_no.dear_jpg.jpg</image:loc>
      <image:title>NEWS - Wendy's Subway: "The People's Vigil x No, Dear Release Reading" - 5/6/21</image:title>
      <image:caption>[Image. Description: A flier for a release reading with The People’s Vigil and No, Dear. In the upper lefthand corner white text on a red background reads “THURSDAY, MAY 6, 2021 @7PM - 8PM.” Below the date is the list of readers with white on black text reading “Featuring: Caroline Rothstein, Jive Poetic, Tamara Blue, Kalvin “Chunks” Harmon, Rico Frederick, Anacaona Rocio Milagro, and Mahogany L. Browne.” To the right of this text is a mirrored image of a protestor raising one of their arms with a fist clenched and in the middle the words “ON DEMOCRACY” are superimposed on a heart made of various shades of gray and black.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/4/23/asian-american-arts-alliance-a4-virtual-residency-gallery-launch-5521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1619220629124-CCJZBOQNENI3RHHZI3HB/A4VR_Gallery_Opening_no_details.jpeg</image:loc>
      <image:title>NEWS - Asian American Arts Alliance: "A4 Virtual Residency Gallery: Launch" - 5/5/21</image:title>
      <image:caption>[Image Description: A hand covered green paint holds a green stem with three green leaves. On the right of the image reads “A4” and “VIRTUAL RESIDENCY GALLERY: Launch.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/4/23/lewis-latimer-house-museum-writing-on-race-amp-immigration-an-evening-of-memoir-5121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1619219825531-LY0EGZFHH2SNWSD3Y4HC/https___cdn.evbuc.com_images_127808381_93906309745_1_original.jpeg</image:loc>
      <image:title>NEWS - Lewis Latimer House Museum: "Writing on Race &amp;amp; Immigration: An Evening of Memoir" - 5/1/21</image:title>
      <image:caption>[Image Description: A black outline of a woman superimposed on a red outline of a man is positioned on the left side of the image with text on the right side reading “Race &amp; Immigration” followed by “8 Writers 8 Voices 8 Stories,” “A PUBLIC READING EVENT MAY 1, 2021 2 - 4 PM,” and Lewis Latimer House Museum’s logo made up of the organization’s name and a shape consisting of two triangles.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/4/23/fivemyles-daughters-of-lam-rachelle-dang-amp-jodie-lyn-kee-chow-424-53021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1619219326004-U19Y8YD03OC1LKEDGTV7/Daughters%2BImage.jpeg</image:loc>
      <image:title>NEWS - FiveMyles: "Daughters of Lam: Rachelle Dang &amp;amp; Jodie Lyn-Kee-Chow" - 4/24-5/30/21</image:title>
      <image:caption>[Image Description: An image with the left side made up of a matte gray background with a black ink drawing of a contraption and the right side consisting of an eroding brown material in an indistinct design or pattern.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/5/19/participant-inc-roberta-marshall-bardo-road-418-52321</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1621478912504-Y0QT77R1JH6DPINOZZL1/marshall2_0012.jpeg</image:loc>
      <image:title>NEWS - PARTICIPANT INC: "robert(a) marshall: Bardo Road" - 4/18-5/23/21 - Make it stand out</image:title>
      <image:caption>[Image Description: A white wall flanks each side of the image with several artworks hanging on each wall. In the middle of the image is a long wooden floor that extends to the back of the gallery. At the back of the gallery is one large white wall that has a piece of art on it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/29/movement-research-virtual-festival-gps-chats-intercambio-y-cambio-usmxico-41021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1617032195869-1IA5Q54667ZOGC8YUTVH/Screen+Shot+2021-03-26+at+10.21.39+AM.png</image:loc>
      <image:title>NEWS - Movement Research: "Virtual Festival | GPS Chats: 'Intercambio y Cambio' (US/México)" - 4/10/21</image:title>
      <image:caption>Photo by Ian Douglas. [A woman dancer forms a pose with her left arm out and right arm over her head. She wears a brown teardrop-shaped earring, a red bracelet, a cream colored sweater, and brown pants. Behind her is a sculpture with words engraved in all caps. Some of the words read “ALL POWER IS GIVEN,” “HEAVEN AND IN EARTH,” and “THEREFORE AND TEACH ALL.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/29/jamaican-center-for-arts-amp-learning-encounters-south-asian-womxns-creative-collective-41621</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1617036604547-TA990O13J4GH03GSN4BP/Screen+Shot+2021-03-29+at+12.49.33+PM.png</image:loc>
      <image:title>NEWS - Jamaica Center for Arts &amp;amp; Learning: "Encounters: South Asian Womxn's Creative Collective" - 4/1-5/15/21</image:title>
      <image:caption>Image courtesy of Labkhand Olfatmanesh and Gazelle Samizay. [Image Description: On a matte black background, a photo lays torn in three sections of a person in a burgundy dress, except the top piece which rests on a person’s wrist.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/29/air-gallery-maxine-henryson-expressions-of-contemporary-feminist-artists-and-their-processes-session-5-displacementanything-helps-32921</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1617031343766-XILEF7SKYTY73TUK445L/Pisces%2Band%2BGemini%2BNew%2BYork%2BCity%2B2020.jpeg</image:loc>
      <image:title>NEWS - A.I.R. Gallery: "Maxine Henryson - Expressions of Contemporary Feminist Artists and their Processes Session 5 - Displacement / Anything Helps" - 3/29/21</image:title>
      <image:caption>Zini Lardieri, Pisces and Gemini, New York City, 2020. [Image Description: Two people are blanketed in a cream/white duvet surrounded by objects including luggage, boxes, a bed, and other empherma on a sidewalk next to a building.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/2/cue-art-foundation-assimilations-a-conversation-with-john-feodorov-ruba-katrib-amp-asia-tail-32721</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1614726488961-0HBBHZIQ2U87KCFNI9YY/https___cdn.evbuc.com_images_126517993_49511501310_1_original.jpeg</image:loc>
      <image:title>NEWS - CUE Art Foundation: "Assimilations: A Conversation with John Feodorov, Ruba Katrib, &amp;amp; Asia Tail" - 3/27/21</image:title>
      <image:caption>Image: John Feodorov, Assimilation #3, 2020. Acrylic, latex, ink, collage, graphite, and wax crayon on wood panel, 48 x 42 inches. [Image description: Abstract brushstrokes in shades of pale blue, light grey, and white are collaged with pages from a Christian hymn book, a black-and-white photograph of two people skinning a sheep, and a black-and-white photograph of a sheep’s head laying on the ground. In the lower right corner, a paved road is painted curving out of the frame. In the upper right corner is the silhouette of a black house.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/8/3521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1615252722296-696NGJPS2YCUXEL9Y4KV/Gibson+-+2.jpg</image:loc>
      <image:title>NEWS - CultureType: "This Week in Black Art, Rubin Foundation Awards Art &amp;amp; Social Justice Grants" - 3/5/21</image:title>
      <image:caption>[Image Description: A photograph of a person in a light blue T-shirt and blue shorts walking by a multi-colored, multi-tiered monument in an urban park. The monument reads “RESPECT,” “INDIGENOUS,” “LAND LAND LAND.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/8/hyperallergic-week-in-review-awards-and-accolades-3521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1615252560123-N8A4DJQ3IOZM3VLAXIHZ/Indigenous+Kinship+Collective_Land+Acknowledgment_Jeffrey+Gibson%2C+Because+Once+You+Enter+My+House+It+Becomes+Our+House+at+Socrates+Sculpture+Park%2C+2020_Cut-Cut-Cut-+Chelsea+Knight+%26+Itziar+Barrio..jpg</image:loc>
      <image:title>NEWS - Hyperallergic: "Week in Review, Awards and Accolades" - 3/5/21</image:title>
      <image:caption>[Image Description: Several people stand on a multi-colored, multi-tiered monument in an urban park. The monument reads “IN,” “NUMBERS NUMBERS NUMBERS,” “TOO TOO TOO BIG TO IGNORE.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/3/artnews-artnews-in-brief-shelley-amp-donald-rubin-foundation-names-2021-social-justice-grantees-3321</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1614816368486-E890NSDPOLND1QMBCVH8/Picture1.jpg</image:loc>
      <image:title>NEWS - ARTnews: "ARTnews in Brief, Shelley &amp;amp; Donald Rubin Foundation Names 2021 Social Justice Grantees" - 3/3/21</image:title>
      <image:caption>[Image Description: A photograph of a multi-colored, multi-tiered monument in an urban park that reads “RESPECT,” “INDIGENOUS,” “LAND LAND LAND.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/2/the-latinx-project-unforgetting-family-migration-gangs-and-revolution-in-the-americas-3232021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1614725936717-5P97R8GTBY0T0AIUULX6/https___cdn.evbuc.com_images_121419945_274189017252_1_original.jpeg</image:loc>
      <image:title>NEWS - The Latinx Project: "Unforgetting — Family, Migration, Gangs, and Revolution in the Americas" - 3/23/2021</image:title>
      <image:caption>[Image Description: The top half of a book cover with the beginning of the title reading “UNFORGETTING A MEMOIR OF FAMILY.” This part of the title sits on top of two images: the image to the left is a photograph of two women walking towards the camera and the image to the right is of three people - a woman, a young man, and a older man - looking stoically or smiling.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/1/22/dancenyc-2021-symposium-317-to-32021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1611332998393-LP8IIWN0DXEGK3XDY2WO/DanceNYC-Symp2021-BannerAds-900x225-HomepageAd+%281%29.gif</image:loc>
      <image:title>NEWS - Dance/NYC: "2021 Symposium" - 3/17 to 3/20/21</image:title>
      <image:caption>[Image Description: An event flier reading “Justice. Transformation. Education.,” “Reimagining the dance ecology.,” “MARCH 17-20 2021,” “VIRTUAL PLATFORM,” “Register at Dance.NYC,” and “@DanceNYC #DanceSymp.” To the right of the language are accessibility symbols, the dance/NYC logo, and word “SYMPOSIUM.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/3/2/asian-american-arts-alliance-the-undisputed-unofficial-corky-lee-tribute-3721</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1614725200039-9JJ5C85H3W14QH5S9YQY/https___cdn.evbuc.com_images_126666135_2442350611_1_original.jpeg</image:loc>
      <image:title>NEWS - Asian American Arts Alliance: "The Undisputed, Unofficial Corky Lee Tribute" - 3/7/21</image:title>
      <image:caption>Photo by An Rong Xu. Design by John Lee. [Image Description: An event flier comprised of a collage of images including a statue, the American flag, a building, people holding umbrellas, and a headshot of Corky Lee; language reading “The Undisputed Unofficial Corky Lee Tribute,” “Sunday, March 7 3:00-5:00pm EST,” and “Hosted by Amy Chin &amp; Ava Chin;” and the Asian American Arts Alliance A4 logo.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/2/17/old-stone-house-oh-wait-youre-fascism-film-screening-and-discussion-with-macon-reed-amp-amy-khoshbin-22121</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1613573517913-D25UIBGE3EL2JCBL7YAM/Ouija-board-from-fascism-video1-e1612979751156-845x321.jpg</image:loc>
      <image:title>NEWS - Old Stone House: "'Oh Wait! You’re Fascism!' Film Screening and Discussion with Macon Reed &amp;amp; Amy Khoshbin" - 2/21/21</image:title>
      <image:caption>{Image Description: Two performance artists wear black capes and bright red lipstick in front of a green screen. The performer on the left holds a poster with a drawing of the QUIJA board.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/2/17/the-feminist-press-we-too-bluestockings-bookstore-cafe-amp-activist-center-21821</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1613572978007-XS5A5X4R8AYITFZE5KUX/WE%2BTOO_Bluestox_Twitter.png</image:loc>
      <image:title>NEWS - The Feminist Press: "We Too: Bluestockings Bookstore, Cafe &amp;amp; Activist Center" - 2/18/21</image:title>
      <image:caption>[Image Description: An event flier with a book cover that reads “WE TOO ESSAYS ON SEX WORK AND SURVIVAL,” “EDITED BY NATALIE WEST WITH TINA HORN,” and “FOREWORD BY SELENA THE STRIPPER” in red text on a white background. To the right of the book cover it reads “Thursday, February 18 7:00pm EST,” “Norma Jean Almodovar, Antonia Crane, Ceyenne Doroshow, Juniper Fitzgerald, Tina Horn, Lauren Kiley, Lorelei Lee, Maggie McMuffin, Arabelle Raphael, Hello Rooster, Jessie Sage, and Brit Schulte,” “Hosted by Bluestockings,” and “a feminist press virtual event.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/2/17/the-luminal-theater-our-right-to-gaze-black-film-identities-february-14-28-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1613572036158-5SHFHOIH0KM7QZHGA1EH/Our-Right-To-Gaze_SQUARE_1200_WEB.jpg</image:loc>
      <image:title>NEWS - The Luminal Theater: "Our Right to Gaze: Black Film Identities" - 2/14 to 2/28/21</image:title>
      <image:caption>[Image Description: A program flier reading “OUR RIGHT TO GAZE: black film identities” and “short film &amp; artist development program.” To the bottom of that language are several organizational logos. On the right border of the flier are several directors’ names with film titles.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/2/1/weeksville-heritage-center-the-black-liberation-convening-21321</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1612213895803-B9GQ2FQED1GTWREOJ3QF/https___cdn.evbuc.com_images_124400453_98776133549_1_original.jpeg</image:loc>
      <image:title>NEWS - Weeksville Heritage Center: "The Black Liberation Convening" - 2/13/21</image:title>
      <image:caption>[Image Description: An event flier reading “THE BLACK LIBERATION CONVENING 2021: L is for Liberation. Liberation is our Legacy” and “SATURDAY, FEB 13 | 1PM” with an event description and an image of a person reading a book in the middle of a lecture hall where several seated men look ahead to an image of the earth taking center stage.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/1/22/leslie-lohman-museum-of-art-dissolution-26-to-52521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1611333553007-7Z2JSS8Z62RCVNZRUW6S/satanic-panic_sulley1360x1040.jpg</image:loc>
      <image:title>NEWS - Leslie-Lohman Museum of Art: "DISSOLUTION" - 2/6 to 5/25/21</image:title>
      <image:caption>Catalina Schliebener, Satanic Panic series, Monster Inc. (Sulley), 2019, Porcelain figurine, articulated plastic figures, paper, light box, Variable sizes, Courtesy the artist. [Image Description: A sculpture of a little girl who wears a white blouse and blue skirt and is looking down while being surrounded by three blue monsters with purple spots that entangle her in a blue web.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/2/1/caribbean-cultural-center-african-diaspora-institute-afro-picks-featuring-through-the-night-2521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1612213551692-VDV3GRN6C2PNE81A4ETB/141686165_10158939589231797_7092870915538229329_o.jpg</image:loc>
      <image:title>NEWS - Caribbean Cultural Center African Diaspora Institute: "AFRO-PICKS featuring Through the Night" - 2/5/21</image:title>
      <image:caption>[Image Description: An event flier with the left side reading “A VIRTUAL TALK SERIES THAT HIGHLIGHTS EMERGING FILMMAKERS AND FILMS SET IN THE AFRICAN DIASPORA,” “FRIDAY, FEBRUARY 5,” and “THROUGH THE NIGHT W/ LOIRA LIMBAL HOSTED BY MAJOR NESBY.” To the right of the language, that is also inclusive of an “AFRO PICKS” logo and headshots belonging to Limbal and Nesby, are two film posters for “Through the Night.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/2/3/daily-lazy-in-conversation-with-sara-reisman-on-group-exhibition-to-cast-too-bold-a-shadow-curator-of-the-8th-floor-gallery-in-new-york-interview-by-ashlin-ballif</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1612393336457-YKJ7VQVP5IVIJB56GHKE/8thFloor_ToCastTooBoldaShadow_sml-27.jpg</image:loc>
      <image:title>NEWS - Daily Lazy: "In Conversation with Sara Reisman on Group Exhibition, To Cast Too Bold A Shadow, Curator of The 8th Floor Gallery in New York," Interview by Ashlin Ballif - 2/2/21</image:title>
      <image:caption>Installation view of Joiri Minaya’s #dominicanwomengooglesearch (2016) in To Cast Too Bold A Shadow. Photograph by Julia Gillard. [Image Description: An installation photograph comprised of cut outs suspended by plastic lines (each cut out either represents a body part or tropical print, making a mobile). To the sides of and behind the mobile are framed works of art.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/1/22/the-latinx-project-we-are-here-book-roundtable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1611332453366-4YSN9WEPFKRWR7A5DXTG/Screen+Shot+2021-01-22+at+11.20.36+AM.png</image:loc>
      <image:title>NEWS - The Latinx Project: "We Are Here Book Roundtable" - 1/26/21</image:title>
      <image:caption>[Image Description: An event flier with the image of a book cover featuring 9 headshots and the title “WE ARE HERE Visionaries of Color Transforming the Art World.” On the left edge of the flier it reads “The Latinx Project” and “ZOOM 6-7:15pm.” On the right side of the event flier, the language reads “1/26” and '‘We are Here: Book Roundtable w Jasmin Hernandez, Gabriella Sanchez, Indie184, Luna Luis Ortiz, &amp; Untitled Queen.”.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/2/1/bronx-museum-shaun-leonardo-the-breath-of-empty-space-121-to-530</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1612213073137-FGW23VHO65CQLES7R4O9/Laquan_Drawing_2of2_LowRes_copy1.png</image:loc>
      <image:title>NEWS - Bronx Museum: "Shaun Leonardo: The Breath of Empty Space" - 1/21 to 5/30/21</image:title>
      <image:caption>Shaun Leonardo, Laquan McDonald. Drawing 2 of 2. Charcoal on paper, 2016. Courtesy of Richard Betts. [Image Description: A charcoal drawn image of an obscure and blurry street with car lights, lamppost lights, and a man standing in the middle of the street].</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/1/5/now-is-the-time-to-address-issues-of-accessibility-for-artists-and-institutions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1609875640805-R94L4GWV63QF5V4SQECJ/Photo-by-Carlos-David-CD1_9056.jpg</image:loc>
      <image:title>NEWS - ARTnews: “Now Is the Time to Address Issues of Accessibility for Artists and Institutions” by Sara Reisman - 1/4/21</image:title>
      <image:caption>Carmen Papalia’s performance Mobility Device, 2019, on the High Line. Photo: Carlos David. [Image Description: A group of people walk through a raised park in New York City. At the forefront of the group are several people wearing red, mostly playing brass instruments.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2021/1/6/whitehot-magazine-subjugation-consent-and-active-resistance-to-cast-too-bold-a-shadow-at-the-8th-floor-by-nina-mdivani</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1609972174515-BB82SG5EZHQNLEDIJ1CI/8thFloor_ToCastTooBoldaShadow_sml-2.jpg</image:loc>
      <image:title>NEWS - Whitehot Magazine: "Subjugation, Consent, and Active Resistance: To Cast Too Bold a Shadow at The 8th Floor” by Nina Mdivani - 12/30/20</image:title>
      <image:caption>Installation view of To Cast Too Bold A Shadow. Photograph by Julia Gillard. [Image Description: An installation photo comprised of a dark brown wood floor with 4 large, wooden, white boxes. On top of those boxes are smaller, rectangular paper boxes (two per table). On the left, center and right walls are more white, rectangular boxes with sheets of paper beside each box.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/12/14/leslie-lohman-museum-present-rashaad-newsomes-black-magic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1607957600150-63KDB458SB8XJ4N2FFL4/BLACK-MAGIC-promo-image-1-1.jpg</image:loc>
      <image:title>NEWS - Leslie Lohman Museum of Gay and Lesbian Art Present Rashaad Newsome's Black Magic</image:title>
      <image:caption>[Image description: This work has a video still of Newsome’s piece at Time Square, it is incredibly complex on this scale, there is a black background with text vertical in gold outline left “BLACK” and right “MAGIC.” In the center is a gold square, inside a circle, inside a triangle. In each section there are dancers voguing.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/12/14/cue-night-school-with-kameelah-janan-rasheed-1218-115-129</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1607957472616-A664PV4FHA7K7HRJBHAU/CUEHeader.jpg</image:loc>
      <image:title>NEWS - CUE: NIGHT SCHOOL with Kameelah Janan Rasheed: 12/18, 1/15, 1/29</image:title>
      <image:caption>Family Photograph, 1984. Courtesy of the Artist. [Image description: A toddler with its back to the camera reaches out of its wooden cot to touch a photograph of a baby on the wall.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/12/14/tonyc-stigma-to-the-fullest-housing-works-troupe-performance-1215</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1607957365303-TRHXFDQMNSYPLZX48UK7/Housing_Works_Fall_20.jpg</image:loc>
      <image:title>NEWS - TONYC: STIGMA TO THE FULLEST (Housing Works Troupe Performance), 12/15</image:title>
      <image:caption>[Image description: A monochrome photograph of a hand. The text on top is as follows: in outline white font “STIGMA TO THE FULLEST,” in smaller outline font “NO ROOM FOR ERROR,” and “12.15.2020 @ 6:30pm, WWW.TO.NYC.NYC/EVENTS”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/12/2/hyperallergic-support-structures-exhibition-featured-in-your-concise-new-york-art-guide-for-december-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1606925358264-STDK70AV8LIPW5JWTLPG/Wazaz-Still-1.png</image:loc>
      <image:title>NEWS - Hyperallergic: support structures Exhibition Featured in Your Concise New York Art Guide for December 2020</image:title>
      <image:caption>Sandra Wazaz, What’s the word for worse than depression? (Still) (2018), video and sound, TRT: 00:05:11 (image courtesy the artist). [Image description: On a blue background of what seems like water and clouds, is the text “to see if it will hold” and below that, “my weight.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/11/30/the-shelley-amp-donald-rubin-foundation-present-support-structures-virtual-exhibition-featuring-artists-from-abss-adr-residency</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1606744630248-U5U2PTBQBOIZ9EFSEHHW/Screen+Shot+2020-11-30+at+8.48.03+AM.png</image:loc>
      <image:title>NEWS - The Shelley &amp;amp; Donald Rubin Foundation Presents support structures Virtual Exhibition Featuring Artists from ABS's ADR Residency</image:title>
      <image:caption>Zoey Hart, The Kindness of Strangers (Rerendered), 2019-2020, New media painting,  glitched still from A Streetcar Named Desire (Warner Bros, 1951). [Image description: A black and white still-frame is rotated and replicated three times. In the image, a young white woman with blond hair, wide eyes, and a disoriented expression stares towards a figure outside the frame. Her arm is being tightly grasped by a pair of old white hands wearing suit-cuffs, but the frame rotation places her above, the hands grasping from below. Each repetition of the image is further distorted by noise and glitched-segments send slices of each frame further outside the bounds of the image.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/11/13/weeksville-heritage-center-will-capitalism-feed-us-nourishing-an-appetite-for-a-cooperative-world-beyond-it-1114</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1605299075680-ST0MIHD8P5GMD6BLYYVA/Screen+Shot+2020-11-13+at+3.08.40+PM.png</image:loc>
      <image:title>NEWS - Weeksville Heritage Center: Will Capitalism Feed Us? Nourishing an Appetite For a Cooperative World Beyond It, 11/14</image:title>
      <image:caption>[Image Description: Weeksville logo, which is comprised of a gold old stamp like circle, in which a “W” in white is central. Underneath is the text “WEEKSVILLE HERITAGE CENTER” also in gold]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/11/5/lewis-h-latimer-fund-sisterhood-as-internet-queering-human-relationships-117</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1604593123665-YJBOE9V1Y0PHC7X3V1SM/Screen+Shot+2020-11-05+at+10.52.08+AM.png</image:loc>
      <image:title>NEWS - Lewis H. Latimer Fund: Sisterhood as InterNet: Queering Human Relationships, 11/14</image:title>
      <image:caption>[Image description: text in yellow and orange reads Sisterhood as InterNet: Queering Human Relationships.}</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/28/descent-by-kinetic-light-screening-at-walker-art-center-begins-123</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603914205676-O5J8SN0HXZ2PTX3S3SU3/Screen+Shot+2020-10-28+at+3.02.25+PM.png</image:loc>
      <image:title>NEWS - Descent by Kinetic Light Screening at Walker Art Center, Begins 12/3</image:title>
      <image:caption>[Image Description: Against Michael Maag’s glowing green, gold, and blue starry sky, the ramp shines with lilac stripes and shadowy projections. Alice Sheppard, a light-skinned multiracial Black woman. wheels downhill, curly hair flying; she pushes Laurel Lawson, a white woman with very short cropped hair in a wheelchair, backwards. Laurel rests her hands on Alice's knees as they lock eyes. Photo: MANCC/Chris Cameron.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/11/10/artnet-19-events-for-your-art-calendar-this-week-from-a-piece-of-venice-in-new-york-to-mierle-laderman-ukeles-in-conversation-online</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1605033612861-4B0D7BOXE05FD23P1ZGD/QM-Fall2020-_S7A6940-HDR-FullRes-1024x683.jpg</image:loc>
      <image:title>NEWS - artnet: 19 Events for Your Art Calendar This Week, From a Piece of Venice in New York to Mierle Laderman Ukeles in Conversation Online</image:title>
      <image:caption>Mierle Laderman Ukeles, For⟶forever… (2020). Photo ©Mierle Laderman Ukeles by Hai Zhang/the Queens Museum. [Image description: Side angle shot of the Queens Museum, across the front of which are three pieces of yellow signage saying left to right: “Dear Service Worker,” then “Thank you for keeping NYC alive!” and “for (arrow) forever.” The text is black.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/11/5/vibe-theater-yass-youth-alleviating-stress-sessions-1030-1218</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1604593284391-NECPY0KAAIHIYJ3ZKEWV/Screen+Shot+2020-11-05+at+11.01.19+AM.png</image:loc>
      <image:title>NEWS - viBe Theater: "YASS" (Youth Alleviating Stress Sessions), 10/30 – 12/18</image:title>
      <image:caption>[Image description: A woman in a white dress twirls in a dance move. She has purple hair and shoes and the background is in mid green with a vertical swirling line.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/11/5/triple-canopy-answers-with-questions-gregg-bordowitz-with-morgan-bassichis-and-the-illustrious-pearl-122</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1604592830776-AKWO2B47PZP3LXLW8OJY/Screen+Shot+2020-11-05+at+10.54.33+AM.png</image:loc>
      <image:title>NEWS - Triple Canopy: Answers with Questions, Gregg Bordowitz with Morgan Bassichis and The Illustrious Pearl, 12/2</image:title>
      <image:caption>[Image description: Two black and white photographic portraits sit side by side. On the left is Morgan Bassichis, he has shoulder length hair and mascara, and on the right is The Illustrious Pearl she has exaggerated makeup and false eyelashes with a page boy haircut, neither looks at the camera.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/28/cue-present-a-discussion-on-genderfails-an-anthology-on-failure-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603914981616-3GRZEI70KY6CDFGI01X5/Screen+Shot+2020-10-28+at+3.23.25+PM.png</image:loc>
      <image:title>NEWS - CUE Present: A discussion on GenderFail’s An Anthology on Failure 2, 11/12</image:title>
      <image:caption>[Image description: In blue text on a white background is the word “CUE,” which is the logo of the foundation.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/28/el-museo-estamos-bien-curators-conversation-on-el-museos-la-trienal-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603914594445-8GQDZ4CKSMGKTLPVD536/https%253A%252F%252Fcdn.evbuc.com%252Fimages%252F114917445%252F223767302740%252F1%252Foriginal.jpg</image:loc>
      <image:title>NEWS - El Museo: ESTAMOS BIEN | Curator’s Conversation on El Museo’s La Trienal 20/21, 10/28</image:title>
      <image:caption>[Image description: In this photograph three people sit on high stools in a gallery space, there are brightly colored prints and drawings hung at different heights behind them. The man on the left wears a blue shirt and white trousers, and the women to his right wear black clothing.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/27/editors-picks-23-events-for-your-art-calendar-this-week-on-artnet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603825628646-MIGOXV7X3DZCM9FCQACJ/Thump_Wilson-final.jpg</image:loc>
      <image:title>NEWS - Editors’ Picks: 23 Events for Your Art Calendar This Week on Artnet</image:title>
      <image:caption>Martha Wilson, Thump, 2016. Photographer and Compositing Artist: Kathy Grove. Color photograph, framed 96.5 x 81.3 cm. 38 x 32 in. Edition of 5 plus 1 artist's proof (#3/5). Courtesy of Martha Wilson and PPOW, New York. [Image Description: An image of performance artist Martha Wilson impersonating Donald Trump complete with makeup, wig, blue suit, white shirt, black belt, and red tie. She gives the thumbs up, in front of a statue, presumably one that is a part of a court house. The lower half of the statue is visible with a robe draped over the figure's right leg with a sword resting on both knees. Below the statue and engraved in the stone is the word “FORCE.” Framing the image is a royal blue and red border.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/28/wendys-subway-the-ways-we-need-each-other-on-trans-infrastructures-of-care-1027</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603914380761-QJVYD3A0A9TZ2JOW89AL/Screen+Shot+2020-10-28+at+3.09.10+PM.png</image:loc>
      <image:title>NEWS - Wendy's Subway: The Ways We Need Each Other: On Trans Infrastructures of Care, 10/27</image:title>
      <image:caption>Edited, graphic version of a 1971 archival poster by STAR, reproduced on pg. 73 of Trap Door: Trans Cultural Production and the Politics of Visibility. The original poster is housed in the Manuscripts and Archives Division of the NYPL. [Image description: On a mauve background is a pen drawing of a house with a star on top and the text “SISTERS AND BROTHERS, PLEASE COME TO OUR OPEN HOUSE CAKE SALE.'“]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/21/queerart-sarah-sanders-in-my-name-1114</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603315185730-K5AN7J10RRDT3NAJEHW6/Screen+Shot+2020-10-21+at+4.53.34+PM.png</image:loc>
      <image:title>NEWS - Queer|Art: Sarah Sanders: In My Name, 11/14</image:title>
      <image:caption>[Image Description: An alchemical symbol of unknown origin is at the center of a green yellow background. The symbol is turquoise and is comprised of multiple different geometric forms within a circle.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/21/weeksville-heritage-centers-the-legacy-project-presents-sensing-history-curated-by-archival-alchemy-begins-saturday-1024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603315094478-TKAUT5D6NACKI9TD0SOM/Screen+Shot+2020-10-21+at+4.50.57+PM.png</image:loc>
      <image:title>NEWS - Weeksville Heritage Center’s The Legacy Project presents Sensing History Curated by Archival Alchemy Begins Saturday, 10/24</image:title>
      <image:caption>[Image Description: A photograph of a man facing sideways, he is busy making art on a table in front of him. Text over the image says “SENSING” in orange letters, and “History” in light orange against an orange background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/21/cue-present-doomsday-story-hour-1030</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603314932833-80SE5NX4TSAAU07UEI21/Salamander%2BCase_Doomsday%2BStory%2BHour.jpg</image:loc>
      <image:title>NEWS - CUE Present Doomsday Story Hour, 10/30</image:title>
      <image:caption>A Millerite Preparing for the 23rd of April, 1843. [Image Description: An etching in black ink of a man with his thumb on his nose, he is sitting inside a cupboard on wheels. It is full of food provisions.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/21/socrates-sculpture-park-host-virtual-conversation-after-the-monument-1022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1603314813797-ALCSKO7EAUZBTCZQ9ED0/DSC_0138-2048x1358.jpg</image:loc>
      <image:title>NEWS - Socrates Sculpture Park Host Virtual Conversation: After the Monument, 10/22</image:title>
      <image:caption>Paul Ramírez Jonas, Eternal Flame, 2020, Image by Sara Morgan. [Image description: A monument with an obelisk on top, the text on the obelisk says “ETERNAL and FLAME,” At the base four people are looking at the piece and it is surrounded by picnic tables in a park setting.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/16/bomb-magazine-shuddhabrata-sengupta-interviewed-by-rehan-ansari</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602860043211-I3LBMH8HSXTEAJ6RWL2J/Undoing-Walls-Raqs-Media-Collective1.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine: Shuddhabrata Sengupta Interviewed by Rehan Ansari</image:title>
      <image:caption>Raqs Media Collective, Undoing Walls, 2017, projection, single-channel animation loop. Photo by Julia Gillard. Courtesy of the artists. [Image description: In a white cube space with a dark wood floor there is a light wood bench in the foreground. In the background is a video projection in stark white with black highly patterned geometric animation.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602860061741-HY2E51OOAMXB1402F1CA/Undoing-Walls-Raqs-Media-Collective2.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine: Shuddhabrata Sengupta Interviewed by Rehan Ansari</image:title>
      <image:caption>Raqs Media Collective, Undoing Walls, 2017, projection, single-channel animation loop. Photo by Julia Gillard. Courtesy of the artists. [Image description: In a white cube space with a dark wood floor there is a light wood bench in the foreground. In the background is a video projection in stark white with black highly patterned geometric animation.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602860085174-LA2XLB5E5LD2GOJYXF5H/Undoing-Walls-Raqs-Media-Collective3.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine: Shuddhabrata Sengupta Interviewed by Rehan Ansari</image:title>
      <image:caption>Raqs Media Collective, Undoing Walls, 2017, projection, single-channel animation loop. Photo by Julia Gillard. Courtesy of the artists. [Image description: In a white cube space with a dark wood floor there is a light wood bench in the foreground. In the background is a video projection in stark white with black highly patterned geometric animation.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/15/el-museo-the-wall-michael-menchaca-1022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602779759557-N0SR2TXPE066WTA9VZ96/Screen+Shot+2020-10-15+at+11.18.59+AM.png</image:loc>
      <image:title>NEWS - El Museo: The Wall: Michael Menchaca, 10/22</image:title>
      <image:caption>[Image description: Abstract cityscape in black digitally rendered image, there are penguins and smiley faces with different expressions in what looks like a protest, in front of the melée, are multiple phones recording the scene.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/15/five-myles-the-best-is-yet-to-come-by-ronen-gamil-begins-1010</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602779651495-QCL6NVTOV8572MN5SJLN/IMG_20200910_082828571_HDR_2%2B%281%29.jpg</image:loc>
      <image:title>NEWS - Five Myles: THE BEST IS YET TO COME by Ronen Gamil, Begins 10/10</image:title>
      <image:caption>[Image description: This textile piece is comprised of horizontal stripes of different colors, some have additional details which are reminiscent of traditional indigenous American fabrics. Some stripes are covered with small pieces of paper, most are illegible, but one on the lower left has the text “BEDFORD UNION ARMORY.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/15/old-stone-house-a-time-before-kale-a-screening-with-asha-boston-1014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602779302577-2Q13F97HU1P9Q80N0DFV/Screen+Shot+2020-10-15+at+12.02.36+PM.png</image:loc>
      <image:title>NEWS - Old Stone House: A Time Before Kale, a Screening with Asha Boston, 10/14</image:title>
      <image:caption>[Image description: Painting of the Old Stone House when it was surrounded by fields and a dirt road. The building is three stories tall with a high-pitched roof and a door on the right. It is in redbrick but the bottom two floors are painted white. There is a variety of spindly trees around the house, and a wooden fence.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/15/naturally-occurring-cultural-districts-ny-activating-the-cultural-power-of-a-movement-109</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602778802401-RSXQRRKNKJWRFC17914V/Screen+Shot+2020-10-15+at+11.33.32+AM.jpg</image:loc>
      <image:title>NEWS - Naturally Occurring Cultural Districts NY: Activating the Cultural Power of a Movement, 10/9</image:title>
      <image:caption>Image by Melanie Cervantes. [Image description: There is a maroon circle at the center of this highly patterned image, which is predominantly orange. Around the circle in white text is written “THEY TRIED TO BURY US, THEY DIDN’T KNOW WE WERE SEEDS,” There is a fountain like flower in the circle in yellow and orange.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/8/the-studio-museum-in-harlem-garrett-bradley-america-begins-112</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602169842199-FJXKHT26AU7KL9NV56WI/Projects_GarrettBradley_Exhibitionhero.jpg</image:loc>
      <image:title>NEWS - The Studio Museum in Harlem: Garrett Bradley – America, Begins 11/2</image:title>
      <image:caption>Garrett Bradley, America, (video still, detail), 2019. Photo: courtesy the artist. [Image description: A black and white still of two women stand behind a basketball court chain link fence, they look through it with their hands on it, and both have a sorrowful expression.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/8/the-kitchen-presents-baseera-khan-by-faith-1011</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602169762705-NVH2P550LVB3KPYK0A51/Screen+Shot+2020-10-08+at+10.37.05+AM.png</image:loc>
      <image:title>NEWS - The Kitchen Presents Baseera Khan: By Faith, 10/11</image:title>
      <image:caption>Baseera Khan. Courtesy of the artist. [Image description: A color photograph of an interior, in the front is a dining room table and chairs in the back are a plant-chest, pieces of art on the wall and above them bookshelves in white.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/10/8/the-laundromat-project-virtual-open-house-105</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1602169618530-E7YHS9TX71VY5KPLBTLC/openhouse_banner.jpg</image:loc>
      <image:title>NEWS - The Laundromat Project: Virtual Open House, 10/5</image:title>
      <image:caption>[Image description: On a gray background is a line drawing in black of a streetscape comprised of three buildings. Across the whole image towards the bottom, there is a thick wavy sky-blue line. At the top right is the text highlighted in the same blue “MONDAY OCT 5, 1:00 PM”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/30/2019-2020-queerartmentorship-annual-exhibition-commences-october-29</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1601495579171-6PZV5ZWG0FUO4WWI4764/smaller.png</image:loc>
      <image:title>NEWS - 2019-2020 Queer|Art|Mentorship Annual Exhibition, Commences October 29</image:title>
      <image:caption>[Image description: Elaborate rainbow-colored text reads “ARCANUM” in massive letters running vertically. The text is on a black background with geometric lines around it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/30/young-new-yorkers-young-new-yorkers-amp-project-reset-virtual-exhibition-107</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1601495482036-QP5SLPHRI8D8P1PR3XZI/892004_538435302873535_727558087_o.jpg</image:loc>
      <image:title>NEWS - Young New Yorkers: Young New Yorkers &amp;amp; Project Reset Virtual Exhibition, 10/7</image:title>
      <image:caption>[Image description: In a checkerboard grid, some squares have the repeated black text “Young New Yorkers,” they are interspersed with portraits in different colors of young men.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/30/vibe-theater-abrupt-god-is-a-black-woman-103</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1601495367080-70AMRC60N62VTD7W7LUS/Screen+Shot+2020-09-30+at+3.17.03+PM.png</image:loc>
      <image:title>NEWS - vibe Theater: ABRUPT: God is a Black Woman, 10/3</image:title>
      <image:caption>[Image description: In bubble like font, is the word “vibe,” each letter is partly pink and black with a thin white line separating the colors, under that is the text “Theater Experience” in pink.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/30/the-feminist-press-telling-our-own-stories-101</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1601495241404-1H68VHAZLBO20WT0QYO0/Screen+Shot+2020-09-30+at+3.10.20+PM.png</image:loc>
      <image:title>NEWS - The Feminist Press: Telling Our Own Stories, 10/1</image:title>
      <image:caption>[Image description: On a white square background, is the text in bold “Telling Our Own Stories: Latinx Storytelling Across All Genres” in three rows.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/25/worlds-without-end-stories-around-borders-at-the-hugh-lane-gallery-dublin-ireland-101</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1601041950539-IUOQQ8X4RD4I5D3QIF7R/Screen+Shot+2020-09-25+at+9.43.25+AM.png</image:loc>
      <image:title>NEWS - Worlds Without End: Conversation with Co-Curators Michael Dempsey and Sara Reisman Chaired by Colin Graham, 10/1</image:title>
      <image:caption>Worlds Without End. Design: Tony Waddingham. [Image description: On the left on a yellow background is a black line map of the Pangea a supercontinent that existed during the late Paleozoic and early Mesozoic eras. Assembled from earlier continental units approximately 335 million years ago, and it began to break apart about 175 million years ago, to form the continents we know now. Large black text on the right says “Worlds Without End, and running horizontally to the right of that, “Stories Around Borders.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/24/latinx-project-demystifying-disability-creatives-amp-the-makingmusing-of-latinx-1118</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1600958178399-CBWLWBZ4OG47EUIGDYJJ/Screen+Shot+2020-09-24+at+9.58.33+AM.png</image:loc>
      <image:title>NEWS - Latinx Project - Demystifying Disability: Creatives &amp;amp; the Making/Musing of Latinx, 11/18</image:title>
      <image:caption>[Image description: Logo for Latinx Project. White text on a black square within a white background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/24/air-gallery-present-aliza-shvarts-hotline-begins-1016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1600958106896-1614MX3IBXWP4JEB8GQZ/Hotline%2Bteaser%2B3_CORRECTED.jpg</image:loc>
      <image:title>NEWS - A.I.R. Gallery Present Aliza Shvarts: Hotline, Begins 10/16</image:title>
      <image:caption>[Image description: Photograph of a red telephone on a black background. The text on the image is top to bottom: “Aliza Shvarts: Hotline,” then “I don’t know, you don’t know,” then “but it knows” and “(866) 696-0940.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/24/recess-art-stage-kiyan-williams-something-else-variations-on-americana-926</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1600957986732-DVPOCA0F24MS13E382T0/Screen+Shot+2020-09-24+at+9.44.55+AM.png</image:loc>
      <image:title>NEWS - Recess Art Stage Kiyan Williams: SOMETHING ELSE (VARIATIONS ON AMERICANA), 9/26</image:title>
      <image:caption>Kiyan Williams, something else (Variations on Americana), 2020. [Image description: Photograph of cooking ingredients and an American flag in front of a microwave and a coffee maker, on a kitchen countertop.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/16/friends-of-materials-for-the-arts-creative-infusion-art-and-reuse-in-the-classroom-fall-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1600283803008-F8P1MJ1JU9T0BY8PLK0Z/Untitled-2.jpg</image:loc>
      <image:title>NEWS - Friends of Materials for the Arts: Creative Infusion: Art and Reuse in the Classroom, Fall 2020</image:title>
      <image:caption>[Image description: In a black container, in a grid of twelve sections, are white squares covered by white circles, with circles in different colors on top, they include green, red, orange and purple. It has a gold ribbon around it against a gray background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/16/wendys-subway-abolitionist-insurgency-ending-the-grammars-of-capture-0921</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1600283662885-0T549BEJK470YUKH4X1C/mb_cover_horizontal_copy.jpg</image:loc>
      <image:title>NEWS - Wendy's Subway: Abolitionist Insurgency: Ending the Grammars of Capture,  09/21</image:title>
      <image:caption>[Image description: A traditional book covered in purple linen, and embossed with the title “The Odd Years,” and “Morgan Bassichis.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/16/lewis-latimer-house-language-as-a-technology-of-self-revelation-and-community-building-1024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1600283526132-K8OT2VUG59RKOLFV6F4M/Screen+Shot+2020-09-16+at+2.46.12+PM.png</image:loc>
      <image:title>NEWS - Lewis Latimer House: Language As a Technology of Self-Revelation and Community Building, 10/24</image:title>
      <image:caption>Detail of the A Biomythology book cover by Audre Lorde [Image description: Woodcut in black ink on white paper, a woman stands in the center dividing the lush depiction of nature on the left and a cityscape on the right.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/2/el-museo-del-barrio-host-se-que-fue-as-porque-estuve-all-with-xime-izquierdo-ugaz-0909</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1599073277550-79QJS4I3AM2D841Y8N29/Screen+Shot+2020-09-02+at+10.10.46+AM.png</image:loc>
      <image:title>NEWS - El Museo Del Barrio Host Se Que Fue Así Porque Estuve Allí with Xime Izquierdo Ugaz, 09/09</image:title>
      <image:caption>Image from online photographic archive Se Que Fue Así Porque Estuve Allí, by Xime Izquierdo Ugaz [Image Description: This photograph features six photographic portraits each framed differently. They are all of women in differing poses.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/2/the-latinx-project-present-a-book-talk-on-how-migrant-suffering-sustains-white-democracy-1030</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1599073191511-QFTL7RJ5JT97FTARNA84/https%253A%252F%252Fcdn.evbuc.com%252Fimages%252F109748941%252F274189017252%252F1%252Foriginal.jpg</image:loc>
      <image:title>NEWS - The Latinx Project Present a Book Talk on How Migrant Suffering Sustains White Democracy, 10/30</image:title>
      <image:caption>[Image Description: A woman in black clothing is photographed from the side, she stands at a wooden lectern in a darkened auditorium, there are images and text projected behind her.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/2/asian-american-arts-alliance-a4-september-town-hall-on-arts-as-civic-engagement-922</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1599073037446-H6DJJHNLUCDTPQF2XEQR/Screen+Shot+2020-09-02+at+9.49.33+AM.png</image:loc>
      <image:title>NEWS - Asian American Arts Alliance (A4): September Town Hall on Arts as Civic Engagement, 9/22</image:title>
      <image:caption>[Image Description: On a bright orange/red background there are narrow white rectangles in a whiter color. The navy left aligned text on top is “SEPTEMBER TOWN HALL” and right aligned on the bottom is “Art as Civic Engagement.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/9/2/bomb-a-room-with-a-view-with-walter-mosley-amp-lauren-wilkinson-915</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1599072945884-L2KHO1SAK72E2GP0OIMA/RWAV_IG.jpg</image:loc>
      <image:title>NEWS - BOMB: A Room with a View with Walter Mosley &amp;amp; Lauren Wilkinson, 9/15</image:title>
      <image:caption>[Image Description: Two photographs printed in black on a blue background overlap to the right. Top is a portrait of Mosely, bottom and center is one of Wilkinson. The left aligned text in white on top is “A Room with a View” and underneath “Walter Mosley &amp; Lauren Wilkinson” then “9/15” and finally on the bottom right in italics is “BOMB.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/26/the-luminal-theater-host-blk-docs-back-to-natural-827-93</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1598452975590-DO3WC3A0Q1WLRZ0MYH77/Back%2Bto%2BNatural%2BStill%2B3.png</image:loc>
      <image:title>NEWS - The Luminal Theater Host BLK Docs: Back To Natural, 8/27-9/3</image:title>
      <image:caption>[Image Description: A woman is having her hair braided in this still from Back To Natural a documentary by Gillian Scott-Ward. She has her eyes closed and is smiling. She wears an earring with red beads.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/26/fivemyles-new-exhibition-being-seen-95-104</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1598452849204-QU7HFZQO7Q20DFCZUIZR/Gladys.jpg</image:loc>
      <image:title>NEWS - FiveMyles New Exhibition Being Seen, 9/5-10/4</image:title>
      <image:caption>Ann Rosen, Gladys, 2018. Monochrome photograph. [Image Description: In this black and white photograph a woman has her eyes closed as if enjoying the heat of the sun, her head is tilted left and she has graying hair.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/26/curatorial-residency-2020-visual-aids-profile-on-sho-akita</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1598452371695-H5QCCRYZE3XGFFVSQ1VS/Sho-cropIMG_5224d.jpg</image:loc>
      <image:title>NEWS - Curatorial Residency 2020: Visual AIDS Profile on Sho Akita</image:title>
      <image:caption>[Image Description: Artist Sho Akita sits on the ground in this photograph, one knee supporting his chin, he smiles into the camera. He is in a white room with a number of black frames in the background, each has indecipherable text.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1598452430548-8PRXQ010WBVWHW0UVPOX/lovers_1.jpg</image:loc>
      <image:title>NEWS - Curatorial Residency 2020: Visual AIDS Profile on Sho Akita</image:title>
      <image:caption>Installation view of Lovers. The Museum of Modern Art, New York, July 30, 2016 – April 16, 2017. © 2016. The Museum of Modern Art. Photo: Jonathan Muzikar. [Image Description: In a darkened room, there is a tower of video projectors, around the room there are projections of nude figures, the one on the left is in a cruciform position.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1598452511388-31P42DQE8EQAZ9VJXUTT/DumbType_SN_KazuoFukunaga_IMG0003-blog.jpeg</image:loc>
      <image:title>NEWS - Curatorial Residency 2020: Visual AIDS Profile on Sho Akita</image:title>
      <image:caption>Performance documentation of Dumb Type's "S/N" (1994) with Teiji Furuhashi and Bubu de la Madeleine. Photo: Kazuo Fukunaga. [Image Description: the wide image on top looks like someone on a phone, the lower part is divided into two images: on the left is a blonde drag queen in a wig and extreme make up, fire engine red lipstick and bright blue eye shadow and false eyelashes, on the right is a woman on the phone also in similar make up with her eyes closed on a blue phone.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/19/participant-inc-jonathan-berger-an-introduction-to-nameless-love-99-1011</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1597850595047-CXMYXPEDHJIORPYELA8C/Screen+Shot+2020-08-19+at+10.45.17+AM.png</image:loc>
      <image:title>NEWS - PARTICIPANT INC: Jonathan Berger: AN INTRODUCTION TO NAMELESS LOVE, 9/9 – 10/11</image:title>
      <image:caption>[Image description: There are rows and rows of indecipherable metallic text sculptures, the text in front is legible and says “FRIENDS DO” and below that “RIENDS.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/19/the-latinx-project-critical-latinx-indigeneities-forum-1013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1597850442073-TD0ADBK1VA6C7FRWS668/Screen+Shot+2020-08-19+at+10.29.55+AM.png</image:loc>
      <image:title>NEWS - The Latinx Project: Critical Latinx Indigeneities Forum, 10/13</image:title>
      <image:caption>[Image description: A brown and beige color scheme dominate this slightly abstract image of a desert landscape of dunes.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/19/theatre-of-the-oppressed-gulp-online-panel-discussion-825</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1597850314111-4VD8X1GIC39WZJ4R0ZJ1/Screen+Shot+2020-08-19+at+10.23.45+AM.png</image:loc>
      <image:title>NEWS - Theatre of the Oppressed... (gulp) Online?: Panel Discussion, 8/25</image:title>
      <image:caption>[Image description: This image is comprised of a part of a text in orange and green with the name of the organization, it has multiple images in a grid underneath. In each, though partially obscured are images of people taken from zoom calls. A smiling woman in the lower left holds up an i-phone with a smiley face image on it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/19/more-art-host-discussion-with-artist-sean-desiree-and-artistic-coordinator-jules-rochielle-sievert-820</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1597850137075-KNUL4KNCE5HIG3ASN880/Screen+Shot+2020-08-19+at+10.13.53+AM.png</image:loc>
      <image:title>NEWS - More Art Host Discussion with Artist Sean Desiree and Artistic Coordinator Jules Rochielle Sievert, 8/20</image:title>
      <image:caption>Photo credit: Image of plastic headband for face shields by Sean Desiree (top left). [Image description: This is a grid of four black and white photographs. Clockwise: A hand holds a black grid like object; a portrait of a man holding his clenched left hand up to his face in high contrast lighting against a dark background; a close up of a sewing machine base; and a close up portrait of a person with 50’s style glasses.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/19/cccadi-sankofa-talks-navigating-activism-as-black-women-with-rosa-clemente-and-chelsea-miller-824</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1597849942754-Y7Q5TQ3PWIFD6GJNKI6Z/Screen+Shot+2020-08-19+at+9.59.51+AM.png</image:loc>
      <image:title>NEWS - (CCCADI): SANKOFA Talks: Navigating Activism as Black Women with Rosa Clemente and Chelsea Miller,  8/24</image:title>
      <image:caption>[Image description: Photographic black and white cutout portrait of a young boy wearing an Angela Davis t-shirt, he has an orange halo and a narrow green stripe between that and his hair. Text on the patterned brown and black background says SANKOFA TALKS in beige with an orange squiggle line underneath.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/26/the-studio-museum-harlem-present-studio-museum-live-with-sadie-barnette-x-legacy-russell-820</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1598451855438-Z0XNRGKZQJIRXP17P0H3/04_Sadie_Barnette.jpg</image:loc>
      <image:title>NEWS - The Studio Museum Harlem Present Studio Museum LIVE with Sadie Barnette x Legacy Russell, 8/20</image:title>
      <image:caption>Installation view of Sadie Barnette: The New Eagle Creek Saloon, Institute of Contemporary Art, Los Angeles, September 29, 2019 – January 26, 2020. Photo: Jeff McLane. [Image Description: a circular bar counter in a white square room dominates the image, it is surrounded by white topped metal barstools, the room is lit in pink and purple, and the text on the pink neon sign on the wall says “Eagle Creek.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/4/bronx-museum-online-exhibition-alicia-grllon-at-home-with-essential-workers-1123</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596561249533-S89ZO58MY22ACO0MC8GR/March_31_20201-1.jpg</image:loc>
      <image:title>NEWS - Bronx Museum Online Exhibition: Alicia Grúllon: At Home with Essential Workers, - 11/23</image:title>
      <image:caption>"March 31, 2020: Rikers Island Prisoners Are Being Offered PPE and $6 an Hour to Dig Mass Graves-https://theintercept.com/2020/03/31/rikers-island-coronavirus-mass-graves/", 2020. Archival Digital Print. [Image Description: the artist wears an orange prison jumpsuit standing in a domestic space with white walls and a chandelier, there are dramatic shadows on the wall behind her from flash photography.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/4/health-and-justice-for-all-a-youth-led-conversation-by-old-stone-house-and-human-impacts-institute-821</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596560866437-P5T7E5VMIO48JNF8CYVR/https%253A%252F%252Fcdn.evbuc.com%252Fimages%252F107286292%252F178602854275%252F1%252Foriginal.jpg</image:loc>
      <image:title>NEWS - Health and Justice for All, a Youth Led Conversation by Old Stone House and Human Impacts Institute, 8/21</image:title>
      <image:caption>[Image Description: Four black and white photographic portraits for participants in the discussion. Top left: woman with black hair and polo neck stands amongst plants, top right: woman smiles in front of climbing plant background, bottom left: woman with hat, suit and shirt, and bottom right: woman with corkscrew curls stands in white sleeveless t-shirt against white background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/4/el-museo-curating-during-the-pandemic-86</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596560777632-XET9G8LHL5DTYSH510X1/Untitled-4-scaled.jpg</image:loc>
      <image:title>NEWS - El Museo: Curating during the Pandemic, 8/6</image:title>
      <image:caption>[Image Description: The truncated white text on a square black background is “CURATING DUR…” in large letters and “THE QUEENS MUSEUM, EL MUSEO DEL BARR…”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/4/vibe-theater-experience-host-black-women-are-reliable-sources-810</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596560641560-T1HPETM0KWOQKUBEOZ7E/116108946_10159962205053294_6751939792696863492_o.jpg</image:loc>
      <image:title>NEWS - vibe Theater Experience Host Black Women Are Reliable Sources, 8/10</image:title>
      <image:caption>Respect. A 3-PART SERIES EXPLORING SOCIAL STRATIFICATION WITHIN BLACK COMMUNITIES AND THE NON-PROFIT INDUSTRIAL COMPLEX” underneath which are two circular photographic portraits of two women, who both wear indiscernable white text on black t-shirts. The text below each, from left to right is: Toya Lillard, Executive Director at viBe Theater, and Robyne Walker Murphy, Executive Director Groundswell.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/8/4/cccadi-present-culture-curriculum-amp-consciousness-for-educators-85-812</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596560553581-NET9Q53O50O1HPLLGRTM/image-asset.png</image:loc>
      <image:title>NEWS - CCCADI Present Culture, Curriculum, &amp;amp; Consciousness for Educators, 8/5, 8/12</image:title>
      <image:caption>[Image Description: On a square background, with horizontal stripes from navy, red and orange, (top to bottom) sits the logo for CCCADI in orange. In a circle of text around the initials for the organization are the words “CARIBEAN CULTURAL CENTER and AFRICAN DIASPORA INSTITUTE,” between the two sets of words is a single coffee bean.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/29/leslie-lohman-museum-exhibition-omniscient-queer-documentation-in-an-image-culture-103</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596032545097-2XYUJVKQ2MHZJWYZW15C/godoy-amigxs.png</image:loc>
      <image:title>NEWS - Leslie Lohman Museum Exhibition OMNISCIENT: Queer Documentation in an Image Culture, 10/3</image:title>
      <image:caption>[Image Description: This black and white photograph depicts a billboard on top of a building shot from below. On the sign is an extreme close up of four men, each pair is kissing.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/29/the-future-of-time-predictive-analytics-and-incarceration-facilitated-by-american-artist-hosted-by-wendys-subway-89</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596032421531-XC5UYAKZ4NR0939SC3US/ws-arg-web-announce.png</image:loc>
      <image:title>NEWS - The Future of Time: Predictive Analytics and Incarceration Facilitated by American Artist Hosted by Wendy’s Subway, 8/9</image:title>
      <image:caption>[Image Description: On a turquoise background partially obscured by a brick wall drawing is the text “ABOLITION READING GROUP.” The text and drawing are in mauve.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/29/outer-seed-shadow-project-recovering-ancestral-knowledge-85</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596032266203-QLEBR34KDDTV0T2YGTLO/OSSMH_Open-Garden_09.jpg</image:loc>
      <image:title>NEWS - Outer Seed Shadow Project: Recovering Ancestral Knowledge, 8/5</image:title>
      <image:caption>[Image Description: This color photograph shows an instructor conducting a class with young people. Everyone in the image is focused on the table in the middle, which has drawings and paintings—made by the class—on it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/29/socrates-sculpture-park-online-celebration-of-jeffrey-gibsons-monument-unveiling-724</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1596032056224-180KRLGYYNMZJWJR6DOR/Gibson-3-2048x1342.jpg</image:loc>
      <image:title>NEWS - Socrates Sculpture Park: Online Celebration of Jeffrey Gibson's Monument Unveiling, 7/24</image:title>
      <image:caption>Jeffrey Gibson, Because Once You Enter My House It Becomes Our House, 2020; Courtesy the Artist, Socrates Sculpture Park, Sikkema Jenkins &amp; Co., New York, Kavi Gupta, Chicago, and Roberts Projects, Los Angeles. Image by Scott Lynch. [Image Description: This image depicts a three-tiered pre-columbian style pyramid in a park. It is covered with prints, each side and each tier have a different pattern of prints in pink, orange, yellow, red, turquoise and purple. On the left side of the pyramid, the text reads top to bottom “IN NUMBERS NUMBERS NUMBERS TOO TOO TOO BIG TO IGNORE.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/22/performance-in-place-waste-of-a-nation-by-baseera-khan-1027</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1595426626540-PITUBQCM2TNP1X3IPZRY/IMG_0422.JPG</image:loc>
      <image:title>NEWS - Performance-in-Place: Waste of a Nation by Baseera Khan, 10/27</image:title>
      <image:caption>Image courtesy of the artist. Privacy Control at BRIC Arts Media Brooklyn, live performance and climb, October 9, 2019. [Image Description: Artist Baseera Khan sits on the floor of a gallery space and wears black headphones, a black long-sleeved shirt, black pants, and gray and lime green socks. Surrounding her are objects including boots, tennis shoes, sandals, and an iphone.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/22/performance-in-place-disappearing-acts-50-by-latasha-n-nevada-diggs-922</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1595426297899-1T7ZKX75M7HSZPME7ZZU/LaTasha%2BDiggs%2B2019.jpg</image:loc>
      <image:title>NEWS - Performance-in-Place: Disappearing Acts @ 50 by LaTasha N. Nevada Diggs, 9/22</image:title>
      <image:caption>Performance, Brooklyn, NY, 2019. Credit: Akinfe Fatou. [Image Description: Performance artist LaTasha N. Nevada Diggs gives a public performance, reading from a book with title “TWERK” written in a graphic, red font on a blue background. She wears a light brown head wrap, black eyeglasses, a black jacket, a black shirt, and two necklaces with each a golden medallion. In front of her are two microphones and two mixers on a table].</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/22/performance-in-place-hotline-discussion-with-aliza-shvarts-and-sara-seisman-98</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1595425424977-SLVMX3WAH86XXV2PE65H/Hotline%2Bteaser-1.jpg</image:loc>
      <image:title>NEWS - Performance-in-Place:&amp;nbsp;Hotline&amp;nbsp;by Aliza Shvarts, 9/8</image:title>
      <image:caption>Image courtesy of Aliza Shvarts. [Image Description: A red glossy circle with the image of a telephone and the word “HOTLINE” in white. Below ithe red circle, the words “by Aliza Shvarts” are in grey font. And on the bottom of the image are two hands and forearms in arm-length, black latex gloves crossed.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/22/the-studio-museum-in-harlem-present-online-exhibtion-hearts-in-isolation-expanding-the-walls-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1595424521035-DMAQ85GPGOK1FN1TJH90/Hearts.png</image:loc>
      <image:title>NEWS - The Studio Museum in Harlem Presents Online Exhibtion: Hearts in Isolation: Expanding the Walls 2020</image:title>
      <image:caption>April Riley, New Heights (detail), 2020. Digital chromogenic print. Courtesy of the artist. [Image Description: This photograph depicts the view of a city through a peephole, it is monochrome, and text over the image reads “Hearts in Isolation” and in smaller font “Expanding the Walls 2020.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/22/lewis-latimer-house-summer-steam-series-724-731</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1595424421014-GMMPXVT7X3ISHH133BOH/Summer-STEAM-Series-Web-Banner.png</image:loc>
      <image:title>NEWS - Lewis Latimer House: Summer STEAM Series, 7/24, 7/31</image:title>
      <image:caption>[Image Description: This series of grids in differing sized rectangles and squares, has a number of images divided by a white line running through it. Each section has images or texts such as a microphone, paper plane, or DJ deck. The colors are green, blue, orange and yellow. The text is “SUMMER STEAM SERIES” and VIRTUAL WORKSHOPS.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/22/el-museo-host-virtual-book-launch-for-raphael-montaez-ortiz-virtual-book-launch-722</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1595424230485-GOKY6H8HVJ5CVZFMUS5L/Raphael.png</image:loc>
      <image:title>NEWS - El Museo Hosts Virtual Book Launch for Raphael Montañez Ortiz, 7/22</image:title>
      <image:caption>[Image Description: Large initials on a dark green background spell “RMO” in black. Over this is written in white “RAPHAEL MONTAÑEZ ORTIZ” and “VIRTUAL BOOK LAUNCH” in a smaller font.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/21/eileen-myles-on-borges-and-performance-in-place-in-document-journal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1595364508491-JOYXOQ777CIMZXD92I6X/Screen+Shot+2020-07-21+at+4.43.29+PM.png</image:loc>
      <image:title>NEWS - Eileen Myles on Reality, Borges and Performance In Place in Document Journal</image:title>
      <image:caption>Still from An American Poem, by Andrea Kirsch in collaboration with poet Eileen Myles. [Image Description: Myles is caught in mid-sentence she sits in a green room with artwork on the wall on the right. They have long brown hair and dark brown eyes.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/15/socrates-sculpture-park-present-performance-live-stream-by-laura-ortman-722</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594839803065-T5XKQLXDV6V8G05U9YC8/Laura-Ortman-copy-2048x1359.jpg</image:loc>
      <image:title>NEWS - Socrates Sculpture Park Present Performance Live-Stream by Laura Ortman, 7/22</image:title>
      <image:caption>[Image Description: In this photographic portrait, a woman with black hair stands in front of a huge tree, its bark provides the background. She is smiling and wears a camouflage cardigan in green, purple and mauve. She holds a red and black stick, which looks like it is covered in beads.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/15/air-screening-all-weve-got-directed-by-alexis-clements-729</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594839601088-CGLXY6K1RZQC1KZYGKSB/AllWeveGot-PublicityPhoto-Credit-AlexisClements-Web.jpg</image:loc>
      <image:title>NEWS - A.I.R. Screening: All We've Got Directed by Alexis Clements, 7/29</image:title>
      <image:caption>All We’ve Got publicity photograph by Alexis Clement. [Image Description: Photograph of people marching down Broadway in Manhattan. The text on the banner they extend across the whole width of the street is “DYKES STAND UP FIGHT ICE” and “26th ANNUAL DYKE MARCH.” The text is white on a black background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/15/participant-inc-host-shrine-dj-set-poetry-reading-public-discussion-719</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594839512376-3191PRGPF8RWAAPT5GYP/brooklyn_museum_81.102-kneeling-figure-eshu-elegba-3.jpg</image:loc>
      <image:title>NEWS - PARTICIPANT INC Host SHRINE: DJ Set, Poetry Reading, Public Discussion, 7/1</image:title>
      <image:caption>Kneeling Figure (Eshu-Elegba). Height: 11 in. Yoruba. Late 19th, early 20th century. Photographic reproduction. Brooklyn Museum. Arts of Africa Collection. Gift of Dr. and Mrs. Joel Hoffman. Copyright: Creative Commons Attribution 3.0. [Image Description: A photographic reproduction of a carved sculpture of a kneeling figure, Legba, the god of the crossroads, as well as the god of chaos; depicted here as a figure who serves as a connecting tissue between Africans on the continent and the Diaspora.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/15/mfta-third-thursdays-race-art-amp-identity-a-conversation-with-shaun-leonardo-716</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594839129016-J14JG6WUOKQWRXYIJA50/PrimitiveGames_Guggenheim_1522_EnidAlvarez-scaled-e1593781590940.jpg</image:loc>
      <image:title>NEWS - MFTA: Third Thursdays: Race, Art &amp;amp; Identity: A Conversation with Shaun Leonardo, 7/16</image:title>
      <image:caption>Sean Leonardo, Primitive Games performance at The Guggenheim, September 18, 2018. Photograph by Enid Alvarez. [Image Description: Two sets of couples are touching their palms together as part of a performance, those at the center of the photograph are crouching down on the white floor, and all of the performers are wearing white t-shirts and trousers with trainers.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/8/creative-capital-event-the-role-of-artists-in-social-and-cultural-change-714</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594227681683-V1E913UXS0M7F5Q4A9QI/https---cdn.evbuc.com-images-105427494-195690330140-1-original.20200706-150855.jpeg</image:loc>
      <image:title>NEWS - Creative Capital Event: The Role of Artists in Social and Cultural Change, 7/14</image:title>
      <image:caption>[Image Description: Photograph of Favianna Rodriguez and Julio Salgado. Favianna on the left has her arm around Julio on the right. She has a gray t-shirt, and he has a black on with the words “BLACK LIVES MATTER” on it. The photograph has a green cast, and has the text at the top “The Role of Artists in Social and Cultural Change” and on the bottom “Creative Capital.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/8/wendys-subway-counterfactuals-workshop-with-tyler-coburn-719-816</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594227474685-MFWBZ2XEFGBSNGJLCJYJ/counterfactuals-1.jpg</image:loc>
      <image:title>NEWS - Wendy's Subway: Counterfactuals, Workshop with Tyler Coburn, 7/19-8/16</image:title>
      <image:caption>Kliment Voroshilov, Vyacheslav Molotov, and Joseph Stalin walking along the banks of the Moscow-Volga Canal in April, 1937. Nikolai Yezhov has been removed from the image. Credit: F. Kislov. [Image Description: In this archival black and white photograph of Stalin, he stands center and in front of the two other men. He has his right hand tucked into his full-length coat at his chest, and he wears an army cap.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/8/fivemyles-lost-voyage-beginning-716</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594227318324-NUF3LIEXIMBPWIVVVQL5/Miriam%2BJo%2BFront.jpg</image:loc>
      <image:title>NEWS - FiveMyles: LOST VOYAGE Beginning 7/16</image:title>
      <image:caption>[Image Description: In this color photograph, a woman seems to be painting while lying on her back. The painting in front of her is semi-transparent, and depicts a woman in a dance-like gesture, it is mostly green with flourishes of red and black.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/8/fire-and-ice-online-exhibition-by-the-cue-teen-collective-through-725</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594227200064-P8F3HZT4SQO16WLTO5SO/CTCOnlineExhibition_2020_Rectangle2_2000px.png</image:loc>
      <image:title>NEWS - Fire and Ice, Online exhibition by the CUE Teen Collective, 6/27-7/25</image:title>
      <image:caption>[Image Description: A black background is covered in squiggly lines in orange. The large text on top is “FIRE &amp; ICE,” the smaller text below is “An online exhibition by the CUE Teen Collective.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/7/8/socrates-sculpture-park-instagram-live-tour-with-jeffrey-gibson-716</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1594227068755-17K522S0YD5M6UYMGGAR/Jeffrey-Gibson-copy-1.jpg</image:loc>
      <image:title>NEWS - Socrates Sculpture Park: Instagram Live Tour with Jeffrey Gibson, 7/16</image:title>
      <image:caption>[Image Description: In this head and shoulders portrait, artist Jeffrey Gibson is dressed in a green combat pattern shirt, a black t-shirt and a peaked cap, he has a graying beard, short hair and smiles directly at the camera, the background is white.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/30/sugar-hill-childrens-museum-of-art-amp-storytelling-childrens-art-exhibition-for-justice-728</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593531280495-DGCLIX15R607EKGH5JM6/Screen+Shot+2020-06-26+at+12.42.55+PM.png</image:loc>
      <image:title>NEWS - Sugar Hill Children’s Museum of Art &amp;amp; Storytelling: Children’s Art Exhibition for Justice, 7/28</image:title>
      <image:caption>Summer Camp Art Exhibition, (detail), 2019. Photo by Michael Palma Mir. [Image Description: A grid of nine hand print paintings, each is in a different style by a different unknown author, they are highly colorful.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/30/queerart-lets-draw-the-revolution-727</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593531177383-CCVC6EU80E28JOIOMB3C/Screen+Shot+2020-06-26+at+12.52.25+PM.png</image:loc>
      <image:title>NEWS - Queer|Art: Let's Draw the Revolution, 7/27</image:title>
      <image:caption>Queer|Art Logo. [Image Description: A blue capital Q is truncated at the top of this black square image, also at the top in full is the text in white “Queer|Art” the central punctuation point is in blue.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/30/cue-present-post-graduate-students-in-education-discussion-on-artcovidedu-77</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593531037643-MV8CZWA5OG2B9IYECFIU/art%40covid-1.png</image:loc>
      <image:title>NEWS - CUE Present Post-Graduate Students in Education Discussion on ART@COVID.EDU, 7/7</image:title>
      <image:caption>[Image Description: On a graphic white background is the light green text “MFA” repeated over and over. Laid over this background at the top On this is theis blue text reading t in blue at the top “art@covid.edu” and below that in black “Studio Art MFAs &amp; the cost of Remote Learning, July 7 @ 6pm EDT.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/30/onstageweeksville-presents-freeconjureblack-a-digital-liberation-salon-with-host-ebony-noelle-golden-628</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593530903074-TKGK4FLGTY1EA49MA080/image-asset.png</image:loc>
      <image:title>NEWS - OnStage@Weeksville Presents: free/conjure/black: A Digital Liberation Salon with Host Ebony Noelle Golden, 6/28</image:title>
      <image:caption>[Image Description: Weeksville logo, which is comprised of a gold old stamp like circle, in which a “W” in white is central. Underneath is the text “WEEKSVILLE HERITAGE CENTER” also in gold]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/30/artnet-news-13-events-for-your-virtual-art-calendar-this-week-from-kota-ezawas-national-anthem-to-a-tour-of-eileen-myless-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593528818166-FDFIYFHKDF1MJR4XC94O/9f416db7c4c823bee79963c5fa1cb3044fca33c5-1024x682.jpg</image:loc>
      <image:title>NEWS - artnet news: 13 Events for Your Virtual Art Calendar This Week, From Kota Ezawa’s ‘National Anthem’ to a Tour of Eileen Myles’s Art</image:title>
      <image:caption>Poet and author Eileen Myles. Photo courtesy Poetry Foundation. [Image Description: Photographic portrait of Eileen in black and white, their hair is gray and layered to the shoulder, and they wear a gray shirt.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/25/performance-in-place-4-bodies-1-screen-by-maria-hupfield-721</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593103851206-TBJHE7D9O024MBRIBWNN/UofTHeadshot.jpg</image:loc>
      <image:title>NEWS - Performance-in-Place: 4 Bodies 1 Screen  by Maria Hupfield, 7/21</image:title>
      <image:caption>Headshot with Sacajawea Coin Coif, 2019. Photo: Grégoire Féron. Image Description: [A photograph of artist Maria Hupfield holding a great helm made of golden metal circles. She has long brown hair and a black V-neck sweatshirt with green lining along the neck. Behind her is a gray felt piece of fabric with a cut out in the middle lined by black trim. The borders of the felt piece are also lined with black trim.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/25/socrates-sculpture-park-monuments-now-part-i-beginning-710</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593093859731-0LY1D4IKX09Q3P19VG0I/Screen+Shot+2020-06-23+at+3.54.32+PM.png</image:loc>
      <image:title>NEWS - Socrates Sculpture Park: Monuments Now / Part I, Beginning 7/10</image:title>
      <image:caption>Jeffrey Gibson, Because Once You Enter My House It Becomes Our House, 2020; Courtesy the Artist, Socrates Sculpture Park, Sikkema Jenkins &amp; Co., New York, Kavi Gupta, Chicago, and Roberts Projects, Los Angeles. Image by Scott Lynch. [Image Description: This image depicts a three-tiered pre-columbian style pyramid in a park. It is covered with prints, each side and each tier have a different pattern of prints in pink, orange, yellow, red, turquoise and purple. On the left side of the pyramid, the text reads top to bottom “IN NUMBERS NUMBERS NUMBERS TOO TOO TOO BIG TO IGNORE.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/25/the-luminal-theater-blk-docs-wilmington-on-fire-625-72</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593093763303-ZMQN9UMY2LD5OBJPTSS7/Screen+Shot+2020-06-23+at+3.48.26+PM.png</image:loc>
      <image:title>NEWS - The Luminal Theater: BLK DOCS: WILMINGTON ON FIRE, 6/25-7/2</image:title>
      <image:caption>[Image Description: On a black rectangular background is the white text “WILMINGTON ON FIRE,” but the “ON” is in yellow.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/25/theatre-of-the-oppressed-nyc-tonyc-rapid-response-presents-3-on-1-online-forum-71-amp-76</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593093447316-6C6ZCHT73AX68IZM2M30/Screen+Shot+2020-06-23+at+3.24.55+PM.png</image:loc>
      <image:title>NEWS - Theatre of the Oppressed NYC: TONYC Rapid Response Presents "3 on 1" Online Forum, 7/1 &amp;amp; 7/6</image:title>
      <image:caption>[Image Description: This photographic image is a monochrome with a yellow tint. The small text at the top reads “Theatre of the Oppressed NYC PRESENTS A TONYC RAPID RESPONSE TROUPE ONLINE PRODUCTION,” in front of the image is a section of the number “3” the letter “o” and number “1.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/25/laundromat-projects-present-online-exhibition-a-language-for-intimacy-629-830</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1593093251527-4TRW4GYGE91PA6FG5H91/Screen+Shot+2020-06-23+at+3.19.43+PM.png</image:loc>
      <image:title>NEWS - Laundromat Projects Present Online Exhibition: A Language for Intimacy, 6/29 – 8/30</image:title>
      <image:caption>[Image Description: In a narrow gray band at the top of a square, is the text “a language for.” Below this on the red square shape are the separated letters forming the word “intimacy” with different punctuation attached to the right of them.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/19/a-letter-from-executive-and-artistic-director-sara-reisman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-19</lastmod>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/17/dance-nyc-facebook-live-conversation-whats-next-for-festivals-728</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1592412622677-HKI6M45DS4QXFPMZ8QE0/AANW-Webpage-Head-Eblast-Headc3f602.png</image:loc>
      <image:title>NEWS - Dance NYC Facebook Live Conversation: What's Next for Festivals?, 7/28</image:title>
      <image:caption>[Image Description: On a grey background in white text: “For reimagining our world/For moving forward an equitable future/For celebrating our diverse cultures/For maintaining our humanity/For strengthening education/ For caring for our families/For fueling our economy/For Showing the beauty of movement/For Sustaining our emotional health/For demanding justices/For rebuilding New York City as a dignified workforce #ArtistsAreNecessaryWorkers @dancenyc.” At the very bottom of the image in larger text “artists are necessary workers.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/17/wendys-subway-in-a-letter-never-sent-workshop-with-legacy-russell-711</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1592412431326-GC37J0JVOCLEO1U027TL/junejordan.jpg</image:loc>
      <image:title>NEWS - Wendy’s Subway: In a Letter Never Sent Workshop with Legacy Russell, 7/11</image:title>
      <image:caption>June Jordan in Dorm Room at Northfield School for Girls, Radcliffe Institute, 1951–1952. [Image Description: In this monochrome photograph with a slight tint of yellow sits a woman at a desk covered in notebooks and books. She sits right of the desk, and looks sideways at the camera, she wears a check shirtand wears a plaid.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/17/fivemyles-stage-socially-distanced-solo-exhibition-by-jessica-frederick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1592412123296-35GTJXUUCI60TJT119FS/1%2B%281%29%2B%281%29.png</image:loc>
      <image:title>NEWS - FiveMyles Stage Socially Distanced Solo Exhibition By Jessica Frederick</image:title>
      <image:caption>[Image Description: In this photograph, a woman on the right side wears a gray sweatshirt and black trousers, she is carrying a brown and white dog, and peers through a window at paintings inside a gallery. The building is redbrick, and the window has a gridded metal geometric gate in front of it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/17/bronx-museum-present-reverse-reverse-bring-it-back-bring-it-back-an-exhibition-curated-by-bronx-teen-council</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1592411765314-YZX35CN3EWB02KZSE3C4/plattus_loveinthetimeofcorona9.jpg</image:loc>
      <image:title>NEWS - Bronx Museum Present Reverse Reverse: Bring it Back, Bring it Back An Exhibition Curated by Bronx Teen Council</image:title>
      <image:caption>Hayden Plattus, Love in the Time of Corona, 2020. Digital drawing. [Image Description: Two graphic images made through a digital painting process. On the left, the image has text that , the text on the left readsis “TAKE OUT FOR ONE.” A Chinese food tTake- out boxes is next to the textare at the top and a woman with red hair reclines in a black and white striped bikini at the bottom. Her leg is outstretched and she is painting her toenails. The image on the right has a woman and man, in the center is a rotary-n old style orange telephone, a large green tropical leaf, a balloon, and a checkerboard floor. The words “HI” and “Hello” surround the phone.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/17/feminist-press-publication-parenting-for-liberation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1592411486015-3YJXU97VISC1OYB9XOOX/Parenting_for_Liberation_front_cover.jpg</image:loc>
      <image:title>NEWS - Feminist Press Publication: Parenting for Liberation</image:title>
      <image:caption>[Image Description: This book cover has a black circle with the text in white “PARENTING FOR LIBERATION” and in smaller font “A Guide for Raising Black Children.” In a peach colored circle around this in is black the text is in black “TRINA GREENE BROWN.” The rest of the image is divided down the center vertically. On the left is a green-gray pattern of lines making triangles on a peach background, on the right a cowrie- like white shell shape repeated multiple times in vertical lines on a maroon background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/3/27/1qsfdqjvo5757ulf8nqfu1x43zqdto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-12</lastmod>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/11/performance-in-place-from-the-personal-collection-of-eileen-myles-630</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591898757828-GYNN5HJIT6AEP5VBJ3L2/IMG_4051.JPG</image:loc>
      <image:title>NEWS - Performance-in-Place: From the Personal Collection of Eileen Myles, 6/30</image:title>
      <image:caption>Exterior of Myles home. Work by Glen Hanson. [Image Description: A photo of the top Eileen Myles’ home. In the gray facade is an orange circle. Above the roof is a blue sky.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/3/queer-art-book-amp-print-fair-show-n-tell-629</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591194116478-MZX7KCLZGBQD0FZE3KPW/Screen+Shot+2020-06-03+at+8.31.31+AM.png</image:loc>
      <image:title>NEWS - Queer Art: Book &amp;amp; Print Fair Show 'n Tell, 6/29</image:title>
      <image:caption>[Image Description: In the center of this photograph a person stands with their back to the photographer, they have a denim backpack and a turquoise shirt. In the background is a large amphitheater-like set of steps on which many people in summer attire are sitting enjoying the sun.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/11/pride-lockdown-loft-with-leslie-lohman-museum-of-art-628</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591896901083-CLHIR6AE5TOLWENSXGLC/Screen+Shot+2020-06-10+at+4.10.37+PM.png</image:loc>
      <image:title>NEWS - Pride: Lockdown Loft with Leslie-Lohman Museum of Art, 6/28</image:title>
      <image:caption>[Image Description: Pen illustration in light gray of the museum building, which is a classic SoHo loft structure. The text across it is written iIn rainbow colors and reads, the text across i t is “LOCKDOWN LOFT” and underneath that in black is “Opening Pride Sunday, June 28.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/11/hook-arts-media-red-hook-fest-627</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591896821623-Q6ABLY0LRHSP4ME4Z0MN/Screen+Shot+2020-06-10+at+4.20.22+PM.png</image:loc>
      <image:title>NEWS - Hook Arts Media: Red Hook Fest, 6/27</image:title>
      <image:caption>[Image Description: This image is comprised of a monochrome photograph of a woman singing into a mic on the right side, in highly patterned clothing. She stands against a red graphic background that has diagonal orangein stripes in orange. The text on the left readsis “RED HOOK FEST, HOOK ARTS MEDIA” in white lettering and “Photocredit: Martha Redbone. By Craig Bailey/Perspective Photo.” at the bottom of the image.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/11/open-access-in-the-virtual-realm-carmen-papalia-in-conversation-with-sara-reisman-613</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591898699634-QEWSX3QNCBYPHEMWSLP6/Carmen%2BPapalia%2BBFS%2B-%2Bphoto%2Bby%2BJordan%2BReznick-1.JPG</image:loc>
      <image:title>NEWS - Open Access in the Virtual Realm:  Carmen Papalia in Conversation with Sara Reisman, 6/18</image:title>
      <image:caption>Carmen Papalia, Blind Field Shuttle, (San Francisco, CA) 2010 - ongoing. Collaborative performance. Courtesy of the Artist. Photo by Jordan Reznick. [Image Description: A group of people line up behind the artist Carmen Papalia with their arms linked and eyes closed. They cross the street in an urban space towards the camera with Papalia utilizing a white cane to guide them. To Papalia’s left is a security officer.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/11/black-music-month-zoom-event-at-weeksville-heritage-center-613</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591897191209-4WGEGR9BWKIW27AF6DL5/email%2B%281%29.jpg</image:loc>
      <image:title>NEWS - Black Music Month Zoom Event at Weeksville Heritage Center, 6/13</image:title>
      <image:caption>[Image Description: In this image there is a mixture of graphics, the background is of a backgrouna d gradient of yellow to white with some andfeatures a cut- out photograph on this background is of a man holding his very young daughter, he is smiling broadly as she makes glasses for her eyes with her fingers. To the left of the man, in black bold text it says “Keep the Rhythm” and below that in smaller font “A celebration of Black Music, Dedicated Fathers &amp; Community Resistance.” To the right of the man are graphic images of musical notes and some paint splatters, and a blue circle with a white camera in it. Below those graphic reads “Virtual day of fun!”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/11/experience-virtual-tour-of-contemporary-reuse-exhibition-at-mfta</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591898730971-0UTAXRHGLIROQV109E3Y/Screen+Shot+2020-06-11+at+1.47.59+PM.png</image:loc>
      <image:title>NEWS - Experience Virtual Tour of Contemporary Reuse exhibition at MFTA</image:title>
      <image:caption>[Image Description: In this detail of Tijay Mohammed’s installation piece at MFTA made from Tempeh cloth batik and African wax. A monochrome cutout portrait of a woman smiling is nestled into multiple differently shaped, highly colored sections of cloth sewn together.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/11/be-part-of-south-bronx-culture-trail-by-joining-the-book-club-at-casita-maria</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591896160593-DNGSO2WUK7ZPFUAPNVQJ/Screen+Shot+2020-06-10+at+4.41.42+PM.png</image:loc>
      <image:title>NEWS - Be Part of South Bronx Culture Trail by joining the Book Club at Casita Maria</image:title>
      <image:caption>[Image Description: An illustration of a woman girl with her back to the viewer, she is rendered in black and turquoise and holds a yellow flower in her right hand. Behind her back, she holds a police baton, and wears a sash of yellow flowers around her from left shoulder to right hip.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/20/volunteering-and-remote-volunteering-opportunities-during-the-covid-19-crisis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-07</lastmod>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/3/the-old-stone-house-jessica-dalrymple-virtually-teaches-the-art-of-still-life-612-626</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591194032884-IPF8M71EEUO3UNKKB7RN/Screen+Shot+2020-06-03+at+8.57.50+AM.png</image:loc>
      <image:title>NEWS - The Old Stone House: Jessica Dalrymple Virtually Teaches the Art of Still Life, 6/12, 6/26</image:title>
      <image:caption>[Image Description: This oil painting has loose impressionistic brush strokes. It depicts a delft plate in that is white with blue ish decoration, which dominates the image on the left, and an orange in the bottom right corner., Tthere is a background is of bluish gray.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/3/cue-foundations-ongoing-june-performance-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591193891303-FOAVZ6E53G1JDZL3OWTQ/Screen+Shot+2020-06-03+at+8.43.50+AM.png</image:loc>
      <image:title>NEWS - CUE Foundation’s Ongoing June Performance Series</image:title>
      <image:caption>[Image Description: The text on the top half this graphic image is “LULL LULLA LULLEN.” Below, then in smaller font “6/4/20, Morgan Bassichis and Don Christian Jones; 6/11/20, Kite and Corey Stover; 6/18/20, Clay AD and Romily Alice Walden; 6/28/20, Arisleyda Dilone and Camilo Godoy.” All of the text is black and the background is from top to bottom yellow fading to white fading to green.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/6/3/bomb-magazine-begin-fuse-a-podcast-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1591193691110-HC38FPEGTO1GVUD900I2/Screen+Shot+2020-06-03+at+8.21.03+AM.png</image:loc>
      <image:title>NEWS - BOMB Magazine Begin FUSE a Podcast Series</image:title>
      <image:caption>[Image Description: In this graphic image two identically sized circles that are touching seem to revolve around each other, they are touching. They are mostly pink on a red background. There is an arc attached to the lower circle of pink.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/28/executive-and-artistic-director-sara-reisman-inteviewed-by-ante-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590685199582-8TOTVHGEHBJ4WDK5ZPEW/maid-installation-shots-mj-32.jpg</image:loc>
      <image:title>NEWS - Executive and Artistic Director Sara Reisman Inteviewed by Ante Magazine</image:title>
      <image:caption>Jane Benson. A Place for Infinite Tuning, 2014. Plywood, steel, mirrored plexiglass, wooden vase, latex paint, hand-cut artificial flowers, hand-cut oud and viola Photograph by Matthew Johnson, courtesy of the Shelley &amp; Donald Rubin Foundation. [Image Description: Sculpture comprised of two instruments spliced together at opposing ends, they are reflected in an unusual geometric mirrored table, a spliced vase, which is missing parts, it has geometrically cut orange flowers in it.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590685448612-O50KP0L811BSQOO7YQH9/maid-installation-shots-mj-23.jpg</image:loc>
      <image:title>NEWS - Executive and Artistic Director Sara Reisman Inteviewed by Ante Magazine</image:title>
      <image:caption>Mobility and Its Discontents, installation view at The 8th Floor From left to right, works by Alberto Borea, Jorge Wellesley, Lan Tuazon, Jane Benson Photograph by Matthew Johnson, courtesy of the Shelley &amp; Donald Rubin Foundation. [Image Description: In the foreground are two sculptures on ground based plinths. On a central column is an image of a series of gates forming an enclosure. On the back wall, left is a monochrome painting of a street sign in an urban landscape, on the right is a series of flags, each of two countries woven together.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590685704005-FZ9YZZWBNFVNZL0T82YI/2018_apologia-caravaggio-1-2018-12x8.5_r-kelly-resize.jpg</image:loc>
      <image:title>NEWS - Executive and Artistic Director Sara Reisman Inteviewed by Ante Magazine</image:title>
      <image:caption>Betty Tompkins Apologia (Caravaggio #1), 2018 Courtesy of Betty Tompkins and P·P·O·W, New York.: [Image Description: A torn book page featuring the print of a painting by Caravaggio depicting a boy playing a lute. To the right of the young man there is a bouquet of multi-colored flowers on a table. In front of him are fruits, a booklet of sheet music, a violin, and bow. There are words written in pink across the boy’s body and face.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590685916784-7E21ITUPJMAMUWYZI11X/8thfl_revfromwithout_lrg-29.jpg</image:loc>
      <image:title>NEWS - Executive and Artistic Director Sara Reisman Inteviewed by Ante Magazine</image:title>
      <image:caption>Chto Delat To those who (Migrants), 2019. Photograph by Julia Gillard. Courtesy of the artist and the Shelley and Donald Rubin Private Collection. [image description: Installation view of Revolution From Without exhibition of a textile piece, roughly square in shape, it is predominantly red red with a rectangle of gray, and a poem in white text, mostly illegible on this scale but at the top is written “TO THOSE WHO WERE BORN TO FLY BUT SINK INSTEAD.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/27/disability-justice-as-a-vanguard-of-recovery-thinking-facebook-live-conversation-series-by-dance-nyc-616</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590610041221-NJH3D41VGR5PDQG81UU7/Screen+Shot+2020-05-27+at+2.20.36+PM%5B1%5D.png</image:loc>
      <image:title>NEWS - Disability Justice as a Vanguard of Recovery Thinking: Facebook Live Conversation Series by Dance NYC, 6/16</image:title>
      <image:caption>[Image Description: A rectangular image of text. The upper half has The white text against a violet background that readsis “For reimagining our world / For moving toward an equitable future / For strengthening education /For fueling our economy / For rebuilding New York City / #ArtistsAreNecessaryWorkers @dancenyc. Then in large font “artists are necessary workers.” Below that, in violet text on a white background, is written “Disability Justice as a Vanguard of Recovery Thinking. Facebook Live Conversation Series.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/27/crossing-borders-a-play-reading-series-featuring-work-by-dipika-guha-614</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590610288212-OU77QGDH9G474RJY80S1/Screen+Shot+2020-05-27+at+2.41.34+PM%5B1%5D.png</image:loc>
      <image:title>NEWS - Crossing Borders: A Play Reading Series Featuring Work by Dipika Guha, 6/14</image:title>
      <image:caption>[Image Description: Graphic image in red square on a dark blue background, has the name of the play “CROSSING BORDERS” in a number of different Asian language-based calligraphies. Additionally, it has the text “A Play Reading Series featuring works by Dipika Guha, Stefani Kuo, and Zhu Yi, and Sunday, June 7, June 14, June 21.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/27/virtual-steam-workshop-engineering-with-paper-at-lewis-latimer-house-611</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590610173524-YWVT2R7NMH47J5R2XCQW/Virtual-STEAM-Workshop-for-Website%5B1%5D.jpg</image:loc>
      <image:title>NEWS - Virtual STEAM Workshop-Engineering With Paper at Lewis Latimer House, 6/11</image:title>
      <image:caption>[Image Description: Digitally drawn rendered geometric shapes including three-dimensional circles and hollow squares, that are a mix of pink, purple, and turquoise, float against a black background. The text in front in white is “VIRTUAL STEAM WORKSHOP.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/29/performance-in-place-an-evening-with-kinetic-light-69</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590759606900-S8MU5LOCG5KFA3NCXZKK/image-asset.jpeg</image:loc>
      <image:title>NEWS - Performance-in-Place:  An Evening with Kinetic Light, 6/9</image:title>
      <image:caption>Group photo Kinetic Light Artists. Photo by Robbie Sweeny.[ Image Description: Alice Sheppard, Laurel Lawson and Michael Maag are all sitting in their wheelchairs in profile. Alice leans onto Laurel who is leaning onto Michael. They are all smiling.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/27/brooklyn-museums-virtual-first-saturdays-pride-66</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590609736151-98E50V89YA4PR8O1XLFW/Brooklyn-Museum%5B1%5D.jpg</image:loc>
      <image:title>NEWS - Brooklyn Museum's Virtual First Saturdays: PRIDE! 6/6</image:title>
      <image:caption>[Image Description: A large banquet ng hall is lit in red, green, purple blue and white light with stars. People stand at tables throughout and paintings line the wall. There is text in front of the image, text in front framed in black, that reads is “VIRTUAL FIRST SATURDAYS.” Tthe first word in black lettering is against a yellow rectangle, the latter words are against white.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/27/sally-tallant-and-tom-finkelpearl-talk-about-the-queens-museum-with-friends-62</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590609884417-FDVEG0W302VDSYOPBVCT/FEATURED%5B1%5D.jpg</image:loc>
      <image:title>NEWS - Sally Tallant and Tom Finkelpearl Talk About the Queens Museum with Friends, 6/2</image:title>
      <image:caption>[Image Description: Two photographic portraits sit side by side. On the left, a man in a baseball cap, black rimmed glasses, a blue and white pinstripe shirt and a blue mask looks directly into the camera. He stands before , he is standing in front of a blurred cityscape. On the right, a woman with vibrant red lipstick and a black top has shoulder length curly brown hair, she stands in front of a white brick wall.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/27/places-of-isolation-and-healing-edgar-heap-of-birds-and-douglas-miles-in-conversation-528</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1590608418023-72MXDPJ1X2XP2QVTDU7L/Places%2Bof%2BHealing%2Bjpeg%5B1%5D.jpg</image:loc>
      <image:title>NEWS - Places of Isolation and Healing:﻿ Edgar Heap of Birds and Douglas Miles in Conversation, 5/28</image:title>
      <image:caption>Edgar Heap of Birds, Places of Healing, 2020. Primary mono print. [Image Description: The words NOAVOSE, MO'OKINI, TAHOMA, TSOODZIL, DENALI, and UYTAAHKOO painted in off-white on a red background].</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/19/cccadi-begin-diaspora-dining-series-of-instructional-videos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589917776947-NMMTYB10NFM9TNTS2AV7/DD_Santana_videothumb-1.jpg</image:loc>
      <image:title>NEWS - CCCADI Begin "Diaspora Dining" Series of Instructional Videos</image:title>
      <image:caption>[Image Description: A woman looking over her shoulder into the camera has a surprised expression. She Her hair is pulled up in has two high bunches of hair and has an array of floral shrubs decorating it. She wears an orange and white silk top. She is against a graphic orange, green and brown background, and text says her name “CHEF SANTANA.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/19/virtual-talk-art-architecture-amp-sustainability-521</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589917480329-2E0OFIGCM3O33LGJZ1AJ/house28exterior29.jpg</image:loc>
      <image:title>NEWS - Friends of Materials for the Arts Talk: Art, Architecture &amp;amp; Sustainability, 5/21</image:title>
      <image:caption>[Image Description: This photograph features a frontal image of a house made from green shipping containers, on the top left there is also a white conservatory. There is a man sitting on a folding chair on the first-floor terrace. A cat walks in front of the house, and behind it is a canopy of trees.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/19/trans-boxing-engaging-artists-residency-with-more-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589917324082-EDI955E4KP35K5NUYZ8N/Screen+Shot+2020-05-19+at+1.44.58+PM.png</image:loc>
      <image:title>NEWS - Trans Boxing: Engaging Artists Residency with More Art</image:title>
      <image:caption>[Image Description: A number of pairs of people are sparring in a boxing ring. , Tthey are wearing sports clothes and boxing gloves. On the corner cushion of the ring is the vertical text “OVERTHROW.” The scene is lit in a purple light.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/19/the-luminal-theater-is-hyped-to-screen-fresh-black-films</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589917180757-LBLL6VXJMER5KNTJP3MY/FBF%2Bvirtual1-fb%2Bshare1.jpg</image:loc>
      <image:title>NEWS - The Luminal Theater is Hyped to Screen FRESH BLACK FILMS!, 5/19 &amp;amp; 6/2</image:title>
      <image:caption>[Image Description: In this film still, a woman with a vivid patterned shirt and head scarfat carriesying a gray dog. , Sshe is looksing to the right with a serious expression. She is standing in front of vertically striped, colored corrugated fence, from left to right it is painted: red, pink, brown, blue and green.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/19/greg-sholette-from-grantee-social-practice-queens-addresses-futurity-through-collective-writing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589917078955-SK0T0CR5X5FJ26C44KXG/tumblr_416da37e696c0426873ea4a0939c79a3_a2045180_500.jpg</image:loc>
      <image:title>NEWS - Greg Sholette from grantee Social Practice Queens addresses Futurity through Collective Writing</image:title>
      <image:caption>[Image Description: Photograph of a blurred mirror on a wooden desk, it is surrounded on two sides by rulers, one in metal, one in green plastic. The photographer and their phone is reflected in the mirror.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/13/creative-times-ongoing-comics-commissions-for-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589384593828-G8AWB2TYJB15OUXLWWMX/Newsletter_Graphics.png</image:loc>
      <image:title>NEWS - Creative Time's Ongoing Comics Commissions For 2020</image:title>
      <image:caption>[Image Description: White text on a yellow background reads “CREATIVE TIME COMICS 2020,” comics is in a drop-shadow font and 2020 is written vertically beside it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/13/asian-american-arts-alliance-series-of-story-circles-514-515</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589384456394-AL8OB0QYV8HN5AMIR85I/Screen+Shot+2020-05-12+at+10.33.00+AM.png</image:loc>
      <image:title>NEWS - Asian American Arts Alliance Series of Story Circles 5/14, 5/15</image:title>
      <image:caption>[Image Description: On a dark blue background are the following words in red “We Will Be Heard: Cultivating Community During COVID-19” and at the bottom left to right “ASIAN AMERICAN ARTS ALLIANCE” and “A4.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/11/wendys-subway-kick-off-weekly-writing-night-513</loc>
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    <priority>0.5</priority>
    <lastmod>2020-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589215177378-D97I8EY5BKX9KTEZAGH8/b787176f-96ba-4015-8f4b-525f4eb852ba.jpg</image:loc>
      <image:title>NEWS - Wendy’s Subway Kick Off Weekly WRITING NIGHT 5/13</image:title>
      <image:caption>Image Description: A turquoise square with one green circle in the top center, and one white semi-circle at the bottom center. The top left of the image reads “We Hear You ” in black,  which continues into the green circle, “Loud And Clear.” “Writing Night” is written in yellow across the lower center of the image. Black text in the white semi-circle at the very bottom of the image reads “Starts on Wednesday, May 13. Weekly online gatherings from 7-8:30pm. RSVP for ZOOM link at bit.ly/wswritingnight.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/12/weeksville-weekends-returns-with-community-care-home</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1589295470798-BCMDQH2T6920QUBHJCJW/Screen+Shot+2020-05-12+at+10.52.00+AM.png</image:loc>
      <image:title>NEWS - Weeksville Weekends Returns with Community-Care @ Home</image:title>
      <image:caption>[Image Description: Photographic portraits of people in athletic or loose fitting clothing, there are seven portraits, each faces a different direction and is smiling.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/6/performance-in-place-launches-may-19-with-on-art-and-friendship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588793239093-64WGER4YGT7HU8RR1UN7/huwYAb8vc4NFwsiX7e37bnrpbBJSezdYqhs1LLV2DS6R0sOv85a4AmVxcHh2n4rNmSO3HxF5e_AkWT9zj7eEF_p6G_U7L8D_c4HNOxHzX6s4qt34Etr5852bOKJqwYbRHVRw5Qkpft7u%3Ds0-d-e1-ft.jpg</image:loc>
      <image:title>NEWS - Our Virtual Events Series Performance-In-Place Launches May 19, with On Art and Friendship</image:title>
      <image:caption>Photo credit: Nicolás Dumit Estévez Raful Espejo. [Image Description: A photograph of items on top of a blue and white checked tablecloth with a floral motif. To the left of the image is a jar of lavender. Taped to the jar is a piece of masking tape with the words "LAVENDER CALAF - 14" written in black marker. Next to the jar is a floral ceramic plate with a bunch of grapes. To the right of the plate is a light green mug. Below the mug is a smart phone showing a text exchange comprised of images and words.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/5/creative-time-and-sophie-calle-ongoing-project-at-green-wood-cemetery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588703126135-O363W5Y5QIMGRH35HEE3/sophiecalle1.jpg</image:loc>
      <image:title>NEWS - Creative Time and Sophie Calle Ongoing Project at Green-wood Cemetery</image:title>
      <image:caption>Photograph of Sophie Calle performance by Leandro Justin. [Image Description: A woman sits readsing to a man. , Tthey are both sitting on wicker chairs on a sunny day in green-wood cemetarycemetery. , Iin the foreground is a tombstone with the name “Murray” carved on it, there are large trees and the Manhattan skyline is visible in the backgroundthrough them in the background.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/5/bomb-magazine-theory-practice-interview-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588702984907-7YS3EAOO58FNHZVKWH35/Daniel-Arnold-12133-Larrie-Gallery-New-York-2019-Child.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine: Theory + Practice Interview Series</image:title>
      <image:caption>Daniel Arnold, 1:21:33, 2019. Courtesy of Larrie, New York. [Image Description: In this photograph a child with a bored expression sits on the street behind a barricade, other people stand above behind him and another child stands on the base of the barricade.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/5/5/the-kitchen-present-the-bunker-films-by-jenny-perlin-410-58</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588702847781-F4X3X575QY632KF66PV8/subterra_banner.png</image:loc>
      <image:title>NEWS - The Kitchen Present The Bunker Films by Jenny Perlin, 4/10 – 5/8</image:title>
      <image:caption>Still from Ed of Subterra, 2019, one of the Bunker Films, by Jenny Perlin. [Image Description: In this image there is a castle tower attached to a one floor housesingle story home. , Oon the right are a series of four solar panels, the building is surrounded by trees of different varieties, and it is cloudy day.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/30/listen-to-executive-and-artistic-director-sara-reisman-talk-about-worlds-without-end-exhibition-at-the-hugh-lane-gallery-831</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588259117698-4T074Y6V7LUOIITATBA1/lah+wwe+website.jpg</image:loc>
      <image:title>NEWS - Listen to Executive and Artistic Director Sara Reisman talk about Worlds Without End exhibition at The Hugh Lane Gallery</image:title>
      <image:caption>Lawrence Abu Hamdan, Walled Unwalled, 2018, video still. Courtesy the artist. [Image Description: Horizontal bands of light are distorted left and right in this digital video projection, the bands set against black are bluish green.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/30/virtual-talk-behind-the-scenes-at-freshkills-park-519</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588257433464-APVV3QNUY1SXODUXGTC4/Screen+Shot+2020-04-29+at+4.45.15+PM.png</image:loc>
      <image:title>NEWS - Virtual Talk: Behind the Scenes at Freshkills Park, 5/19</image:title>
      <image:caption>[Image Description: Captured on a sunny day, this photograph features a field. In the distance, against a low horizon line, there are lakes and reeds. In the far distance is the skyline of a city.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/30/lewis-latimer-house-museum-will-lead-a-generative-writing-workshop-59</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588257294184-QGB8CJAIQ9M769F9CBI0/Untitled-design-1.png</image:loc>
      <image:title>NEWS - Lewis Latimer House Museum Generative Writing Workshop, 5/9</image:title>
      <image:caption>[Image Description: Two images side by side. On the left is a photograph of Stephanie Jimenez against a green leafy background, she wears a wine-colored top and a necklace. On the right is a photograph of an old style typewriter.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/30/creative-capital-are-offering-free-workshops-online-on-coping-with-covid</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588257149932-1R3IXPKJRSJ3WSEBZL46/Screen+Shot+2020-04-29+at+3.46.44+PM.png</image:loc>
      <image:title>NEWS - Creative Capital are offering Free Workshops on Coping with COVID</image:title>
      <image:caption>[Image Description: Video still of Rhonda Wheatley leading a remote workshop via an online streaming platform, she wears a black shirt, large hoop earrings, and is looking down against a beige wall.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/30/the-center-for-book-arts-upcoming-event-writing-and-design-in-the-face-of-hard-times-54</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1588256986714-LG9DCARLG9G3KG9NPC8W/Warren+Lehrer.jpeg</image:loc>
      <image:title>NEWS - The Center for Book Arts event Writing and Design in the Face of Hard Times, 5/4</image:title>
      <image:caption>[Image Description: A photograph of a man gesturing towards the viewer against a black background. On the left, a bolt of lightning strikes an open book, which in turn, is illuminated by it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/23/film-anthology-archive-announce-online-programming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587675747418-4HRUXIG7L1XTSVBSD7YJ/a20f0073-e661-4462-be09-aa5ef4872c57.jpg</image:loc>
      <image:title>NEWS - Film Anthology Archive Announce Online Programming</image:title>
      <image:caption>[Image Description: Film still from Nikolaus Geyrhalter’s EARTH documentary, this image shows an industrial landscape surrounded by countryside, a steam stack is spewing smoke into the cloudy sky.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/23/recess-are-having-a-virtual-movie-night-with-ephraim-asili</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587675245244-1ZJN7DJC1X5R255UJCC5/epharim-asili.jpg</image:loc>
      <image:title>NEWS - Recess are having a Virtual Movie Night with Ephraim Asili, 4/23</image:title>
      <image:caption>[Image Description: A man has his mouth open as if shouting, his right hand is raised, and he is standing in front of a painting of what seems to be brides, or young women in communion clothing, the painting is mostly red.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/21/virtual-tour-of-zilia-snchezs-retrospective-at-el-museo-del-barrio-429</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587507769669-UMC3009EXV6TACTV78GL/ElMuseo_ZiliaSanchez_0036_1_.jpg%2C1440.jpeg</image:loc>
      <image:title>NEWS - Virtual Tour of Zilia Sánchez’s Retrospective at El Museo del Barrio, 4/29</image:title>
      <image:caption>[Image Description: Internal shot of gallery, on the dark blue back wall there is a white horizontally formatted painting with protrusions, it has a large black paint mark on the lower third in a rough geometric shape, on the side wall is a white canvas with numerous protrusions coming out of it, resembling mountain ranges.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/21/the-queens-museum-and-the-cooper-union-school-of-art-to-cohost-a-talk-by-artist-ulrike-mller-429</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587507617346-CQ896D3CWVCPB2XHA66H/UM_QM_announcement.jpg</image:loc>
      <image:title>NEWS - The Queens Museum and The Cooper Union School of Art to Cohost a Talk by Artist Ulrike Müller, 4/29</image:title>
      <image:caption>Ulrike Müller, The Conference of the Animals, (detail of mural), 2020. The Large Wall at the Queens Museum. [Image Description: Monochrome photograph of a large-scale mural comprised of lots of geometric outlines of animals, somewhat abstract in form, there is a handrail in the foreground.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/21/segue-reading-series-continues-at-artists-space-via-zoom-425</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587507486228-CUGHVOS7WENCP8K4AGQW/4-25-reality-reality.jpg</image:loc>
      <image:title>NEWS - Segue Reading Series continues at Artists Space via Zoom, 4/25</image:title>
      <image:caption>[Image Description: A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads: "The Segue Reading Series &amp; Artists Space present / a virtual reading by / Shane McCrae &amp; Bob Perelman / Saturday, 4/25 / 5pm NYC time / Zoom ID: / 378 232 567.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/21/visual-aids-panel-discussion-revisiting-flood-a-volunteer-network-for-active-participation-in-healthcare-422</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587507322144-HOZ53JBAVY6K9G6SPE1H/Screen+Shot+2020-04-21+at+10.38.52+AM.png</image:loc>
      <image:title>NEWS - Visual AIDS Panel Discussion, Revisiting "Flood": A Volunteer Network for Active Participation in Healthcare, 4/22</image:title>
      <image:caption>Flood, 1992-1995. Photos courtesy of A. Laurie Palmer. [Image Description: This photograph taken from the street depicts two people talking inside a storefront gallery, the gallery is full of plants and the lighting has a greenish glow.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/21/iscp-present-james-beckett-today-on-instagram-live-421-at-4pm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587478925148-AHTOOORS8V3YW10IMIWE/Screen+Shot+2020-04-21+at+10.08.35+AM.png</image:loc>
      <image:title>NEWS - ISCP Present James Beckett Today on Instagram Live, 4/21</image:title>
      <image:caption>[Image Description: This collage is comprised of two images left and right, both are taken from 1950’s advertising. On the left a postman is wiping sweat from his brow on a street, and facing him on the right a woman tidying her curtain inside a blue bedroom]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/17/former-rubin-grantee-dances-for-a-variable-population-offer-free-daily-zoom-classes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587133890449-2390U2B54YKKTCY45Z0E/31236c02-413a-40d4-ae58-b5cbe1831cba.jpg</image:loc>
      <image:title>NEWS - Former Foundation Grantee "Dances For A Variable Population" offers Daily Dance Classes</image:title>
      <image:caption>{Image Description: This photograph depicts a cohort of dancers with their arms outstretched, some are kneeling some standing but leaning forwards. Two dancers at the center of the group have yellow t-shirts, the others have purple or black t-shirts. They are in front of a red brick building with trees along the front of it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/16/artists-space-present-a-virtual-reading-by-frederic-tuten-and-vi-khi-nao-418</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587070881735-ADBRY7DP3881BA6NX18S/segue18-4-20.jpg</image:loc>
      <image:title>NEWS - Artists Space Present a Virtual Reading by Frederic Tuten and Vi Khi Nao 4/18</image:title>
      <image:caption>[A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/16/mfta-virtual-gallery-opening-tonight-april-15</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587065978589-VBOKWSWIO8SASRNAJA7K/Contemporary-Reuse-2020-Virtual-Image-scaled-e1586459302434.jpg</image:loc>
      <image:title>NEWS - MFTA’s “Contemporary Reuse 2020” Virtual Gallery Opening Tonight, April 15</image:title>
      <image:caption>[Image Description: Ceramic vessels of various sizes sit on a white shelf in the foreground of this photograph, they are in metallic finishes; silver and bronze, and in multi-colored glazes in green, blue and beige. In the background are abstract scarf like images in a variety of bright colors, placed in a grid on a white wall]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/16/air-to-virtually-stage-teatro-de-primera-mano-para-tiempos-nuevos-first-hand-theatre-for-new-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1587046536223-N7W9HR1YG3DACLJEVD1L/2020_LilianaPorterAnaTiscornia.jpg</image:loc>
      <image:title>NEWS - A.I.R. to virtually stage Teatro de primera mano para tiempos nuevos (First-hand Theatre for New Times)</image:title>
      <image:caption>[Image Description: On a black background, dark blue text reads the name of the play “Teatro de primera mano para tiempos nuevos (First-hand Theatre for New Times),” the date “April 21,” and the names of the artists which are out side the blue square” Liliana Porter and Ana Tiscornia.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/13/cue-art-foundation-to-host-rehearsing-solidarity-414-tuesday-from-6-to-8pm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586810441839-CSOOMD1MCGS410HYVJBL/1d736f72-5a96-4c57-9e70-1dd1bf5081e4.jpg</image:loc>
      <image:title>NEWS - Cue Art Foundation to host Rehearsing Solidarity, 4/14</image:title>
      <image:caption>[Image Description: On a green background with text reading: “Rehearsing Solidarity” in white letters, is a photograph in blue tinted monochrome of activist badges, text on them reads for example: “Healthcare For All, Hell Yes!”, or “Hell, Yes! Pay Equity!”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/bronx-museums-ongoing-range-of-virtual-guided-tours-artist-interviews-and-educational-videos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586458879264-Z8UMEC60K3XM5U8IQCH3/Firelei+Bronx+Mus.png</image:loc>
      <image:title>NEWS - Bronx Museum's Ongoing Range of Virtual Guided Tours, Artist Interviews, and Educational Videos</image:title>
      <image:caption>Firelei talking to Genesis Middleton at the Bronx Museum for their ongoing series of videos conducted by Bronx Museum’s Teen Council. [Image Description: Two women sit side by side dressed in black, the woman on the left is artist Firelei Baez and she wears a brightly colored scarf in a pinkish red, they sit in front of a detail of Baez’s work, which has large splashes of paint in green, blue, red and yellow.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/studio-museum-harlem-museum-education-practicum-online-syllabus-apply-through-427</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586458441918-YDW1510B2GDO97E4X6HX/Studio+Museum+Practicum.jpg</image:loc>
      <image:title>NEWS - Studio Museum Harlem: Museum Education Practicum Online Syllabus: Apply through 4/27</image:title>
      <image:caption>[Image Description: In this photograph students sit on a tiered auditorium, they are listening intently to the presenter who has their back to the photographer, the room has wood walls, and a gray floor, the presenter sits on a vibrant orange plinth.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/studio-museum-harlem-artist-in-residence-application-apply-through-41</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586459575602-4P7XUDVS8JDTZDF4CI79/Screen+Shot+2020-04-09+at+3.02.23+PM.png</image:loc>
      <image:title>NEWS - Studio Museum Harlem: Artist-in-Residence Application: Apply through 4/1</image:title>
      <image:caption>[Image Description: White text on black square reading “Studio Museum Harlem”.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/socrates-sculpture-park-the-socrates-annual-2019-through-spring-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586458001581-CKUOF0C7MKRNU68QEI5R/Socrates.png</image:loc>
      <image:title>NEWS - Socrates Sculpture Park: The Socrates Annual 2019 through Spring, 2020</image:title>
      <image:caption>I Still Remember You Mijo, (Votive Vela), 2019. Jesus Benavente. Metal, wood, resin, fiberglass, and thermachromic pigment. Photograph by Scott Lynch. [Image Description: A text saying “I Still Remember You Mijo” has been made in three-dimensions, rising up from the ground at an angle so it tilts towards the audience member, it is flanked on either side by wings in a similar fashion. The sculpture is monumental in size and is currently hot pink, though it changes color with the atmospheric temperature in Socrates Sculpture Park.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/virtually-visit-the-race-and-revolution-homeland-lewis-exhibition-at-latimer-house-through-614</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586457459997-PI0XFP0TJ7NEB1210NHZ/Lewis+Latimer+House.jpg</image:loc>
      <image:title>NEWS - Virtually visit the Race and Revolution: Home/Land exhibition at Latimer House, through 6/14</image:title>
      <image:caption>[Image Description: Text saying “Race Revolution” and in smaller letters “Home/Land” is placed against a white circular background, around which is an area all round of peach and green.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/join-cue-for-shannon-finnegans-alt-text-as-poetry-at-the-common-field-convening-424</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586457214892-V6ZEI26S9557VMVS8G6I/Cue+Art+Event.png</image:loc>
      <image:title>NEWS - Join CUE for Shannon Finnegan's Alt-text as Poetry at the Common Field Convening, Friday 4/24</image:title>
      <image:caption>[Image Description: White text on a dark blue square background says “ALT-TEXT AS POETRY.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/ppow-feature-artists-from-visual-aids-artist-registry-in-a-group-exhibition-through-423</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586457022615-70RM78ZNJYAHEMNZL2TA/PPOW.jpg</image:loc>
      <image:title>NEWS - PPOW feature Artists from Visual AIDS Artist + Registry in a group exhibition, through 4/23</image:title>
      <image:caption>David Wojnarowicz &amp; Marion Scemama, When I Put My Hands on Your Body, 1989/2014. [image description: Film still shot in monochrome with a filter of blue, featuring two men underwater in a close embrace, the man on top is looking at the man below exhaling bubbles of air.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/visual-aids-host-ezra-and-noah-benus-in-conversation-on-their-web-gallery-an-army-of-the-sick-cant-be-defeated-reflections-on-care-work-in-perpetual-sick-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586456815808-ALOIBSI23QSISBUX0LDE/Ezra+Visual+Aids.png</image:loc>
      <image:title>NEWS - Visual AIDS Host Ezra &amp;amp; Noah Benus in Conversation on their Web Exhibition: An Army of the Sick Can't Be Defeated: Reflections on Care Work in Perpetual Sick Times, 4/15</image:title>
      <image:caption>An Army Of The Sick Can't Be Defeated, 2020. Ezra and Noah Benus. Digital photographs, part of ongoing series. [Image Description: Two images formatted the same with different text on the two blue face masks centered in frame, arranged like a blue equal sign on a pale-yellow background. The masks each have a red typed messaged on the fabric. Masks read “networks of care CAN and SHOULD be contagious,” and “illness finds us all but care unfortunately does not”.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/9/virtually-baad-present-rodney-a-browns-performance-matter-on-411</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1586458614480-IT1SXQNMX0WEHTGU7CQ6/BAAD.png</image:loc>
      <image:title>NEWS - Virtually BAAD! To Present Rodney A. Brown's Performance Matter on 4/11</image:title>
      <image:caption>[image description: Two identical photographs of the left sides of a sofa are side by side, the beige colored dirty sofa is on a sidewalk with a black car directly behind it.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/4/2/after-the-order-a-conversation-between-anetta-mona-chisa-and-sara-reisman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585855359989-1437K8BVETDG6CRIZKLQ/Screen+Shot+2020-04-02+at+2.49.41+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>After the Order, 2006-2010. Graphs, collage on graph paper (cut outs from magazines, newspaper, Spartakiada books, photographs). [Image Description: Tall narrow sections cut from larger photographs, each depicting a single person, have been collaged together to form a graph. Some are color and some are monochrome on a blue-lined, white graph paper background.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585855514755-N40H05CLAOJOWKWC7NQ9/Screen+Shot+2020-04-02+at+2.55.36+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>Pyramid of Capitalist System, published in the 1911 edition of Industrial Worker (The International Publishing Co., Cleveland, Ohio, U.S.). Public Domain image. [Image Description: People stand on different layers on an open architectural form. They are stratified according to rank. At the top of the structure is a bag of money. The image is in color from a cartoon in watercolor and gouache.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585855622210-625Z9OGLU8YL5MRCWMJI/Screen+Shot+2020-04-02+at+2.56.04+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>After the Order, edible sculpture performed in Salonul de proiecte in Bucharest, 2011. [Image Description: Artist Lucia Tkáčová cuts the tiered cake to give a piece to an audience member during their performance. The cake is covered with figures made from confectioners’ sugar. They depict kings and other rulers, and clergy of various religions.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585855692707-FQ1NIK9KUOVUYZAXY5D2/Screen+Shot+2020-04-02+at+2.56.24+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>After the Order, edible sculpture performed in Salonul de proiecte in Bucharest, 2011. [Image Description: This photograph depicts the structure that the cake was supported with. There is little to nothing left of the cake on the cake stand. There are three images hung from a line behind the cake; each depicts a political figure or event. On the right is a monochrome photograph of two women holding their fists up.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585855786800-828FPD4HIP9YKF16SQ2M/Screen+Shot+2020-04-02+at+2.56.40+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>Private Collection, 2005 – 2010. [Image Description: This image contains two columns of items and galleries in white text centered on a black background.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585855850419-OG7F72KS00DBRRVPQH95/Screen+Shot+2020-04-02+at+2.57.05+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>Either Way, We Lose, 2012. Inflatable sculpture. [Image Description: An inflatable fist with red nail polish is fitted tightly into a narrow storefront-like gallery space. It is lit internally and photographed at night.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585855929653-ACFT9XO9ASZE6SHS4H28/Screen+Shot+2020-04-02+at+2.57.36+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>When you're Adibas and you're dreaming of becoming Adidas, 2011 – 2013. Theater play written on 388 €5 banknotes. [Image Description: Photograph of a stack of five Euro notes. The one on top says “3211 people like this.” The stack is looming forwards in the image.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585856017349-Y5ZNU89I4R2XKZSL17DW/Screen+Shot+2020-04-02+at+2.57.52+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>When you're Adibas and you're dreaming of becoming Adidas, 2011 – 2013. Theater play written on 388 €5 banknotes. [Image Description: This photograph depicts two five Euro notes. There is a map of Europe and an aquaduct on each. One is directly over the other. The text on the top one is “she asks you to get her corn puffs from the cafeteria and you get her chips instead.” The text on the bottom one reads “and the teacher to teach you a lesson, tapes your mouth.”]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585856084892-W664W4OV0BDRAB3L648P/Screen+Shot+2020-04-02+at+2.58.14+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>All Periods in Capital, 2007. Clay, acrylic paint, plastic bag. [Image Description: A plastic bag containing tiny painted clay black balls depicting periods.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585856266569-J46SLZLLJ6YHDGLP7NZE/Screen+Shot+2020-04-02+at+2.58.30+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>The Prophecy of Things, 2015-2017. Photographs of broken smartphone screens. [Image Description: Photograph of abstracted and geometric patterns in black, pink lines in a variety of colors.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585856323758-LGSUNFXXL3QNKXA7162G/Screen+Shot+2020-04-02+at+2.58.46+PM.png</image:loc>
      <image:title>NEWS - After the Order: A Conversation between Anetta Mona Chisa and Sara Reisman</image:title>
      <image:caption>The Prophecy of Things, 2016- 2017. Photographs of broken smartphone screens printed on glass, led lights, cables, glass balls. Installation view at Museumcultuur Strombeek Gent, 2017. [Image Description: Photograph of room where five large abstract screens line the walls in a variety of geometric and abstract patterns. On the floor coming from each image and spreading across the floor are black cables, on top of which are crystal balls placed randomly.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/3/5/artist-stefanos-tsivopoulos-interviewed-by-rehan-ansari</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1583422163157-ELJF1A9LWE8MLXOXG1SY/Screen+Shot+2020-03-05+at+10.24.01+AM.png</image:loc>
      <image:title>NEWS - Artist Stefanos Tsivopoulos Interviewed by Rehan Ansari</image:title>
      <image:caption>Stefanos Tsivopoulos in conversation with David Graeber and Sara Reisman as part of the event Before There Was Money There Was Debt on Saturday, February 29, 2020. [Image Description: A photograph shot from behind an audience who are watching three people in a panel discussion. The three people are sitting in front of a work by artist Stephanie Syjuco entitled “Free Texts,” which is comprised of takeaway flyers that are printed in black text on white paper. The flyers are spread across two gray walls.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/2/27/artnews-net-editors-picks-21-things-not-to-miss-in-new-yorks-art-world-this-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1582836196884-67BPUA6QJGWS6HHEGRWJ/STEFANOSTSIVOPOULOS_HISTORYZERO_41.jpg</image:loc>
      <image:title>NEWS - artnet news: Editors’ Picks: 21 Things Not to Miss in New York’s Art World This Week</image:title>
      <image:caption>Stefanos Tsivopoulos, History Zero (2013), video still. Photo courtesy of the artist and Prometeogallery di Ida Pisani. [image description: a man looking to his left drives a shopping trolley down a city street in Athens, Greece at night]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/2/4/artforum-shelley-amp-donald-rubin-foundation-announce-2020-art-and-social-justice-grantees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1580842839868-6Y5HAWW4HQ52L38O1MS7/article00_1064x.jpg</image:loc>
      <image:title>NEWS - Artforum: Shelley &amp;amp; Donald Rubin Foundation Announce 2020 Art and Social Justice Grantees</image:title>
      <image:caption>Shannon Finnegan, Do you want us here or not 1, 2018. Design in collaboration with Charles Mathis and Chat Travieso presented by Art Beyond Sight. Fabrication by Charles Mathis. Courtesy of Claire Altizer. [image description: This image features a predominantly blue bench made of plywood, which is exposed at the joins. On the back t has text saying “This exhibition has asked me to stand for too long” and on the seat it says “Sit if you agree”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/11/20/a-case-ascendwithpride-at-fdr-park-kevin-gotkin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357205580-DK0395XJ3AZWAXMFUOJ6/1+Screen+Shot+2019-11-20+at+4.51.31+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>A photo by Nick Reid shows a wide set of stairs with a rainbow on them. Above, there are treetops and a blue sky with clouds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357269518-R2SA7MB2PGL42HWJUJ59/2+Screen+Shot+2019-11-20+at+4.58.07+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>A photograph my Corey Antiel shows people sitting and standing on the rainbow stairs on a recent summer day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357382757-R0A8NQ8G7T6HRAZ956G1/3+Screen+Shot+2019-11-20+at+4.58.25+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>An image released by Four Freedoms Park shows the rainbow stairs leading to a stretch of grass that is flanked by two lines of trees that point like an arrow to the tip of Roosevelt Island.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357437616-6RAGT90M4SSFLV6DCRH5/4+Screen+Shot+2019-11-20+at+4.58.44+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>A photograph by Iwan Baan shot from above shows the whole park, the tip of Roosevelt Island.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357488421-KSXLXZFE1F8FCOH95YJ1/5+Screen+Shot+2019-11-20+at+4.59.04+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>Left, the eight colors of the 1978 flag design and their assigned meanings. Middle, the 2017 More Color More Pride campaign redesign with black and brown stripes at the top. Right, Daniel Quasar’s 2018 redesign shows triangles with the trans flag colors with black and brown stripes intersecting from the left into the traditional flag design.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357543804-6Q4443X1TH185VXIQ9U0/6+Screen+Shot+2019-11-20+at+4.59.18+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>A photograph by Michael Moran shows the copper honeycomb of the Vessel from a distance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357585257-ND2ECA0K0AZPH5IUYY9Y/7+Screen+Shot+2019-11-20+at+4.59.33+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>A rendering of the inside of the Vessel shows all stairs and landings and hypothetical bipedal people scattered throughout.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357630717-1NFLD7KNY63UCVQC44OY/8++Screen+Shot+2019-11-20+at+4.59.51+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>A photograph by Rebirth Garments shows people dancing in an art gallery. Some use wheelchairs. Most are in brightly colored garments and bold makeup.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1574357682150-741AQCDGNSDPRECN8H6V/9+Screen+Shot+2019-11-20+at+5.00.13+PM+copy.png</image:loc>
      <image:title>NEWS - A Case: #AscendWithPride at F.D.R. Park Kevin Gotkin</image:title>
      <image:caption>The cover of Melanie Yergeau’s book shows the title, Authoring Autism: On Rhetoric and Neurological Queerness and artwork by Dan Miller, a print of black, gray, and blue thatched lines.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/11/3/mayfield-brooks-and-alec-duffy-in-conversation-in-culture-bot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1572890489428-1LKRHU13VOXGI3PU0D72/Kitchen-2_2019.jpg</image:loc>
      <image:title>NEWS - mayfield brooks and Alec Duffy in conversation in CULTURE BOT</image:title>
      <image:caption>mayfield brooks, “Viewing Hours,” (detail) performance at The Kitchen, April 6, 2019. Photograph by Paula Court. [image description: a woman in a gray jumpsuit lit by a spotlight from above is surrounded by darkness in a black cube space, she leans backwards her arms stretched upwards in a dramatic gesture, almost as if she is about to fall backwards]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2020/3/26/relational-economies-labor-over-capital-november-21-2019-march-7-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1585239286720-YW9H2E4AAYPQUFMN59T4/STEFANOS%2BTSIVOPOULOS_HISTORY%2BZERO_1-1.jpg</image:loc>
      <image:title>NEWS - Relational Economies:  Labor over Capital,  November 21, 2019 - March 7, 2020</image:title>
      <image:caption>Stefanos Tsivopoulos, History Zero, 2013. Video still. Courtesy of the artist and Prometeogallery di Ida Pisani. [image description: A woman in a blue kimono with pink and white flowers sits on a dark red, studded leather chair with her hand holding an origami flower made from Euro notes on a brown table. On the brown table are other Euro notes and two paper flowers in a vase. Behind her is a large photograph with two nude women sitting on a gray couch.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/9/18/editors-picks-20-things-not-to-miss-in-new-yorks-art-world-this-week-on-artnet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1568792512135-PN7JK046EM7KTXENIDV6/guez01.jpg</image:loc>
      <image:title>NEWS - Editors’ Picks: 20 Things Not to Miss in New York’s Art World This Week on Artnet</image:title>
      <image:caption>Dor Guez, Lilies of the Field, Jerusalem, Mosque Al-Aqsa (2019). Archival inkjet print, based on pressed flowers created by the American Colony in Jerusalem (1900–14). Photo courtesy of the artist, Dvir Gallery, Brussels, and Carlier Gebauer Gallery, Berlin. [image description: x-ray like ghostly image of an arrangement of pressed flowers in gray and blue against a black background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/8/23/the-supper-club-book-reviewed-in-frankfurter-allgemeine-zeitung</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1566569705502-HBTGNMA31XHKPZWOQ3UR/Screen+Shot+2019-08-22+at+12.00.01+PM.png</image:loc>
      <image:title>NEWS - The Supper Club Book Reviewed in Frankfurter Allgemeine Zeitung</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/8/12/different-histories-onyedika-chuke-interviewed-by-rehan-ansari-george-bolster-amp-sara-reisman-in-bomb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1565638275946-P7B31JOSCNTHPUGUUBTT/Onyedika-Chuke1.jpg</image:loc>
      <image:title>NEWS - Different Histories: Onyedika Chuke Interviewed by Rehan Ansari, George Bolster &amp;amp; Sara Reisman in BOMB</image:title>
      <image:caption>Onyedika Chuke, The Forever Archive: The Untitled/1919_Torso, 2015. Cast concrete, corten steel, palm tree, and terracotta. Courtesy of the artist. [image description: sculpture of large square piece of steel bisects the garden it is set in, a torso in white is attached to it face forward, on the other side is a large plant in a terra-cotta pot, it is a sunny day]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1565638296722-F3UM3OIXWQ1MNC85M5MM/Onyedika-Chuke2.jpg</image:loc>
      <image:title>NEWS - Different Histories: Onyedika Chuke Interviewed by Rehan Ansari, George Bolster &amp;amp; Sara Reisman in BOMB</image:title>
      <image:caption>Onyedika Chuke studio. Photo by Julia Gillard. Courtesy of the Shelley &amp; Donald Rubin Foundation. [image description: an artist studio with paint spatters on gray floor, an array of objects in no apparent order include a large roll of transparent tubing, wellingtons in red and yellow, and a gun sculpture of a rifle made of plaster and steel]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1565638321599-NUUKE0CD1LQR48RFGBM9/Onyedika-Chuke3.jpg</image:loc>
      <image:title>NEWS - Different Histories: Onyedika Chuke Interviewed by Rehan Ansari, George Bolster &amp;amp; Sara Reisman in BOMB</image:title>
      <image:caption>Onyedika Chuke, The Forever Museum Archive: The Untitled/A Template for Portable Monuments. Preparatory sketch for The Shed project. Pencil on paper. Courtesy of the artist.. [image description: in the center of the picture two feet have sandals with wings on traditionally a symbol of gods Mercury or Hermes, they are wrapped in transparent snake skin, in the middle of this arrangement there is a pole, at the top of which are two snake heads, both have wire threaded through their mouths that join onto cubes halfway down the pole, there is also a snake head on the ground to the right]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1565638343472-BR5ILLPEWLD0H7563N16/Onyedika-Chuke4.jpg</image:loc>
      <image:title>NEWS - Different Histories: Onyedika Chuke Interviewed by Rehan Ansari, George Bolster &amp;amp; Sara Reisman in BOMB</image:title>
      <image:caption>Onyedika Chuke studio. Photo by Julia Gillard. Courtesy of the Shelley &amp; Donald Rubin Foundation. [image description: view of artist studio, in the foreground a sculpture in white plaster of two feet in winged sandals, they are wrapped in standard metal fencing to mimic snake skin, there are random materials and artist notes in the background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/7/16/interview-with-rubin-foundation-grantee-and-axs-maps-director-jason-dasilva</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1563304805770-BVVM1V037U0OFIU2O92M/Screen+Shot+2019-07-16+at+3.13.23+PM.png</image:loc>
      <image:title>NEWS - Interview with Rubin Foundation Grantee and AXS Maps Director Jason DaSilva</image:title>
      <image:caption>Still featuring Da Silva in front of the Grand Mosque, Istanbul, from his forthcoming documentary film When They Walk. [image description: motion blur of people moving in front of grand mosque, Da Silva is in focus, as he is not moving, he is sitting in his wheelchair]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1563304893366-CET3Z3CU8J0SH03UH79S/Screen+Shot+2019-07-16+at+3.12.03+PM.png</image:loc>
      <image:title>NEWS - Interview with Rubin Foundation Grantee and AXS Maps Director Jason DaSilva</image:title>
      <image:caption>Still featuring Da Silva in New York City, from his forthcoming documentary film When They Walk. [image description: film still of Jason Da Silva on herb at night, city lights, cars, and car lights are in blurred in the background]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1563304933020-U4TPSI7BEJHT5RFBPB8Y/Screen+Shot+2019-07-16+at+3.11.44+PM.png</image:loc>
      <image:title>NEWS - Interview with Rubin Foundation Grantee and AXS Maps Director Jason DaSilva</image:title>
      <image:caption>Still featuring Da Silva in New York City, from his forthcoming documentary film When They Walk. [image description: DaSilva’s wheelchair is stuck in a snow drift on a sidewalk in NYC in winter, a woman walks past him carrying her coffee]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1563304659128-3Z66VKNZDJIRQTEB41XX/Screen+Shot+2019-07-16+at+10.13.57+AM.png</image:loc>
      <image:title>NEWS - Interview with Rubin Foundation Grantee and AXS Maps Director Jason DaSilva</image:title>
      <image:caption>Animated still from When They Walk by Jason DaSilva. [in the illustration from the film, Jason DaSilva is dressed in black against a black background, he has multiple arms, in each he carries different tools, including a saw, drill, step ladder and rope]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/7/9/editors-picks-20-things-not-to-miss-in-new-yorks-art-world-this-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1562686772371-NORPK9V67TALIS6GCCPM/TP68_detail1.jpg</image:loc>
      <image:title>NEWS - Editors' Picks: 20 Things Not to Miss in New York's Art World This Week</image:title>
      <image:caption>Trevor Paglen, Symbology, Volume IV (detail) (2013). Courtesy of the artist and Metro Pictures, New York. [two embroidered patches on a black background, the left one has an eagle, and a space shuttle launch depicted against an american flag with astronauts names, the right one has a scarecrow in blue against a moon in white, with a blue background, he is holding lightning bolts in red and white]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/7/19/allison-hewitt-ward-reviews-revolution-from-without-for-spike-art-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1567528685259-YKMS0OG0SX5A8H5U0J9J/Imagine-scan-from-print-7x7-300dpi1.jpg</image:loc>
      <image:title>NEWS - Allison Hewitt Ward Reviews Revolution from Without... for Spike Art Magazine</image:title>
      <image:caption>Dread Scott, Imagine a World Without America, 2006. [image description: a map of the world forms the background of this image, the oceans are green and the land is orange, text on top of the images says “imagine a world” in black bold font, a faded green font continues the phrase with “without America”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/2/27/foundation-interview-with-visual-aids-in-poz-magazine-bkc9m</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1567532947388-7JM884WS4QFAGRQP1IP8/ScreenShot2019-05-08at3-1.48.23PM-6981bc4b.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with fierce pussy in Curve Magazine</image:title>
      <image:caption>Photographs: Kristine Eudey, 2018, Fierce Pussy Facade installation, Leslie-Lohman Museum. [image description: exterior of the Leslie-Lohman Museum, all of the windows on the ground floor are covered in artwork. the art in the windows is of different portraits of the members of Fierce Pussy overlayed with different texts]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1567533328464-1WKONQMG23EMGOKMQPG0/Screen%2BShot%2B2019-05-08%2Bat%2B3_48_39%2BPM%281%29.png</image:loc>
      <image:title>NEWS - Foundation Interview with fierce pussy in Curve Magazine</image:title>
      <image:caption>[image description: exterior of the Leslie-Lohman Museum, all of the windows on the ground floor are covered in artwork. the art in the windows is of different portraits of the members of Fierce Pussy overlayed with different pejorative texts or phrases, in this case “Are you a boy or a girl”]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1567533423731-O9LJ0LO6EEUU116DYH43/Screen%2BShot%2B2019-05-08%2Bat%2B3_47_57%2BPM.png</image:loc>
      <image:title>NEWS - Foundation Interview with fierce pussy in Curve Magazine</image:title>
      <image:caption>[image description: exterior of the Leslie-Lohman Museum, all of the windows on the ground floor are covered in artwork. the art in the windows is of different portraits of the members of Fierce Pussy as children overlayed with different pejorative texts or phrases, in this case “find the dyke in this picture”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/4/22/hyperallergic-what-revolution-might-look-like-by-seph-rodney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555949129598-0B4MS5HC90FOKWFMSV7P/WALLI64520-2.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: What Revolution Might Look Like by Seph Rodney</image:title>
      <image:caption>Mark Wallinger “Threshold to the Kingdom” (2000) video projection, audio (courtesy the artist and Hauser &amp; Wirth © Mark Wallinger) [image description: two women embrace in front of an arrivals desk in an airport lobby, a security official sits behind a blue desk watching people arrive]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555949227036-3YOZGY466CR9OLW6B581/5-RevfromWithout.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: What Revolution Might Look Like by Seph Rodney</image:title>
      <image:caption>Installation view of Revolution From Without: Dread Scott, #While Black (offset), 2019, offset lithographs, and #While Black, 2018, diptych in screenprint (courtesy of the artist; photograph by Julia Gillard) [image description: in the foreground a stack of white paper with two rectangles of black print and white text sit on top of a square table, in the background the same images are split into two black frames hung on a white wall]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555949306047-0CSBAN8P7YCTE9M9I3DU/Chto-Delat-Tortures-SR-720x1250.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: What Revolution Might Look Like by Seph Rodney</image:title>
      <image:caption>Chto Delat, “Tortures (I Want To Add…)” (2019) (photo by the author for Hyperallergic) [a banner hangs from the ceiling, it is comprised of a dark navy velvet background on which is a figure in different patterned red fabrics, there are signs around it in monochrome, they include handcuffs and a fist]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555949562635-M4D8QX5MBLI0GNG5VP9M/3-RevfromWithout.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: What Revolution Might Look Like by Seph Rodney</image:title>
      <image:caption>Installation view of Revolution From Without: Kameelah Janan Rasheed, A Rather Precarious Synthax, 2019. Installation commissioned for Revolution from Without … (courtesy the artists, photograph by Julia Gillard) [image description: installation comprised of framed blue prints with white writing such as “our hope is a sloppy map”, there are multiple different texts on random sized paper attached directly to the walls]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555949448308-DJG898SZJ2TMES3YBB84/6-RevfromWithout.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: What Revolution Might Look Like by Seph Rodney</image:title>
      <image:caption>Installation view of Revolution From Without: Left to right: Tony Cokes, “Evil.12. (edit.b): Fear, Spectra &amp; Fake Emotions” (2009); Chto Delat, “Tortures (I Want To Add…)” (2019) and “Migrants (To Those Who)” (2019) Both pieces commissioned for Revolution From Without… (courtesy of the artists; photograph by Julia Gillard) [image description: two textile pieces, roughly square in shape dominate the photograph, the smaller one is the image above this one, the larger is red with a rectangle of gray, and a poem in white text]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555949519583-6QXLL0KPHTTIBQGIFYR8/Dread-Scott-installation-SR.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: What Revolution Might Look Like by Seph Rodney</image:title>
      <image:caption>Installation view of Dread Scott, “Freedom of Expression: Dread Scott” (2019) (photo by the author for Hyperallergic) [various ephemera sporadically placed on a white wall, including newspaper cuttings and photographs of the artist protesting, and people experiencing the freedom of expression piece]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/4/19/four-columns-review-cataclysm-as-catalyst-an-exhibition-explores-the-need-for-a-new-order</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555691072019-DOS3S3RFFSKST1RZ1CCG/Szremski_RevolutionFromWithout_1.jpg</image:loc>
      <image:title>NEWS - Four Column's Review: Cataclysm as catalyst: an exhibition explores the need for a new order</image:title>
      <image:caption>Left: Tony Cokes, Evil.12. (edit.b): Fear, Spectra &amp; Fake Emotions, 2009. Right: Chto Delat, Tortures (I Want To Add . . .), 2019, and Migrants (To Those Who), 2019. Installation view. Image courtesy the artists. Photo: Julia Gillard. [image description: two textile pieces, roughly square in shape dominate the photograph, the smaller one has an image of a figure in red on a navy blue background, the larger is red with a rectangle of gray, and a poem in white text]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555691141611-17OCJGQ3G3DYSRUHBAD2/Szremski_RevolutionFromWithout_2.jpg</image:loc>
      <image:title>NEWS - Four Column's Review: Cataclysm as catalyst: an exhibition explores the need for a new order</image:title>
      <image:caption>Mark Wallinger, Writ in Water, 2018. Stainless steel. Image courtesy the artist and Hauser &amp; Wirth. © Mark Wallinger. [image description: a circular two inch high form in steel, like a bowl, has a flat base mirror polished, which reflects the text embossed on the interior sides of the piece, turning the upside-down text the right way up]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555691202453-H7EG7GNJ4D6JL77REWRH/Szremski_RevolutionFromWithout_3.jpg</image:loc>
      <image:title>NEWS - Four Column's Review: Cataclysm as catalyst: an exhibition explores the need for a new order</image:title>
      <image:caption>Tony Cokes, Evil.12. (edit.b): Fear, Spectra &amp; Fake Emotions, 2009 (still). Digital video, color, stereo. Image courtesy Tony Cokes, Greene Naftali, Electronic Arts Intermix. [image description: white text on orange background “When fear becomes the quasi cause of itself, it can bypass even more readily any limitation to contexts where a fearful action is actually called on and, in so doing, bypass more regularly the necessity to cycle through an unfolding of phases.'“]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555691247977-E2WAMJXUD155USLWRMB6/Szremski_RevolutionFromWithout_4.jpg</image:loc>
      <image:title>NEWS - Four Column's Review: Cataclysm as catalyst: an exhibition explores the need for a new order</image:title>
      <image:caption>Kameelah Janan Rasheed, A Rather Precarious Syntax, 2019. Installation view. Image courtesy the artist. Photo: Julia Gillard. [image description: installation comprised of framed blue prints with white writing such as “our hope is a sloppy map”, there are multiple different texts on random sized paper attached directly to the walls]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555691294838-TKG1UQ3YHOBH97X9OID0/Szremski_RevolutionFromWithout_5.jpg</image:loc>
      <image:title>NEWS - Four Column's Review: Cataclysm as catalyst: an exhibition explores the need for a new order</image:title>
      <image:caption>Dread Scott, Imagine a World Without America, 2006. Screen print. Image courtesy the artist. [image description: a map of the world forms the background of this image, the oceans are green and the land is orange, text on top of the images says “imagine a world” in black bold font, a faded green font continues the phrase with “without America”]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1555691357427-J7O02URQ1KBUOAOHWVS3/Szremski_RevolutionFromWithout_6.jpg</image:loc>
      <image:title>NEWS - Four Column's Review: Cataclysm as catalyst: an exhibition explores the need for a new order</image:title>
      <image:caption>Raqs Media Collective, Undoing Walls, 2017. Installation view. Image courtesy Raqs Media Collective. Photo: Julia Gillard. [image description: a still of an computer animation of black geometric shapes undulating, wavelike against a white background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/4/11/new-york-times-review-of-revolution-from-without</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1554996600705-40WXO5ESGJYBWVKPU9T0/merlin_153102300_a8097c63-8944-4096-b2f0-33f2ddd84bdd-superJumbo.jpg</image:loc>
      <image:title>NEWS - New York Times Review of Revolution from Without...</image:title>
      <image:caption>Left, Tony Cokes’s video “Evil.12. (edit.b): Fear, Spectra &amp; Fake Emotions,” from 2009; and “Evil.13 (The Triumph of Evil),” from 2006. CreditTony Cokes, Greene Naftali, New York and Electronic Arts Intermix (EAI), New York; Julia Gillard. [image description: video screens are on the left and right of the image, they have backgrounds in red and blue respectively and both have text in a white font, which is not legible in this image]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1554996680210-MMPSNN3RIDRGQ5X4BZ13/merlin_153102306_e60330f5-35fa-4567-bd50-a97d58fbb1cd-superJumbo.jpg</image:loc>
      <image:title>NEWS - New York Times Review of Revolution from Without...</image:title>
      <image:caption>Dread Scott's “#While Black (offset),” from 2019, offset lithographs; and “#While Black,” from 2018, diptych in screenprint. Credit Dread Scott; Julia Gillard. [image description: in the foreground a stack of white paper with two rectangles of black print and white text documenting different activities ‘while black’ sit on top of a square table, in the background the same images are split into two black frames hung on a white wall]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/3/19/the-timely-call-of-revolution-from-without-35958</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1554237718635-I1UR9LBAUEL2KKJPQQ63/Lina.jpg</image:loc>
      <image:title>NEWS - Maurice Berger Reviews Elia Alba: The Supper Club for The New York Times</image:title>
      <image:caption>The Botanist (Lina Puerta), 2012. Credit Elia Alba. [image description: portrait of artist in bath, her body is covered in a variety of pink, purple and white flowers]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1554237770597-A360W2A2IQ7UIN318B74/latoya+.jpg</image:loc>
      <image:title>NEWS - Maurice Berger Reviews Elia Alba: The Supper Club for The New York Times</image:title>
      <image:caption>The Braddonian (LaToya Ruby Frazier), 2012. Credit Elia Alba. [image description: portrait of woman with blue jeans, light blue shirt and vest, sitting on a staircase holding a year book, it is silver with red writing “Braddonian, 1953”]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1554237935355-XYDKPS850INBQMMAEDNS/Chitra+Ganesh+.jpg</image:loc>
      <image:title>NEWS - Maurice Berger Reviews Elia Alba: The Supper Club for The New York Times</image:title>
      <image:caption>The Dreamweaver (Chitra Ganesh), 2013. Credit Elia Alba. [image description: head and shoulder portrait of woman, shot in purple light with with a silver circle outlined in black on her forehead]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1554238117510-Z0LVXZBTLQ0BO3ZEI8ZN/kalup.jpg</image:loc>
      <image:title>NEWS - Maurice Berger Reviews Elia Alba: The Supper Club for The New York Times</image:title>
      <image:caption>The Star (Kalup Linzy), 2015. Credit Elia Alba. [image description: artist dressed in formal white tie evening suit, has thumbs through the loops on trousers, head tilted back with dramatic red hair wig, red lipstick and top hat]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/3/19/the-timely-call-of-revolution-from-without</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1553010705214-FMZHE8E4PJOHV4FOUSAK/Border-Wall-Close-Up-2-copy.jpg</image:loc>
      <image:title>NEWS - Riot Material Review: The Timely Call of Revolution from Without…</image:title>
      <image:caption>Raqs Media Collective, “Undoing Walls (detail),” 2017. Single channel animation loop projection. [image description of above and previous page: a still of an computer animation of black geometric shapes undulating, wavelike against a white background]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1553010755649-0TMLOLHWVRXM35YWIM1R/Hunger-Anger-Joy-2011-copy.jpg</image:loc>
      <image:title>NEWS - Riot Material Review: The Timely Call of Revolution from Without…</image:title>
      <image:caption>Chto Delat, “Hunger, Anger, Joy,” 2011. Photo: KOW. Courtesy of Chto Delat and KOW, Berlin | Madrid. [image description: white dog with fangs bared is set in a red triangle of text in cyrillic font, with the words in the title, all on a black background]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1553011201386-XW3MQ6QTZSQUE5B1FA0T/Imagine-scan-from-print-7x7-300dpi.jpg</image:loc>
      <image:title>NEWS - Riot Material Review: The Timely Call of Revolution from Without…</image:title>
      <image:caption>Dread Scott, “Imagine a World Without America”, 2006. Screen Print. Courtesy of the artist. [image description: a map of the world forms the background of this image, the oceans are green and the land is orange, text on top of the images says “imagine a world” in black bold font, a faded green font continues the phrase with “without America”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/2/27/foundation-interview-with-visual-aids-in-poz-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551283118059-EXQ2VQCNR5HXRUE25TOI/66466_red-ribbons-ts-85501065.jpg_ef2a853f-6a36-492f-87ae-814813b04cbf_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>[image description: red looped ribbons, the symbol of the AIDS movement, lined up in two lines diagonally against a white background]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551283330395-8Y0PFQD6SBPU4U56OXY2/66474_RibbonBee-1991-hoz.jpeg_d206ad8c-dabb-494f-a684-cf3b75ada0c5_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>Red Ribbon-making workshop (1991). Courtesy of Visual AIDS. [photograph of people making AIDS ribbons, three people are on either side of the table, man in the middle holds up strings of ribbon]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551283456324-C612AEWHB5ZAE2VG4KI7/66475_MM-190129-68A5875.jpg_4a4ea3b7-2af4-473e-969c-2a0fc86d2bbe_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>LOVE POSITIVE WOMEN workshop (2019). Courtesy of Visual AIDS. [women wearing red with white pinafores, and men wearing black making valentine cards in bright colors]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551283517195-RN7RWN5JH3J151C75VST/66482_NightWithoutLight.JakeRajs.jpg_8693450b-41f6-46b4-956b-a10f93a85a86_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>A Night Without Light (1990). Courtesy of Visual AIDS. [image description: two photographs from an identical place, the first one has the skyscrapers lit, and in the second they have no external light]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551283489904-BKB0FM6L41R19QE4NB9Y/66476_ElectricBlanket-VisualAIDS.jpg_1b806ea4-4810-4d03-b35f-1a18ff9d854c_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>Electric Blanket (1990). Courtesy of Visual AIDS. [black and white photograph of exterior of building with the text ‘Remember Aids is an International Epidemic’ projected on the front of it, people look on in the foreground]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551283559553-1ZYQV5KUHJEFKBEJNNV3/66478_2-2.jpg_82b3b009-7c37-4713-8455-45ea7da9f4c7_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>Kay Rosen’s “AIDS ON GOING GOING ON” (2013) projected on the Metropolitan Museum by The Illuminator for RADIANT PRESENCE, Day With(out) Art 2015. Courtesy of Visual AIDS/Elliot Luscombe (lvscombe.com. [color photograph of exterior of museum at night, ‘AIDS On Going Going On’ is projected onto the side wall, NY taxis go by the building in the foreground]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551283591803-OMZI7KE0BELPRP6J1B0X/66479_P07-18-02.jpg_dd3b0ef6-146e-43a9-9d05-61c378cc6ce1_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>Visual AIDS Criminalization broadside. Courtesy of Visual AIDS. [image description: dark pink poster with orange and black handcuffs and the text in white saying “YOU CARE ABOUT HIV CRIMINALIZATION (YOU JUST DON’T KNOW IT YET)”]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551283626512-8U3PBVV0X5FZHWGG4CTC/66480_COMPULSIVE-PRACTICE-1-2016.jpg_1e9841fd-3907-4050-a9d4-50181d60f372_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>COMPULSIVE PRACTICE (2016). Courtesy of Visual AIDS. [image description: grid of nine stills from video, featuring different people talking directly to camera, or performing]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1551281755392-XEOW7ISE8Q1PYA9DP97D/66529_DWA-2018-vertical-large.jpg_d1c1f7d9-0831-4a5b-bf93-18df004c6e74_x2.jpeg</image:loc>
      <image:title>NEWS - Foundation Interview with Visual AIDS in POZ Magazine</image:title>
      <image:caption>ALTERNATE ENDINGS, ACTIVIST RISINGS (2018). Courtesy of Visual AIDS. [black poster with painted white grid and seven red fists raised upwards in the foreground, text in white says “Visual AIDS, Day With(out) Art, 2018” and at the base “ Alternate Endings Activists Rising”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2019/1/23/the-shelley-amp-donald-rubin-foundation-announces-2019-grantees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1548270446690-14QOAPJZSW4J79OZYSOY/Unknown-1.jpeg</image:loc>
      <image:title>NEWS - Artforum: The Shelley &amp;amp; Donald Rubin Foundation Announces 2019 Grantees</image:title>
      <image:caption>Kameelah Janan Rasheed,Scoring the Stacks, 2019. Installation at Brooklyn Public Library. Photograph courtesy of the artist. [image description: photograph taken in Brooklyn Library from second floor depicting the opposite balcony, where text printed on the balcony walkway says “having abandoned the flimsy fantasy of certainty, i decided to wander”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/12/28/can-artists-organize-the-story-of-wage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1546012694297-T7DLDXAZVO8IKBQCER1C/Cowan-Can-Artists-Organize-1.jpg</image:loc>
      <image:title>NEWS - Can Artists Organize? The Story of WAGE</image:title>
      <image:caption>A nonprofit organization wants visual and performing artists to be fairly compensated for their work. [photograph of painting in studio, which has a white background with splatters of paint and geometric patterns, with a stool in the foreground] Photograph by Alex Majoli / Magnum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/12/18/mendi-keith-obadike-artists-in-residence-at-weeksville</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1545236091613-G3J4B428LDXGRGGD7YPT/Screen+Shot+2018-12-18+at+11.11.51+AM.png</image:loc>
      <image:title>NEWS - Mendi + Keith Obadike Artists in Residence at Weeksville</image:title>
      <image:caption>Mendi + Keith Obadike installation at Weeksville Heritage Center. [image description: previous page, photograph of artists, male on left with black hat and red scarf, woman on right with curly hair, they are smiling. This page, white frames with white pieces of paper are arranged on gray floor leaning against white walls, in the center of room a white horn from an old record player stands like a flower on the floor]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/11/16/rehan-ansari-interview-with-mary-mattingly-and-roberto-visani</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1542388054886-2D7436YY2PSAL7AMZ2U6/Unknown-Mary+5.jpeg</image:loc>
      <image:title>NEWS - Rehan Ansari Interview with Mary Mattingly and Roberto Visani</image:title>
      <image:caption>Mary Mattingly with her installation at The 8th Floor. [image description: photograph of woman standing at foreground in shawl in red, brown and white, in front of her piece, which includes a table with various objects including a camera, crystals and bullet shells, above the desk is a blackboard with text in white chalk outlining the copper mining process and partners worldwide, a white twine is strung over the entire area, reflecting the links between the image and objects]:</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1542387722003-FJQGDK6UAWOKUBGXGHTN/Unknown-2.jpeg</image:loc>
      <image:title>NEWS - Rehan Ansari Interview with Mary Mattingly and Roberto Visani</image:title>
      <image:caption>Roberto Visani with his cast iron sculpture Patterson Stack, 2016, at The 8th Floor. [image description: artist stands with arms folded in gray shirt to the left of his sculpture on the right, sculpture is made from stacked metal casts of the molds from guns, in a house of cards style structure]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1542394109575-87J8933IY1AO6FMWP800/sm_ore_transport_station%5B2%5D.jpg</image:loc>
      <image:title>NEWS - Rehan Ansari Interview with Mary Mattingly and Roberto Visani</image:title>
      <image:caption>Mary Mattingly, Ore Transport Station, 2016. Courtesy of the artist. [image description: photograph of docking structure where mined cobalt is shipped from, cloudy day with plants in foreground and the river reflecting the sky]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1542394202718-BJ8VV2XEEPSKBUUPB1RL/patterson.png</image:loc>
      <image:title>NEWS - Rehan Ansari Interview with Mary Mattingly and Roberto Visani</image:title>
      <image:caption>Roberto Visani, Paterson Stack, 2016. Courtesy of the artist. [image description: sculpture made from stacked metal casts of the molds from guns, in a house of cards style structure, sitting on white pedestal]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/11/6/too-embedded-between-object-and-experience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1541540884852-BC52CKFM547IU9KYVWJJ/Charles_Roussel-20160306web.jpeg</image:loc>
      <image:title>NEWS - Too Embedded? Between Object and Experience by Sara Reisman</image:title>
      <image:caption>Tania Bruguera, Referendum, 2015-2016. Medium: arte de conducta (behavior art), local voting booth system. Materials: LED screen, postcards, voting booth, voters. Nuit Blanche Toronto, the Shelley &amp; Donald Rubin Foundation, New York. [image description: two women take selfies in front of tented voter booths and a large-scale led screen with 'Borders Kill, Should We Abolish Our Borders’ written on it in white text on a turquoise background]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1541540941036-WF4P3MD1A159YDV5X2T1/Charles_Roussel-20160306Aweb.jpeg</image:loc>
      <image:title>NEWS - Too Embedded? Between Object and Experience by Sara Reisman</image:title>
      <image:caption>Tania Bruguera, Referendum, 2015-2016. Medium: arte de conducta (behavior art), local voting booth system. Materials: LED screen, postcards, voting booth, voters. Nuit Blanche Toronto, the Shelley &amp; Donald Rubin Foundation, New York. [image description: photograph at night of two women on left look at voting ballots with man on right holding ballots and pens everyone wears winter clothing in dark colors]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1541541261205-E2QC7B0LQP9NLTZMSVY9/Black-Women-Artists-for-BLMweb.jpg</image:loc>
      <image:title>NEWS - Too Embedded? Between Object and Experience by Sara Reisman</image:title>
      <image:caption>Black Women Artists for Black Lives Matter, part of Simone Leigh: The Waiting Room, New Museum of Contemporary Art, New York, NY, July 10, 2016. © Simone Leigh; Courtesy the artist, New Museum, New York, and Luhring Augustine, New York. [photograph of a woman in a wheelchair on the left with smiley face on yellow baseball cap holding the hand of a woman all dressed in red on the right, who is sitting on the floor of the New Museum]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1541541240481-NVSIK7EVNJQP961XGV87/estevez_raful_02web.jpeg</image:loc>
      <image:title>NEWS - Too Embedded? Between Object and Experience by Sara Reisman</image:title>
      <image:caption>Nicolás Dumit Estévez Raful , Help Offered, site-specific performances presented as part of Jamaica Flux, 2004. Photo: Benigno Veraz. Courtesy of Nicolás Dumit Estévez Raful. [image description: photograph of human billboard performance with artist wearing signs saying “Help Offered” over black clothing and a black hat on crowded street]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/11/6/osman-can-yerekakan-reviews-sedimentations-assemblage-as-social-repair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1541539693401-XXGPN6NWMXHNGURSB7JU/Yerebakan-Sedimentations-3.jpg</image:loc>
      <image:title>NEWS - Osman Can Yerebakan Reviews Sedimentations: Assemblage as Social Repair</image:title>
      <image:caption>Michael Rakowitz, May The Obdurate Foe Not Stay in Good Health - Ceramic tile, Turizi Compound (Damascus), 2016. Syrian and other Middle Eastern packaging and newspapers, glue. Courtesy the artist and Jane Lombard Gallery, New York. [image description: polygon tile made from different cardboard and paper packaging from everyday products, cut and layered to create a floral pattern, held up by a plate holder in wood on a wooden table.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/10/17/weeksville-interview-with-brooklyn-rail-by-rehan-ansari</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1567544345805-9MQOKHG22ZVSP1QLSWNZ/Xenobia.png</image:loc>
      <image:title>NEWS - Weeksville Interview with Brooklyn Rail by Rehan Ansari</image:title>
      <image:caption>Artist Xenobia Bailey conducting workshop at Weeksville Heritage Center. [image description: photograph of Bailey on left with an orange hat, with a child and another woman on the right, they stand in the artist’s installation at the Hunterfly Road Historic Houses, where she has covered the walls in vibrant newsprint and patterns in yellow, and orange]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/10/9/tony-huffman-reviews-sedimentations-for-aequi-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1539099479371-V7GI0HN22L7ZB0TF2HV8/8thFloor_Sedimentations_web-29%281%29.jpg</image:loc>
      <image:title>NEWS - Tony Huffman reviews Sedimentations for AEQUI Magazine</image:title>
      <image:caption>Installation view featuring (left to right) Shinique Smith, Roberto Visani and Maren Hassinger. [image description: installation shot of numerous sculptures and photographs, on the left are multicolored bundles of clothes bound with rope, on the right is a large floor to ceiling sculpture made from pink inflated plastic bags, in the foreground is a human figure supported by iron rods]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1539099865971-KKRKK43AHBM3D6FAMWX5/EA14.007-Metas-II-installed-at-2016-Of-A-Different-Nature-corrected-HR-1080x765.jpg</image:loc>
      <image:title>NEWS - Tony Huffman reviews Sedimentations for AEQUI Magazine</image:title>
      <image:caption>El Anatsui, Metas II, 2014. Found aluminum and copper wire. ©El Anatsui. Courtesy of the artist and Jack Shainman Gallery, New York. [image description: geometric large gray shape on white wall, it is made from small squares of aluminum with an abstract configuration]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1539101267835-QOI246FJ7WIVVCR12WEP/JeanShin_SpringCollection_Look1.jpg</image:loc>
      <image:title>NEWS - Tony Huffman reviews Sedimentations for AEQUI Magazine</image:title>
      <image:caption>Jean Shin, Spring Collection, Looks 1, 2016. Leather remnants and t-pins. Courtesy of the artist. [wall based sculpture made from offcuts of leather in brown, the shape of the animal skin is on the outside, and shapes of leather cut out in geometric shapes are on the inside]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/9/14/2018-grantee-more-art-present-night-watch-by-shimon-attie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1536940455272-HWFJQV97M7JA72ZIFDFA/7341f189-1b7f-446e-beec-5f9ef8c27843.png</image:loc>
      <image:title>NEWS - 2018 Rubin Foundation Grantee More Art Present Night Watch by Shimon Attie</image:title>
      <image:caption>Shimon Attie’s Night Watch, 2018. [image description: in the background on the left is the Statue of Liberty against a gray sky, in the foreground is a barge with a large screen, there is an image on the screen of a woman with a colorful turban]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/8/20/hyperallergic-review-exhibition-on-the-8th-floor-refuse-transformed-reuse-as-social-repair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1534776036442-1YCF64CTT1L74VTR3HNZ/EA14.007-Metas-II-installed-at-2016-Of-A-Different-Nature-corrected-HR-1080x765.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review Exhibition on The 8th Floor: Refuse Transformed: Reuse as Social Repair</image:title>
      <image:caption>El Anatsui, “Metas II” (2014), found aluminum and copper wire, 87 x 110 inches (© El Anatsui, image courtesy of the artist and Jack Shainman Gallery, New York). [image description: geometric large gray shape on white wall, it is made from small squares of aluminum with an abstract configuration]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1534776006592-X5JFWW072KW8A6SKTP6Y/JeanShin_SpringCollection_Look1.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review Exhibition on The 8th Floor: Refuse Transformed: Reuse as Social Repair</image:title>
      <image:caption>Jean Shin, “Spring Collection, Looks 1” (2016), leather remnants and t-pins (image courtesy of the artist). [wall based sculpture made from offcuts of leather in brown, the shape of the animal skin is on the outside, and shapes of leather cut out in geometric shapes are on the inside]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1570030789685-MT3Q2VP1F89LX5KWWLB6/Screen+Shot+2019-10-02+at+11.38.45+AM.png</image:loc>
      <image:title>NEWS - Hyperallergic Review Exhibition on The 8th Floor: Refuse Transformed: Reuse as Social Repair</image:title>
      <image:caption>Michael Rakowitz, “May The Obdurate Foe Not Stay in Good Health” (2016), stone inlay depicting a human-headed bull, Ebla, Syrian and other Middle Eastern packaging and newspapers, glue. [image description: a flat figure of bull is in a variety of colors, predominantly white, red and green. It sits on a wooden stand at an angle on a wooden base against a white background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/7/24/michael-rakowitz-shinique-smith-and-michael-kelly-williams-interviewed-for-office-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1532462572325-ALZDE02JTH5QQHMF9PBK/mr_bull.jpg</image:loc>
      <image:title>NEWS - Michael Rakowitz, Shinique Smith and Michael Kelly Williams Interviewed for Office Magazine</image:title>
      <image:caption>Above: sculptures by Micheal Rakowitz from the series "May the Obdurate Foe Not Stay in Good Health," constructed from Syrian and Middle Eastern newspapers. [image description: a flat figure of bull is in a variety of colors, predominantly white, red and green. It sits on a wooden stand at an angle on a wooden base against a white background]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1532462472325-WYLT9RZJ9UHBV8SKPVJ1/mkwilliams_mboom_2016.jpg</image:loc>
      <image:title>NEWS - Michael Rakowitz, Shinique Smith and Michael Kelly Williams Interviewed for Office Magazine</image:title>
      <image:caption>Above right: Michael Kelly Williams. "M’Boom", 2016. mixed media sculpture in steel, wood, iron, acrylic, glass, brass, and paint. Courtesy of the artist. [image description: a white birdcage is adorned on top with green unlit lightbulbs, on the bottom silver whistles are woven through it hanging downwards, it is supported by a drum support with a foot pedal attached]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1532462609597-NTTTFJGM8DJUFU56T8KA/img_0411.jpg</image:loc>
      <image:title>NEWS - Michael Rakowitz, Shinique Smith and Michael Kelly Williams Interviewed for Office Magazine</image:title>
      <image:caption>Above: Installation view of Shinique Smith's Bundles. [image description: in the corner of the room, there are three multicolored bundles tied with twine, the large one is in the corner and the one which is suspended from the ceiling has a woman’s face on the left]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/2018/7/11/forecasting-art-and-social-justice-theater-of-the-oppressed-interview-in-brooklyn-rail-with-rehan-ansari</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531784673901-OOTN8LM5W0DNP3S30TN4/1_CharlieSulu.jpg</image:loc>
      <image:title>NEWS - Forecasting Art and Social Justice: Theater of The Oppressed Interview in Brooklyn Rail with Rehan Ansari</image:title>
      <image:caption>Charlie and Sulu greet the audience at The Lion Theatre at the Ali Forney Center Theatre Troupe's show Get Out: Homeless Edition. Photo by Alex Woodhouse. [image description: photograph of two women on stage facing right, each is waving and smiling at the audience out of screen]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531752713473-9HKJX8607XDABGHZDT29/image-asset.jpeg</image:loc>
      <image:title>NEWS - Forecasting Art and Social Justice: Theater of The Oppressed Interview in Brooklyn Rail with Rehan Ansari</image:title>
      <image:caption>The audience votes on which policy proposal to follow through with, at the May 13, 2017 Legislative Theatre Festival at BRIC. Photo by Will O'Hare. [image description: photograph of audience facing left, many of the people are holding up green or red cards in their hands, they are voting on something]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/sedimentations-assemblage-as-social-repair-exhibition-opening-june-21-6-to-8pm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531787368256-H7SOJM7UOH1SHDIEBOPG/MKWilliams_Wodakota_2017.jpg</image:loc>
      <image:title>NEWS - Sedimentations: Assemblage as Social Repair Exhibition, June 21 to December 8, 2018</image:title>
      <image:caption>Michael Kelly Williams, Wodakota, 2017. Courtesy of the artist. [image description: a cello is hung on a white wall, it is part of a sculpture at the top there is a rake head with strands of leather woven through it, on each side of the cello are four triangular shapes made from shells and other materials]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/queens-museum-interviewed-in-new-series-by-rehan-ansari-and-brooklyn-rail</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531789007975-H4M7B5B9DMVFY1VO7ZMH/MLU_71A0506-LowRes.jpg</image:loc>
      <image:title>NEWS - Queens Museum interviewed in New Series by Rehan Ansari and Brooklyn Rail</image:title>
      <image:caption>Mierle Laderman Ukeles, One Year’s Worktime II, (2016). Courtesy the Queens Museum. Courtesy Queens museum. Photo by Hai Zhang. [image description: in a massive foyer space, there is a curved wall in the background where there is a printed image, which from left to right changes color from green, blue, purple, red and finally orange]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531789215513-SAVO4OR1XLIDWZ2AK3X8/AnnaKE_71A1528-REV20170328.jpg</image:loc>
      <image:title>NEWS - Queens Museum interviewed in New Series by Rehan Ansari and Brooklyn Rail</image:title>
      <image:caption>Anna K.E., Profound Approach and Easy Outcome, 2017. (installation view). 140 ft. x 27 ft. Courtesy the artist. Photo by Hai Zhang. [image description: on huge curving wall in foyer space there are a number of images against the white wall, left, there is a woman holding something, with a portrait of a man behind her, In the middle there is a jigsaw like distortion of different colors, and on the right there is a woman looking in a mirror]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531789238258-QFHM4RWCIWED24AG97NF/Pedro_Lasch_StatementsOnMasks_2005.jpg</image:loc>
      <image:title>NEWS - Queens Museum interviewed in New Series by Rehan Ansari and Brooklyn Rail</image:title>
      <image:caption>Pedro Lasch, Statements on Masks, 2005. Courtesy Queens museum. Photo by Hai Zhang. [image description: people on the left of the images watch a man on the right seated at a wooden desk holding up text, He is wearing a mirror mask with slits for eyes and mouth, he has a black rectangle behind him]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531839682630-IO2JU3386FOUEWN1NHT9/MarinellaSenatore-_71A2340-FullRes.jpg</image:loc>
      <image:title>NEWS - Queens Museum interviewed in New Series by Rehan Ansari and Brooklyn Rail</image:title>
      <image:caption>Marinella Senatore, MétallOpérette, 2016, 4k video, stereo, color, sound, 25’. Courtesy the Queens Museum. Courtesy Queens museum. Photo by Hai Zhang. [image description: a geometric room like structure in wood with a neon sign in orange is in the foreground protest language is on the black back wall in blue]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531789338413-EBWM26REP8WJ9FJ3ES67/MLU_71A0122-LowRes.jpg</image:loc>
      <image:title>NEWS - Queens Museum interviewed in New Series by Rehan Ansari and Brooklyn Rail</image:title>
      <image:caption>Mierle Laderman Ukeles, Ceremonial Arch (1988/1994/2016) Courtesy Queens museum. Photo by Hai Zhang. [image description: a sculpture of an arch is in the foreground, it is made of different cleaning materials in a variety of colors, the objects include gloves, mops, mop handles. the background has a large colorful print on the wall, predominantly in blue and purple]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/vijay-masharanis-review-of-the-schoolhouse-and-the-bus-at-the-8th-floor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531788950890-3ATICFS1EH2SP8FQL9FS/Masharani-Helguera-Lacy-1.jpg</image:loc>
      <image:title>NEWS - Vijay Masharani's Review of The Schoolhouse and the Bus at The 8th Floor</image:title>
      <image:caption>Pablo Helguera, School of Panamerican Unrest Banner, 2006. Installation view, AD&amp;A Museum, UC Santa Barbara. [image description: interior of a room where everything is yellow, at the centre is a video screen playing footage of a landscape, in the foreground are two symmetrical benches on a wooden floor]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artnews-grantee-leslie-lohman-museum-commissions-fierce-pussy-for-window-installation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531789102822-VWFHTTW8FB2X8AHNO7N2/Full-04-18_N_fp.jpg</image:loc>
      <image:title>NEWS - ARTNEWS: Grantee Leslie-Lohman Museum Commissions Fierce Pussy for Window Installation</image:title>
      <image:caption>Poster by fierce pussy. Courtesy of Leslie Lohman Museum of Gay and Lesbian Art, and Fierce Pussy. [image description: black and white photograph of little girl in checkered shirt, she holds a camera, at the base of the image there is the text: Lover of Women]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/hyperallergic-centering-indigenous-voices-decolonizing-institutions-will-topics-forthcoming-discussion-efa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531789172648-PUF4BT148PFOLSG843CS/efa-callresponse-drums-on-bench.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: Centering Indigenous voices and decolonizing institutions will be the topics at forthcoming discussion at EFA</image:title>
      <image:caption>{image description: on a wooden bench, is a banner in black with white text, it says: Ways of Working, on it are three traditional drums with drum sticks]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/callresponse-group-exhibition-indigenous-women-artists-opens-next-week-efa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531789403674-CRL946CRNLODAU1BNFC9/08da38e0-2878-41e8-8fec-2b64a4ade5a4.jpg</image:loc>
      <image:title>NEWS - #callresponse: A Group Exhibition of Indigenous Women Artists Opens Next Week at EFA</image:title>
      <image:caption>[image description: a woman lies sideways nude, leaning her head on her hand. She is in a snowy landscape]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/2018-grantee-bronx-art-center-currently-showing-historical-amnesia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531826633638-APY6Q55JL2PTXLFIPJLM/image2Locusbt.jpg</image:loc>
      <image:title>NEWS - 2018 Grantee Bronx Art Center is currently showing: Historical Amnesia</image:title>
      <image:caption>JC Lenochan [image description: a man is at the centre of a drawing in white chalk on a blackboard, he is being washed with very long brushes by people who are two thirds smaller than him, there is also indecipherable text around him and a map of africa]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artpractical-article-schoolhouse-bus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531826742295-U9OQJQN1EV0BHKXLT4KF/Image1-Schoolhouse___the_Bus_010.jpg</image:loc>
      <image:title>NEWS - ARTPRACTICAL Article on The Schoolhouse and the Bus</image:title>
      <image:caption>Suzanne Lacy and Pilar Riaño-Alcalá. Skin of Memory, 1999; installation view, The Schoolhouse and the Bus, 2017. Courtesy of AD&amp;A Museum. [image description: on the left footage of a parade plays projected on to a white wall, in the centre are three small monitors, on which footage plays, on the right is a timeline with indecipherable images on a white wall]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531826777932-9CABDH1F9XD48VE3FZ35/Image2-Schoolhouse___the_Bus_007.jpg</image:loc>
      <image:title>NEWS - ARTPRACTICAL Article on The Schoolhouse and the Bus</image:title>
      <image:caption>Pablo Helguera. The School of Panamerican Unrest, 2006; installation view inside makeshift schoolhouse, The Schoolhouse and the Bus, 2017. Courtesy of AD&amp;A Museum. [image description: view of interior of yellow schoolhouse, on left is exit with white wall in background, on the right is a monitor playing footage of a landscape]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/inside-philanthropy-issues-engagement-funders-latest-round-social-justice-arts-giving</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835757239-RXIN3O0GAWG6NN5XMZ59/Screen-Shot-2017-06-28-at-2.28.25-PM-1.png</image:loc>
      <image:title>NEWS - Inside Philanthropy, From Issues to Engagement: A Funder's Latest Round of Social Justice Arts Giving</image:title>
      <image:caption>Photograph of Carmen Papalia conducting a presentation on his work. [image description: a number of chairs are laid out in a square formation, they have metal tops, people are gathered around the table listening to Carmen who has a straw hat and a red shirt on]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/artnews-8th-floor-exhibition-opening-featured-9-events-attend-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531846017247-PNQTZU7K13Y22PQIM6GG/web-2.png</image:loc>
      <image:title>NEWS - ARTNEWS: The 8th Floor Exhibition Opening featured in 9 Events to attend this week</image:title>
      <image:caption>Suzanne Lacy, Skin of Memory (1999). (detail) [image description: two photographs of women are in decorative frames on a metal shelf, they are lit from the front by small bulbs, which are part of the shelf, there is also text embossed on glass in front of the center image]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/13-things-see-new-york-week-brian-bouchers-editors-picks-artnet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531927976975-DEHXTEZWAA1249DOKB63/8thfloor_Schoolhouse_andthe_Bus_web-17+copy.jpg</image:loc>
      <image:title>NEWS - 13 Things to See in New York This Week in Brian Boucher's Editors’ Picks for Artnet</image:title>
      <image:caption>Pablo Helguera, The School of Panamerican Unrest, 2006. Installation shot at The 8th Floor. Courtesy of the artist. [image description: framed images and texts run along the left wall, in the center, is a schoolhouse made of yellow plastic coating and a wooden structure inside, it has a school bell in the front of it]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artnews-rubin-foundation-awards-grants-60-organizations-aligned-art-social-justice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531846071857-J0HG8TIYQ5Q3X7K4H48C/Silence-Death-Collective.png</image:loc>
      <image:title>NEWS - ARTnews: Rubin Foundation Awards Grants to 60 Organizations Aligned with Art and Social Justice</image:title>
      <image:caption>Silence = Death Collective’s 2017 window installation at the Leslie-Lohman Museum, NYC. Courtesy of LESLIE-LOHMAN MUSEUM. [image description: exterior photograph of museum, in the windows on the ground floor are large prints of “Silence = Death” and pink triangles across all of the windows]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/huffington-post-interview-elia-alba-jane-harris</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531827074973-OGMRXQ80NCKFPA07D9PO/5a4ebdc21d000018005c2510.jpeg</image:loc>
      <image:title>NEWS - Huffington Post Interview With Elia Alba and Jane Harris</image:title>
      <image:caption>The Pulsar (Abigail DeVille), 2014. Archival pigment print. Courtesy of the artist. [image description: a woman in highly decorative clothing in pink and other colors stands with beams of green light radiating out behind her, in a dark room or club]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/hyperallergic-eloquent-photo-portraits-60-contemporary-artists-color</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531827267673-6ON5U6Z3Q9F8KPK4XNOE/Elia_Alba_The8thFloor_web-2.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: Eloquent Photo-portraits of 60 Contemporary Artists of Color</image:title>
      <image:caption>Installation view of The Supper Club at The 8th Floor gallery (all installation images courtesy of Julia Gillard and the 8th Floor) [image description: four photographs of artists are on the left five on the right]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/press-release-next-exhibition-8th-floor-schoolhouse-bus-featuring-two-projects-pablo-helguera-suzanne-lacy-pilar-riano-alcala</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531827533359-MB8NIEYC4IA2L7MF1U4F/web-1.png</image:loc>
      <image:title>NEWS - The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement, Exhibition from February 9 through May 12, 2018</image:title>
      <image:caption>Pablo Helguera, The School of Panamerican Unrest, 2006. Schoolhouse in front of the Galeria Nacional de Arte, Honduras. Courtesy of the Artist. Previous Page: Suzanne Lacy, Skin of Memory Revisited, 2011. Museo de Antioquia, Medellin, Schoolhouse in front of the Colombia. Courtesy of the Artist. [image description: a small triangular yellow schoolhouse is in the foreground, people pass by, in the background is a spanish style church in light yellow, the sky is blue]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531866786964-N3D39YZEFPKX2ZFOHJ2A/Web-3.png</image:loc>
      <image:title>NEWS - The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement, Exhibition from February 9 through May 12, 2018</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/contemporary-phenomenology-political-aesthetic-multimedia-work-elia-alba-supper-club-covered-vice-mexico</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531827800369-6X30UC5B5DBP7GAUER30/1511224952481-Captura-de-pantalla-2017-11-20-a-las-184204.png.jpeg</image:loc>
      <image:title>NEWS - Contemporary Phenomenology: Political-Aesthetic in the multimedia work of Elia Alba, The Supper Club covered in VICE Mexico</image:title>
      <image:caption>Elia Alba, The Body Electric (Jacolby Satterwhite), 2014. (detail) [image description: portrait of an African American man with his arms around his head, he is covered in silver glitter]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/theater-oppressed-nyc-housing-works-present-apartment-complex</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531828160493-DFOAWWYAUUJTKT1KRX9E/Screen-Shot-2017-10-31-at-4.05.27-PM.png</image:loc>
      <image:title>NEWS - Theater of the Oppressed NYC and Housing Works present Apartment Complex</image:title>
      <image:caption>Theater of the Oppressed NYC and Housing Works present Apartment Complex {image description: as well as the previous text, there is an image of a woman with her hand on her chin, with a perplexed expression, she wears checkered clothing and looks left]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/cultured-dinner-revolution-review-supper-club-elia-alba</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1571421944175-GAWJDFCN7O7SD69GVQZ3/2-chitra.jpg</image:loc>
      <image:title>NEWS - CULTURED: Dinner and a Revolution, a review of The Supper Club by Elia Alba</image:title>
      <image:caption>Elia Alba, The Spiritualist (Maren Hassinger), 2013. Courtesy of the Shelley &amp; Donald Rubin Foundation. [image description: a dancer on a large rock is dressed in white, in a landscape predominated by artificially purple trees]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/showtime-nyc-subway-cars-festivals-medium-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531828471166-C2SVS52JGA5VAH5HZJZX/Screen-Shot-2017-10-16-at-4.03.49-PM-copy.png</image:loc>
      <image:title>NEWS - It's Showtime NYC: From Subway Cars to Festivals in Medium Magazine</image:title>
      <image:caption>Dancers in landscape courtesy of It’s Showtime. [image description: dancers are making a number of gestures on a sunny day in the overgrown grass of a city landscape, the building in the background has scaffolding on it]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artforum-critics-pick-features-elia-albas-supper-club</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/observer-review-elia-albas-supper-club-photos-bring-voices-color-proverbial-table</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531829250942-YUIT41Y542FSRJ5LQMGL/2-chitra.jpg</image:loc>
      <image:title>NEWS - Observer Review: Elia Alba’s ‘Supper Club’ Photos Bring Voices of Color to the Proverbial Table</image:title>
      <image:caption>Elia Alba, The Dreamweaver (Chitra Ganesh), 2013. Image courtesy of the artist. [image description: a woman with bare shoulders and heavy eyeliner has circle in black with a silver center painted on her forehead, the photograph is shot with a purple tint]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/gallery-visit-studio-tour-2017-grantee-laundromat-projects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531829767755-IGD8OJKIF0YVKO6DL2R5/IMG_7377.jpg</image:loc>
      <image:title>NEWS - Gallery Tour and Studio Visit at Laundromat Project, one of our 2017 Grantees</image:title>
      <image:caption>Walter Cruz, The Truth Is We Need Each Other. Painting on jacket. [image description: photograph of jacket hung on wall with hanger, text on the back is in white and is also the title of the piece]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531829812525-8FKW2M1LQX7IUOZH7CNJ/IMG_7365-2.jpg</image:loc>
      <image:title>NEWS - Gallery Tour and Studio Visit at Laundromat Project, one of our 2017 Grantees</image:title>
      <image:caption>Ahmed Tijay Mohammed with Kemi Ilesanmi and other staff from Laundromat Projects. [image description: four people stand in front of an artwork, each is smiling and has their arm around the others, the artwork is comprised of brightly colored faces and african fabrics glued directly to the wall of the exhibition space]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/2017-grantee-queens-museum-presents-patty-chang-wandering-lake-2009-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531833330104-B107LP575WJA2XDPULXR/PattyChang_71A5923-FullRes-Cover-e1503954277261.jpg</image:loc>
      <image:title>NEWS - 2017 Grantee The Queens Museum presents Patty Chang: The Wandering Lake, 2009-2017</image:title>
      <image:caption>Patty Chang, The Wandering Lake, 2009-2017. Film installation. [five large rectangular boards stand in a large space, they have the image of an abandoned trawler projected on them, the boat is stranded in a desert landscape]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/non-profit-quarterly-elia-alba-afrofuturism-liberatory-black-identities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531833413647-3K9VMK9P04KTXDGFR5C3/elia-alba-web.jpg</image:loc>
      <image:title>NEWS - Non Profit Quarterly: Elia Alba, Afrofuturism, and Liberatory Black Identities</image:title>
      <image:caption>By Elia Alba (Own work) [CC BY-SA 4.0], via Wikimedia Commons. [image description: photograph of artist wearing black clothing with her hair pulled back in a bun, she has blue glasses on and the image has a soft focus appearance]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artsy-interview-elia-alba-turning-artists-color-fantasy-icons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531833586178-OURO2WP4X37SJZWYXNNL/d7hftxdivxxvm.cloudfront.net_.jpeg</image:loc>
      <image:title>NEWS - Artsy Interview: Elia Alba Is Turning Artists of Color into Fantasy Icons</image:title>
      <image:caption>The Dreamweaver (Chitra Ganesh), 2013. Credit Elia Alba. [image description: head and shoulder portrait of woman, shot in purple light with with a silver circle outlined in black on her forehead]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531834651725-TPIERRM9IPUYS6U2W0SY/d7hftxdivxxvm-2.cloudfront.net_.jpeg</image:loc>
      <image:title>NEWS - Artsy Interview: Elia Alba Is Turning Artists of Color into Fantasy Icons</image:title>
      <image:caption>Elia Alba, The Professor (Hank Willis Thomas), 2014. Courtesy of the artist. [image description: a man in a suit is standing facing left at the top of a class room where there are chairs and maps on the wall, he stands behind a desk where there are piles of academic publications].</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/queer-artists-show-activism-key-survival-hyperallergic-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531834811164-GKAPSRQ02S0OQVEQZVZM/VisualAIDS_Voice_Survival_lrg-15.jpg</image:loc>
      <image:title>NEWS - Queer Artists Show that Activism Is Key to Survival: Hyperallergic Review</image:title>
      <image:caption>Installation view of VOICE = SURVIVAL at the 8th Floor gallery (all installation photos by Julia Gillard and courtesy the 8th Floor). [image description: a grimacing man dressed in white against an orange backdrop is projected on the gray back wall of a white space, a bench is in the foreground]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531834847420-H26T9FC6N15CHH9PPK33/VisualAIDS_Voice_Survival_lrg-1.jpg</image:loc>
      <image:title>NEWS - Queer Artists Show that Activism Is Key to Survival: Hyperallergic Review</image:title>
      <image:caption>Installation view of VOICE = SURVIVAL at the 8th Floor gallery. [image description: a large printed square board is leant on the floor, it has publications in front of it on the ground and to the right there is a Silence = Death poster, with a pink triangle on a black background]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531834904435-1V861LMCF0RBD1QF8M4E/Guillermo-Gomez-Pena-by-Steve-Rosen.jpg</image:loc>
      <image:title>NEWS - Queer Artists Show that Activism Is Key to Survival: Hyperallergic Review</image:title>
      <image:caption>Guillermo Gómez-Peña and Gustavo Vazquez, A Declaration of Poetic Disobedience from the New Border (2003), film still (photo by Steve Rosen). [image description: there is a projection of a man on a black wall, he wears traditional indigenous american tribal costume, and he has a black stetson hat on, he points his finger and is saying something demonstratively]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/dr-laura-lomas-writes-marlon-riggs-no-regret-disclosure-performativity-legacy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835039165-FHQSHIT5GATRWZZKGNMS/IMG_6005.jpg</image:loc>
      <image:title>NEWS - Dr. Laura Lomas writes about Marlon Riggs &amp;amp; "No Regret": DISCLOSURE, PERFORMATIVITY &amp;amp; LEGACY</image:title>
      <image:caption>Left to right: Kiyan Williams, Ni’Ja Whitson, Kirsten Flores-Davis, and Tavia Nyong’o. [Image Description: Four people stand against a gray wall and are smiling.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835068344-JO1X85T0UZDP1V0RW6X4/IMG_5897.jpg</image:loc>
      <image:title>NEWS - Dr. Laura Lomas writes about Marlon Riggs &amp;amp; "No Regret": DISCLOSURE, PERFORMATIVITY &amp;amp; LEGACY</image:title>
      <image:caption>Ni’Ja Whitson performing at The 8th Floor. [Image Description: A person in a denim top, white shirt, and black pants is making gestures very close to audience members, who sit together closely.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835097615-PUV0SARRYATD2V480XHI/IMG_5945.jpg</image:loc>
      <image:title>NEWS - Dr. Laura Lomas writes about Marlon Riggs &amp;amp; "No Regret": DISCLOSURE, PERFORMATIVITY &amp;amp; LEGACY</image:title>
      <image:caption>Kiyan Williams performing at The 8th Floor. [Image Description: A person sits on a bench wrapped in baby blue cloth; they are gesturing and looking in a small mirror that they hold in their left hand. Their stick leans against the wall and there is a weekend bag by their foot. There is a projected film behind them of another person being interviewed in a city park.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835138890-3ZB6GILPP72UQZJ927FC/IMG_5957.jpg</image:loc>
      <image:title>NEWS - Dr. Laura Lomas writes about Marlon Riggs &amp;amp; "No Regret": DISCLOSURE, PERFORMATIVITY &amp;amp; LEGACY</image:title>
      <image:caption>Left to right: Kiyan Williams, Ni’Ja Whitson, and Tavia Nyong’o contribute to a panel about Marlon Riggs. [Image Description: Three people sit and conduct a panel discussion. A still is projected behind them. The person in the center is speaking into a microphone.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531867619428-7MC1WB3CBZ0WU3DY197S/Unknown.jpeg</image:loc>
      <image:title>NEWS - Dr. Laura Lomas writes about Marlon Riggs &amp;amp; "No Regret": DISCLOSURE, PERFORMATIVITY &amp;amp; LEGACY</image:title>
      <image:caption>[Image Description: A portrait of Laura Loma, who is smiling with her hair back while looking up. She has bright red lipstick on.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/rubin-foundation-grantee-dancing-streets-announces-summer-program-showtime-nyc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835226689-X9GF2544EKN9CDSOFG28/0e779e65-2c35-4151-b933-e8e7ce0a7163.jpg</image:loc>
      <image:title>NEWS - Rubin Foundation Grantee "Dancing in the Streets" announces Summer Program: Its Showtime NYC!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835250904-OU4HZ7OCG9T93FXTT27F/1864aff4-c607-4aac-b6c6-32d5533cb321.jpg</image:loc>
      <image:title>NEWS - Rubin Foundation Grantee "Dancing in the Streets" announces Summer Program: Its Showtime NYC!</image:title>
      <image:caption>[image description: the top half of this image is a graphic saying Dancing in the Streets in gray and black, on the bottom is a photograph of a troupe of dancers engaged in high energy choreography on stage in the open air in an urban environment]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/emily-colucci-reviews-voice-survival-8th-floor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835350738-B6RRYZAV0SEPUOGX6VT1/portraitofdebdetail_02-copy-e1499863114801.jpg</image:loc>
      <image:title>NEWS - Emily Colucci reviews VOICE = SURVIVAL for POZ Magazine</image:title>
      <image:caption>LJ Roberts, Portrait of Deb (1988-199?), detail, 2012-13 (Courtesy of the artist) [image description: the piece is made from multiple educational or activist badges in textile, loose threads are spread randomly over the images in a multitude of colors, they include the slogans silence = death and dyke power]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835399478-F5EK5S65QCQEYORQ4K4J/visualaids_voice_survival_lrg-15-e1499863554381.jpg</image:loc>
      <image:title>NEWS - Emily Colucci reviews VOICE = SURVIVAL for POZ Magazine</image:title>
      <image:caption>Installation view of VOICE = SURVIVAL at the 8th Floor gallery (all installation photos by Julia Gillard and courtesy the 8th Floor). [image description: a grimacing man dressed in white against an orange backdrop is projected on the gray back wall of a white space, a bench is in the foreground]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531867780025-TZZ128TBH6A51QAY8EF2/mykki-blanco-copy-e1499862907454.jpg</image:loc>
      <image:title>NEWS - Emily Colucci reviews VOICE = SURVIVAL for POZ Magazine</image:title>
      <image:caption>Mykki Blanco and Adinah Dancyger, I Want a Dyke For President, 2016. Video, Performed by Mykki Blanco, Directed by Adinah Dancyger, Text by Zoe Leonard (1992), Produced by Thomas Gorton for Dazed. Make Up by Raisa Flowers, Camera and Sound Assistance by Alice Plati. (Courtesy of the artists and Dazed)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835460382-CM78U2XP7HF8R0YFZVXE/donald-moffett-he-kills-me-e1499863026179.jpg</image:loc>
      <image:title>NEWS - Emily Colucci reviews VOICE = SURVIVAL for POZ Magazine</image:title>
      <image:caption>Donald Moffett, He Kills Me, 1987. Poster, offset lithography (Courtesy of the artist and Marianne Boesky Gallery, New York, Aspen. © Donald Moffett) [image description: image on left is concentric circles in orange and red making the shape of a bulls eye target, the image on the right is a photograph of Ronald Reagan smiling, text on top of his chest reads He Kills Me in orange]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835497426-L3AJ7JT204STH0D1TKT8/kameelah-janan-rasheed-2-e1499863057231.jpg</image:loc>
      <image:title>NEWS - Emily Colucci reviews VOICE = SURVIVAL for POZ Magazine</image:title>
      <image:caption>Kameelah Janan Rasheed, Lower the Pitch of Your Suffering from How to Suffer Politely (And Other Eti-quette), 2014, Archival inkjet print (Courtesy of the artist) [image description: black text on a vivid yellow background spells out the title of the piece in bold font]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835520759-4KRTTMSG78Z8XOBRGFWO/visualaids_voice_survival_lrg-6-e1499863731294.jpg</image:loc>
      <image:title>NEWS - Emily Colucci reviews VOICE = SURVIVAL for POZ Magazine</image:title>
      <image:caption>Installation view of “VOICE = SURVIVAL” at The 8th Floor (Courtesy of the artists and The 8th Floor, New York) [image description: a white vitrine stands in a perfectly symmetrical room, indecipherable images are in the back, and metal seats with orange cushions, two on either side, are in front of listening stations with tape recorders and headphones on them]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/grantee-cue-foundation-present-exhibition-wendy-red-star</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835598103-L49743NCDBLS513MLLGY/1494600449208.jpeg</image:loc>
      <image:title>NEWS - Grantee CUE Foundation present an exhibition by Wendy Red Star</image:title>
      <image:caption>Wendy Red Star, Yakima Nation Youth Activities, 2014, slide of Crow Fair parade at Crow Agency in the 1970s, archival pigment print. [image description: on a red van with a white horizontal stripe are a large number of indigenous Americans in traditional costume, text in red on the side of the van says: Yakima Nation Youth Activities]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/fall-supper-club-solo-exhibition-elia-alba</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531835981116-EMP908CHW5O47QUG21KZ/Picture1.png</image:loc>
      <image:title>NEWS - Current Exhibition at The 8th Floor: The Supper Club by Elia Alba</image:title>
      <image:caption>Elia Alba, The Thespian (Wanda Raimundi-Ortiz), 2014. Archival pigment print. [image description: a woman dressed as if from a silent movie, is caressing a string of pearls to her face, while looking wistfully off in the distance, she wears a red dress and dramatic makeup, the background is in turquoise satin]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/magazine-voice-survival-features-art-addressing-aids-epidemic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531836846834-G1OU4PK3B92BRA5MZ20W/mykki_blanco.jpg</image:loc>
      <image:title>NEWS - Out Magazine: Voice = Survival Features Art Addressing the AIDS Epidemic</image:title>
      <image:caption>Mykki Blanco &amp; Adina Dancyger ‘I Want a Dyke For President’ (2016) [image description: Mykki is wearing make up and a wig of dark brown long hair, the still has captured him mid sentence with his mouth open, he also wears a black blouse against a pinkish red background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/cup-publish-new-brochures-brooklyn-community-bail-new-york-city-housing-authority</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531837007550-LFS1EQDQ0WUA3K7MMA48/nycha_tenants_guide_insidespread-4_560-1.png</image:loc>
      <image:title>NEWS - Center for Urban Pedagogy Collaborate with Brooklyn Community Bail and New York City Housing Authority</image:title>
      <image:caption>[image description: detail of one of CUP’s information leaflets, this one depicts the interior of the top of a red house or apartment, it has families doing a variety of tasks, the house is surrounded by trees]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531837034459-JVI9JRA9QWQQ7G6HL18Y/cover_519-1.jpg</image:loc>
      <image:title>NEWS - Center for Urban Pedagogy Collaborate with Brooklyn Community Bail and New York City Housing Authority</image:title>
      <image:caption>[image description: informational leaflet, which says Bail’s Set… What’s Next?, it is on a yellow and white background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/freshkills-artists-embark-new-project-field-rd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531837215688-38UI32BEGFHYB8K7K3VH/17_0430_gauthier6.jpg</image:loc>
      <image:title>NEWS - At Freshkills Artists Embark On New Project With Field R/D</image:title>
      <image:caption>[image description: people in brightly colored clothing face away from the camera as they take a walk through Freshkills Park, there is a body of water on the right with a tree and long brown reeds, on the left is bright green grass]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/rubin-foundation-grantee-casita-marias-blitz-blitz-buzz-program</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531840990536-ARX576VWCC1H9AWZZI4O/ARGE6857.jpg</image:loc>
      <image:title>NEWS - Rubin Foundation Grantee Casita Maria’s BLITZ &amp; BLITZ Buzz Performance Program</image:title>
      <image:caption>Mariachi Academy who played on May 21, St. Athanasius Courtyard 878 Tiffany St. Image courtesy of Casita Maria. [image description: a group of people smile for the camera in a recording studio, in front of them are microphones, mic stands and large drums, in the background there are neon lights and graffiti]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artnews-9-art-events-attend-new-york-city-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531841458184-DXCNB8JYR3NS8CIDGFQ2/He-Kills-Me-copy.jpg</image:loc>
      <image:title>NEWS - ARTNEWS:  9 Art Events to Attend in New York City This Week</image:title>
      <image:caption>Donald Moffett, He Kills Me, 1987. Poster, offset lithography (Courtesy of the artist and Marianne Boesky Gallery, New York, Aspen. © Donald Moffett) [image description: image on left is concentric circles in orange and red making the shape of a bulls eye target, the image on the right is a photograph of Ronald Reagan smiling, text on top of his chest reads He Kills Me in orange]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/art-newspaper-museums-us-canada-show-pride-june</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531841562759-ZAIH1RPFM76S6YD1SJWI/934d08768f339dc2e93224823a3cc9fc_ef05a9e45bedabda9cde7a258b7225e91500x994_quality99_o_1bhlb2qtp1enb1ek2als1ucsj0ja.jpg</image:loc>
      <image:title>NEWS - The Art Newspaper: Museums in the US and Canada show their Pride in June</image:title>
      <image:caption>The First Annual Queens Pride Parade in 1993 (Photo: Courtesy Daniel Dromm Photograph Collection, LaGuardia and Wagner Archives, LAGCC, CUNY) [image description: people in march at front of photograph carry a banner in pink with black text, the writing says Queens Lesbian &amp; Gay Pride Committee, it is a sunny day and there are balloons in the background with rainbow colors]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/blouin-modern-painters-covers-voice-survival-exhibition-8th-floor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531845910413-6YYAM17930M1NBSL13O9/Modern-Painters-V-S-2.png</image:loc>
      <image:title>NEWS - Blouin Modern Painters covers Voice = Survival exhibition at The 8th Floor</image:title>
      <image:caption>[image description: newspaper clipping of article below with an image of stickers with activist and educational logos and text including Silence = Death by LJ Roberts]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/rubin-grantee-radiator-gallerys-exhibition-covered-nyt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531846136494-IKEVXPZ6O5SKVQ28H353/19MYCOUNTRYTIS-blog427.jpg</image:loc>
      <image:title>NEWS - Rubin Grantee Radiator Gallery's exhibition covered in NYT</image:title>
      <image:caption>Nicholas Galanin’s “God Complex” (2016), at Radiator Gallery. Credit Courtesy of the artist and Radiator Gallery. [image description: a cruciform sculpture made from an assemblage of ceramic parts in white reminiscent of armor are mounted against a green wall, it is spotlit and a police baton is hung away from the figure to the right]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/theater-oppressed-produce-legislative-theater-brooklyn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531846188453-GXTDPDFK0X1ESXGEVHLE/DSCF2396.jpg</image:loc>
      <image:title>NEWS - Theater Of The Oppressed produce Legislative Theater in Brooklyn</image:title>
      <image:caption>Full photo album by Will O’Hare on Facebook [image description: participants some teenage some adult have their right hands raised as if in celebration, the stage they are on is a vivid blue with a brickwork pattern on the backdrop in the same color]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/rubin-foundation-grantee-brooklyn-museum-featured-elle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531846460896-3IGK72VUOAEUHU6EFBQI/gallery-1493838689-el154081-wwar-lornasimpson-waterbearer-1986-lsimpson-350dpi-8bit.jpg</image:loc>
      <image:title>NEWS - Rubin Foundation Grantee: Brooklyn Museum featured in Elle</image:title>
      <image:caption>Lorna Simpson (American, born 1960). ‘Waterbearer,’ 1986. Courtesy of Lorna Simpson. © 1986 Lorna Simpson. [image description: a woman with her back to the audience at the center of this starkly monochrome photograph pours water out of canisters she is holding, on the left a silver jug on the right a plastic container, she wears a simple white shift dress]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/may-4-performance-kalup-linzy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531846629069-KPZLIZNMD10OQMJ6NY10/Unknown-2.jpeg</image:loc>
      <image:title>NEWS - May 4: Performance by Kalup Linzy</image:title>
      <image:caption>Occupy Nuts. Performance. J20, Whitney Museum of Art. January 20, 2017. [image description: a man with a beard a frizzy long hair wears a bright yellow top while singing into a mic agains a landscape outside which has a crane and cityscape in it]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/voicesurvival-next-exhibition-8th-floor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531868803406-WZO1QE477668MFZK6GG3/YUOPPPPP-768x482.png</image:loc>
      <image:title>NEWS - VOICE = SURVIVAL exhibition at The 8th Floor</image:title>
      <image:caption>LJ Roberts, Portrait of Deb from 1988-199?, detail, 2012-13. Courtesy of the artist. [image description: newspaper clipping of article below with an image of stickers with activist and educational logos and text including Silence = Death by LJ Roberts]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/opening-april-21-wanted-revolution-black-radical-women-1965-85-brooklyn-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531868892911-MTN4R231D9GNAC4PEDSL/2017_We_Wanted_a_Revolution_EL154.029_WWAR_MarenHassinger_Leaning1_1500w_600_397.jpg</image:loc>
      <image:title>NEWS - April 21 - Sept 17, We Wanted a Revolution: Black Radical Women, 1965–85 at Brooklyn Museum</image:title>
      <image:caption>Maren Hassinger, Leaning, 1980. Wire and wire rope. ©Maren Hassinger. Courtesy of the artist. (Photo: Adam Avila) [image description: three sets of semi-unravelled steel ropes stand in the form of trees, the scene is spotlit against a black background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/hyperallergic-revolutionary-moment-genesis-breyer-p-orridge-intersectionality-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531864769139-AE8M80D52NOIUCAVQVYP/genesis_by_drew_weidemann_2-2-720x937.jpg</image:loc>
      <image:title>NEWS - Hyperallergic: “This Is a Revolutionary Moment”, Genesis Breyer P-Orridge on Intersectionality in Art</image:title>
      <image:caption>Genesis Breyer P-Orridge (photo by Drew Wiedemann, courtesy Invisible Exports) [image description: a person in a tie-dyed t-shirt stands for a studio portrait, the person has long blond hair, tattoos and jewelry]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/martha-wilsons-forthcoming-event-featured-art-newspaper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531869068714-C3RBHH1S5AG5I2ZJFJQQ/170329_The-Art-Newspaper-copy.gif</image:loc>
      <image:title>NEWS - Martha Wilson's Forthcoming Event at The 8th Floor, Featured in The Art Newspaper</image:title>
      <image:caption>[image description: performance artist Martha Wilson is dressed in the guise of Trump for her performance, she is standing against a monochrome background of a neoclassical possibly government building]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/intersectional-self-8th-floor-reviewed-daily-serving</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531869174693-SU2IZ9PMJ9GZ7ATT5NQ3/AB16-004-600x900.jpg</image:loc>
      <image:title>NEWS - The Intersectional Self at the 8th Floor reviewed in Daily Serving</image:title>
      <image:caption>Andrea Bowers, Throwing Bricks (Johanna Saavedra), 2016. Archival pigment print. Image courtesy of the Artist and Andrew Kreps Gallery. [image description: trans woman in a gray dress and high-heel shoes throws a brick towards the camera on a sunny street, which has palm trees running down either side]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/battery-dance-launches-dancers-seeking-refuge-program</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531869277718-CZFHO320HL6SXX0T22X2/FullSizeRender1-copy.jpg</image:loc>
      <image:title>NEWS - Battery Dance launches Dancers Seeking Refuge program</image:title>
      <image:caption>Smko performing at the NYC High School for Economics and Finance. [image description: a dancer has his left hand held high and his right across his chest, he is standing looking left against a white wall on a black floor, he is wearing gray and black informal clothing]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/grantee-creative-time-kick-off-situ-program-janine-antoni-slavoj-zizek-sr-helen-prejean</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531864319065-865UKTJ86SWP0SKNR0IW/IMG_5985.jpg</image:loc>
      <image:title>NEWS - Grantee CREATIVE TIME kick off their IN SITU program with Janine Antoni, Slavoj Zizek and Sr. Helen Prejean</image:title>
      <image:caption>Janine Antoni conducts a somatic performance at Saint John the Divine. Photograph courtesy of George Bolster. [image description: on the left two people sit listening on a stage, they watch a dancer on the right of the frame, there is a gray wall with many pictures on it in the background and an audience in shadow in front of it]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/native-american-contemporary-art-exhibition-radiator-gallery-opens-march-31-country-tis-thy-people-youre-dying</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531864227945-KZHY9EVJQSHAJ6RHTOPD/3b34f6c6-0200-418a-a514-a239d2dc0bba.jpg</image:loc>
      <image:title>NEWS - My Country Tis of Thy People, You’re Dying: Native American Art exhibition at Radiator gallery opens March 31</image:title>
      <image:caption>Nicholas Galanin’s “God Complex” (2016), at Radiator Gallery. Credit Courtesy of the artist and Radiator Gallery. [image description: a cruciform sculpture made from an assemblage of ceramic parts in white reminiscent of armor are mounted against a green wall, it is spotlit and a police baton is hung away from the figure to the right]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/foundation-grantee-participant-inc-present-baseera-khan-iamuslima</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393586929-VO54R47KKG8BGZSW2EP0/544D-620.jpeg</image:loc>
      <image:title>NEWS - Foundation Grantee Participant Inc. present Baseera Khan's solo exhibition iamuslima</image:title>
      <image:caption>Baseera Khan, Artwork from her solo exhibition at Participant Inc. Photograph courtesy of the artist. [image description: image shows three customized prayers rugs, they are highly decorative, each has a range of patterns, the center one has two crescent moons, and some archlike architectural forms in greens and black]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/art-newspaper-three-see-new-york</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531869174693-SU2IZ9PMJ9GZ7ATT5NQ3/AB16-004-600x900.jpg</image:loc>
      <image:title>NEWS - The Art Newspaper's Three to see: New York, features The Intersectional Self at The 8th Floor</image:title>
      <image:caption>Andrea Bowers, Throwing Bricks (Johanna Saavedra), 2016. Archival pigment print. Image courtesy of the Artist and Andrew Kreps Gallery. [image description: trans woman in a gray dress and high-heel shoes throws a brick towards the camera on a sunny street, which has palm trees running down either side]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/self-interned-1942-noguchi-poston-war-relocation-center-noguchi-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393586530-HUJ5MVJPQ05FQX2K2RJ0/2017_SelfInterned_ThroughJanuary2018.png</image:loc>
      <image:title>NEWS - Self-Interned, 1942: Noguchi in Poston War Relocation Center exhibition at the Noguchi Museum</image:title>
      <image:caption>Installation photograph of the exhibition at the Noguchi Museum. [image description: in a white space there are a number of geometric modernist sculptures on the floor and wall mounted, in the foreground there is a white marble form reminiscent of a woman holding a child]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artforum-shelley-donald-rubin-foundation-appoint-sara-reisman-alex-gardner-new-executive-directorial-positions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393581128-A2X57ZM3V2UD69T4HRK5/1c212a3a-678c-43a1-a0cb-ed537436eba3.jpg</image:loc>
      <image:title>NEWS - Artforum: Shelley &amp; Donald Rubin Foundation Appoint Sara Reisman and Alex Gardner to New Executive Directorial Positions</image:title>
      <image:caption>[image description: two photographic portraits, on the left is a woman smiling agains a background of yellow plastic, on the right a man with glasses is smiling against a dark brown background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artnet-new-arts-program-offers-alternative-incarceration-minors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863997745-2OOOFUO38B4M8EY5GL2R/shaun-leonardo-1024x683.jpg</image:loc>
      <image:title>NEWS - Artnet: A New Arts Program Offers an Alternative to Incarceration for Minors</image:title>
      <image:caption>Shaun Leonardo with his work at Recess. Photograph courtesy of Recess. [image description: a man stands looking at the camera, he wears a black t-shirt with white writing saying “bad hombre”, behind him is a charcoal portrait of a man]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/d-magazine-trans-identity-art-show-bringing-together-catherine-opie-black-lives-matter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393581728-P1RAJR022KVVR8NOCT90/2014_Beauty-is-in-the-eye-Wilson.gif</image:loc>
      <image:title>NEWS - i-D Magazine: The Trans Identity Art Show Bringing Together Catherine Opie And Black Lives Matter</image:title>
      <image:caption>Martha Wilson, "Beauty is in the Eye," 2014, courtesy of the artist and P•P•O•W, New York. [image description: close up photograph of a woman’s face, on the rightside, her eye is made up with make up and fake eyelashes, her left eye is nude, text on the right side beneath her eye says “beauty is in the eye”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/hyperallergic-gender-fluidity-feminism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863844046-HCLA0JPLXGB318JHXY9N/Abigail-DeVille-Invisible-Woman.gif</image:loc>
      <image:title>NEWS - Hyperallergic: Gender Fluidity and Feminism</image:title>
      <image:caption>Abigail Deville, Invisible Women, 2012. [image description: the background of the image is refracted silver plastic, in the foreground the bottom half of a mannequin on top of a rock is covered with a black plastic bag, which is filled with flowers, toys and plastic objects]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/inside-philanthropy-cover-shelley-donald-rubin-grants-program</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863782476-87KLN8MTURROKONMK2WH/1486498923453.jpeg</image:loc>
      <image:title>NEWS - Inside Philanthropy Cover the Shelley &amp; Donald Rubin Foundation Grants Program</image:title>
      <image:caption>[image description: two women hold their left fists in the air, and with their right hands they hold a long rectangular banner on the top of gray stone steps against a gray stone building]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/2017-grantee-visual-aids-love-positive-women</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863678056-EC7OP4CZG3X7VGBS903P/VA_LovePosWomen02.jpg</image:loc>
      <image:title>NEWS - Visual Aids 2017 Foundation Grantee: Love Positive Women</image:title>
      <image:caption>LOVE POSITIVE WOMEN 2017 Pop-up Exhibition: Valerie Reyes-Jimenez, Joyce McDonald, Cindy Krampah, Shirlene Cooper and Lydia Bryant at the Opening Reception. Photo by Kaz Senju. [image description: five women stand in front of a heavily decorated wall, which has multiple brightly colored cards, they hold roses in their hands]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863708293-QZIS9UP5ELG7GEXCFX6C/IMG_1197.gif</image:loc>
      <image:title>NEWS - Visual Aids 2017 Foundation Grantee: Love Positive Women</image:title>
      <image:caption>Artists making Valentine Cards at Dieu Donné paper making studio. [image description: a number of people are making cards and hand made papers, in the foreground are a range of hears, they are red, yellow, blue and pink]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/artnews-editors-picks-9-things-see-new-york-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863633120-28VKGNWAMRQHEJOK2HCG/MiggiIlene-1024x820.jpg</image:loc>
      <image:title>NEWS - Artnews Editors’ Picks: 9 Things to See in New York This Week</image:title>
      <image:caption>Catherine Opie, Miggi &amp; Ilene, Los Angeles, California (1995). Courtesy the artist and Regen Projects, Los Angeles. [image description: two women swim on their backs in an outdoor pool embracing, the woman in front is heavily pregnant, it is a sunny day in a private garden, the mountains fade in the distance almost the same color as the sky]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/2017-rubin-foundation-grantee-socrates-sculpture-park-presents-nari-wards-first-institute</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863580312-J2FGUK2F4LCCRT42FTLZ/Untitled-copy.jpg</image:loc>
      <image:title>NEWS - 2017 Foundation Grantee Socrates Sculpture Park Presents Nari Ward’s Solo Exhibition G.O.A.T.</image:title>
      <image:caption>Nari Ward, Process detail for goat mold. Photo by Mitch Cope. [image description: photograph is shot from above of a figure at the top of the photograph is peeling an orange mold off of a cast sculpture of a goat, the legs and body are visible but the head is still covered]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artnews-shelley-donald-rubin-foundation-awards-social-justice-grants-47-new-york-arts-organizations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863067458-U0RN366NHUY4OIKJ1UJA/Screen-Shot-2016-12-07-at-11.08.57-AM.png</image:loc>
      <image:title>NEWS - ARTNEWS: THE SHELLEY &amp; DONALD RUBIN FOUNDATION AWARDS SOCIAL JUSTICE GRANTS TO 47 NEW YORK ARTS ORGANIZATIONS</image:title>
      <image:caption>Marisa Williamson, AIR Triangle, Still from Performance: Auction, 2013. Photograph courtesy of the artist. [image description: a woman in a brick room between two windows is standing at a lectern wearing a 19th century prairie dress in blue with a white apron, there is a mic and amp to the right of the picture]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/next-8th-floor-intersectional-self-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863495119-6TY4BLZENDX70UUUPE98/Thump_Wilson-final.jpg</image:loc>
      <image:title>NEWS - The Intersectional Self exhibition at The 8th Floor</image:title>
      <image:caption>Martha Wilson, Thump, 2016. Courtesy of the artist and PPOW Gallery. [image description: performance artist Martha Wilson is dressed in the guise of Trump for her performance, she is standing against a monochrome background of a neoclassical possibly government building]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/january-13-2017-nicolas-dumit-estevez-alicia-grullon-performance-sounds-slowness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863429343-TCA94FU66TNIZCNMKUYH/estevez_44-1024x683.jpg</image:loc>
      <image:title>NEWS - January 13, 2017: Nicolás Dumit Estévez and Alicia Grullón in Performance: Sounds of Slowness</image:title>
      <image:caption>Nicolás Dumit Estévez, For Art’s Sake, 2005-2007. Photograph courtesy of the artist. [image description: a man dressed in white ceremonial clothing is walking with two rear view mirrors in his hands, against a street with walls covered in graffiti]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/january-11-2017-rehan-ansari-ping-chong-company-theatrical-duet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863376250-IG2B29L8FX0QVUJ636XA/Rehan-Ansari-PECHS-cemetery-print-crop-1024x554.jpg</image:loc>
      <image:title>NEWS - January 11, 2017: Rehan Ansari and Ping Chong + Company: Theatrical Duet</image:title>
      <image:caption>Rehan Ansari, PECHS (Society) Cemetery, 2011. Image courtesy of the artist. [image description: photographic image of a graveyard with arid looking ground, on horizontal marble tombs, flowers grow, there is a tree leaning leftwards at the center of the picture]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/slow-conversation-sara-reisman-enacting-stillness-artfcity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863280634-3ETKUP5A63ZB7O55XQE6/unspecified-e1482241792910.jpg</image:loc>
      <image:title>NEWS - Do It Slow: A Conversation With Sara Reisman on ‘Enacting Stillness’ in ArtFCity</image:title>
      <image:caption>Bruce Nauman, Still from Dance or Exercise on the Perimeter of a Square (Square Dance), 1967-68 (Courtesy Electronic Arts Intermix (EAI), New York). [image description: in this monochrome film still a man stands on part of a square shape that is taped or painted in white on a studio floor, he is dressed in black and has his left foot outwards tracing the edge of the form]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863302484-8IPSM331YRVGHFRATB3C/unspecified-1-e1482242044753.jpg</image:loc>
      <image:title>NEWS - Do It Slow: A Conversation With Sara Reisman on ‘Enacting Stillness’ in ArtFCity</image:title>
      <image:caption>Installation view of Enacting Stillness at The 8th Floor (Courtesy the artists and The 8th Floor, New York). [image description: installation shot of monitor on left and two photographs on right, only the image on the monitor is distinct, a man lies naked on the ground with people standing around him]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863322650-D4L7995DZ0371PM4N2SZ/unspecified-5-e1482242381497.jpg</image:loc>
      <image:title>NEWS - Do It Slow: A Conversation With Sara Reisman on ‘Enacting Stillness’ in ArtFCity</image:title>
      <image:caption>Installation view of Yoko Inoue’s Transmigration of the SOLD in Enacting Stillness at The 8th Floor (Courtesy the artist and The 8th Floor, New York). [omage description: a range of knitwear all depicting the American Flag are on different height pedestals, there are also a number of different balls of yarn in red, white, and blue, in the background a monitor plays depicting a woman selling jumpers on Canal St.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/landmark-socrates-sculpture-parks-30th-anniversary-exhibition-march-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863200041-TKI17P5YXZG9LX65VCEA/Screen-Shot-2016-12-13-at-4.39.04-PM.png</image:loc>
      <image:title>NEWS - Meg Webster’s Concave Room for Bees is on view until March at Socrates Sculpture Park</image:title>
      <image:caption>Meg Webster, Concave Room For Bees, 2016-2017. Photograph courtesy of Socrates Sculpture Park. [image description: a rammed earth sculpture of a circular garden with a variety of flowers and plants is placed within a larger park, in the background is Manhattan and the day is slightly cloudy]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/triangle-r-program-recognized-artists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863106259-SH3BCLVJ5GCN44PGU1AW/Untitled-copy.png</image:loc>
      <image:title>NEWS - Triangle A.I.R. Program for Under-Recognized Artists</image:title>
      <image:caption>A workshop taking place at Triangle Artists Residency. [image description: an artist at the center of the photograph is conducting a workshop for teenagers, all three people are working on the one desk, works on paper hand in the background on a white wall]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531863067458-U0RN366NHUY4OIKJ1UJA/Screen-Shot-2016-12-07-at-11.08.57-AM.png</image:loc>
      <image:title>NEWS - Triangle A.I.R. Program for Under-Recognized Artists</image:title>
      <image:caption>Marisa Williamson, AIR Triangle, Still from Performance: Auction, 2013. Photograph courtesy of the artist. [image description: a woman in a brick room between two windows is standing at a lectern wearing a 19th century prairie dress in blue with a white apron, there is a mic and amp to the right of the picture]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/id-prefer-not-enacting-stillness-8th-floor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862913112-9BZQDHVLVHQN5UTL7QEY/Untitled.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review: I’d Prefer Not To: ‘Enacting Stillness’ at The 8th Floor</image:title>
      <image:caption>Carlos Martiel, Maze, 2016. Performance at The 8th Floor. Photograph courtesy of the artist. [image description: a naked man in the foreground is gradually being sealed within a white architectural form being built by the clothed man in the gray t-shirt on the left]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/temporary-art-review-enacting-stillness-reviewed-hannah-spears</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862669158-MQ7MFF6UDLM1BGEQIL3X/01_Kimsooja_A-Homeless-Woman-Delhi-copy.jpg</image:loc>
      <image:title>NEWS - Temporary Art Review: Enacting Stillness Reviewed by Hannah Spears</image:title>
      <image:caption>Kimsooja. "A Homeless Woman – Cairo (still)" 2001. In "Enacting Stillness" curated by Sara Reisman, 2016. The 8th Floor, New York. Photo: Courtesy Kimsooja Studio. [image description: on a street, a massive wide tree dominates the right side of this video still, on the bottom left a woman lies horizontal at the base of the three, a man looks on confused as to what is happening]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/november-19-rehan-ansari-unburdened</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393569742-DI1F5BDGLTFJXXTBC05A/Rehan-Ansari2-1024x655.png</image:loc>
      <image:title>NEWS - November 19, Rehan Ansari: Unburdened</image:title>
      <image:caption>Rehan Ansari, Unburdened, 2010-2016. [image description: there are four images in a grid, each has black bands on the top and bottom, and each has a line of text with an actor reading a play, top left there is a man sitting reading “I saw Delhi seek refuge at the camps; top right a woman stands and reads “when we went to Karachi from Dehli”; bottom left a man asked a seated woman “what is a muslim”; bottom right a man and a woman are at the top of a stepped stage standing and saying “we have become rolling stones.”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/bomb-magazine-review-enacting-stillness-mindful-minimalism-inaction-activism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860933776-OYQZ281GJV0GZ7TQOQW5/nauman_dance2-300dpi.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine Review Enacting Stillness: From mindful Minimalism to inaction as activism</image:title>
      <image:caption>Bruce Nauman, Still from Dance or Exercise on the Perimeter of a Square (Square Dance), 1967-68 (Courtesy Electronic Arts Intermix (EAI), New York). [image description: in this monochrome film still a man stands on part of a square shape that is taped or painted in white on a studio floor, he is dressed in black and has his left foot outwards tracing the edge of the form]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862341813-RJMYREPW04DZ6ITB0B1H/252720684-10132016-enacting-stillness-bomb-5.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine Review Enacting Stillness: From mindful Minimalism to inaction as activism</image:title>
      <image:caption>Joan Jonas. Still from Songdelay, 1973, 16mm film. Courtesy of Electronic Arts Intermix. [image description: in this monochrome still, people in a row put their arms up at different times to look as if one person has multiple arms, they are against an industrial shipyard backdrop]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862393182-O29OKJLYM0G8W0BKJY65/969384023-10132016-enacting-stillness-bomb-6.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine Review Enacting Stillness: From mindful Minimalism to inaction as activism</image:title>
      <image:caption>Kirsten Justesen. Sculpture #2, 1968, painted cardboard box and photograph. Courtesy of the artist. [image description: a cardboard box sits on a cement floor a photograph in installed in the top which has the illusion of a woman being in the box]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862436721-RZ8KVOTVI601HEL0X9LN/759684086-10132016-enacting-stillness-bomb-2.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine Review Enacting Stillness: From mindful Minimalism to inaction as activism</image:title>
      <image:caption>Claudia Joskowicz. Sympathy for the Devil, 2011, two-channel video. Courtesy of the artist and LMAK gallery, NYC. [image description: in the top film still two men with their backs to the camera look at a man in the center facing the camera, he is against a yellow set of doors, in the bottom still is the city landscape with snow covered mountains in the background]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862470432-FTEPYKTM2P5VISM89AZG/896396870-10132016-enacting-stillness-bomb-1.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine Review Enacting Stillness: From mindful Minimalism to inaction as activism</image:title>
      <image:caption>Alicia Grullón. Southern Boulevard, 2008. Courtesy of the artist. [image description: a monochrome image of a woman with a highly patterned plastic bag stands in fromt of an industrial landscape of apartments]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862553786-TH425Q3OQZOVLHTW581B/193235800-10252016-john-ahearn-bomb-2.jpg</image:loc>
      <image:title>NEWS - BOMB Magazine Review Enacting Stillness: From mindful Minimalism to inaction as activism</image:title>
      <image:caption>John Ahearn. Isaiah, 1999, acrylic paint on plaster. Courtesy of the artist and Alexander and Bonin, New York. [image description: a polychrome sculpture of a teenager or young adult is wall mounted, he has his arms crossed and wears a cut off white t-shirt]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/carlos-martiel-maze-wednesday-october-19-2016-6-8pm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862143721-QF83NLCXDWMCV4AB957W/IMG_51971.jpg</image:loc>
      <image:title>NEWS - Carlos Martiel: Maze Wednesday, October 19, 2016, 6 to 8pm</image:title>
      <image:caption>Carlos Martiel, Maze, 2016. Performance at The 8th Floor. Photograph courtesy of the artist. [image description: a naked man in the foreground is gradually being sealed within a white architectural form being built by the clothed man in the gray t-shirt on the left]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862219381-Y7DB8ZSS5T1EXPUCJJC8/IMG_3536-copy.jpg</image:loc>
      <image:title>NEWS - Carlos Martiel: Maze Wednesday, October 19, 2016, 6 to 8pm</image:title>
      <image:caption>Carlos Martiel, Maze, 2016. Performance at The 8th Floor. Photograph courtesy of the artist. [image description: a naked man in the foreground is gradually being sealed within a white architectural form being built by the clothed man in the gray t-shirt on the left]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/arte-fuse-artistic-director-sara-reisman-interviewed-power-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531862057336-0P2EET7D3279L17Q7UXZ/Frank-Moore-Jody-Wood-Hannah-Wilke-Jordan-Eagles-and-Ana-Mendieta-In-the-Power-of-Your-Care-768x512.jpg</image:loc>
      <image:title>NEWS - Arte Fuse: Artistic Director Sara Reisman interviewed about In the Power of Your Care</image:title>
      <image:caption>In the Power of Your Care at the Rubin Foundation 8th Floor. (L-R) Frank Moore, Jody Wood, Hannah Wilke, Jordan Eagles and Ana Mendieta. [image description: on the left there is a painting of a desert landscape with cut down trees, in the center there is a video piece of people having their hair done in a mobile salon]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393555227-2LEW1TSCE5GS0CJNQ2KA/asdfad.jpg</image:loc>
      <image:title>NEWS - Arte Fuse: Artistic Director Sara Reisman interviewed about In the Power of Your Care</image:title>
      <image:caption>Pepe Espaliú, El Nido (The Nest) (1993) Courtesy of Fundación Coca-Cola, Spain. [image description: eight crutches are joined together to stand as a free form sculpture, their handles are painted different colors, red, yellow, green, and blue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393557039-VX1QQI1TELXU9X10TDCQ/ewe33.png</image:loc>
      <image:title>NEWS - Arte Fuse: Artistic Director Sara Reisman interviewed about In the Power of Your Care</image:title>
      <image:caption>Andreas Sterzing, David Wojnarowicz (Silence=Death); New York (1989/2014). [image description: a monochrome photograph of David Wojnarowicz with his mouth sewn together with embroidery thread]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531861930393-QSE8OF3V0VFEYYMG2QH1/Installation-by-artists-caraballo-farman-for-In-the-Power-of-Your-Care-768x512.jpg</image:loc>
      <image:title>NEWS - Arte Fuse: Artistic Director Sara Reisman interviewed about In the Power of Your Care</image:title>
      <image:caption>In the Power of Your Care at the Rubin Foundation 8th Floor. Installation by artist Caraballo-Farman. [image description: two tumor sculptures in three dimensional plastic, exude light in a darkened room painted black, a white hospital blanked is hung on the right]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/nyt-new-museum-pop-support-system-black-lives-matter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531861545441-CK6RWIOLAXWRESMSV4IJ/03BWA1-master768.jpg</image:loc>
      <image:title>NEWS - NYT: At New Museum, a Pop-Up Support System for Black Lives Matter</image:title>
      <image:caption>Black Women Artists for Black Lives Matter participants arriving at the New Museum, on the Lower East Side of Manhattan, for Thursday night’s program. Credit: Richard Perry/The New York Times. [image description: eight women dressed in red stand on a sidewalk as part of a performance, they talk to a woman who isn’t in costume on the left of the photograph, one of the women holds a red umbrella]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531861634198-E2MH58UZLQCUEC4P0QPZ/03bw-master675.jpg</image:loc>
      <image:title>NEWS - NYT: At New Museum, a Pop-Up Support System for Black Lives Matter</image:title>
      <image:caption>Simone Leigh portrait by Richard Perry/The New York Times. [image description: a woman stands in vibrantly patterned traditional dress smiling at the camera, the words “for black lives matter can be seen in inverse text in white letters on a black background, on the window behind her]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/programs-fall-freshkills-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531861165919-KG38FHXRJVFN81JKGIXL/Untitled-copy.gif</image:loc>
      <image:title>NEWS - Programs this Fall at Freshkills Park</image:title>
      <image:caption>Tattfoo performing at Freshkills. Photograph courtesy of the artist and Freshkills. [image description: man with his hair tied up holds up green fabric with ambiguous geometric symbols on it, he is surrounded by people on bikes who are looking at him on a sunny day in a park]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/2016-grantee-queens-museum-presents-mierle-laderman-ukeles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531861000942-Y6WSQF0N8CVQ0W9AGQVU/Mierle-QM.jpg</image:loc>
      <image:title>NEWS - Queens Museum presents Mierle Laderman Ukeles, with support from the Rubin Foundation</image:title>
      <image:caption>Mierle Laderman Ukeles, The Social Mirror, 1983. Mirror-covered Sanitation truck. Courtesy Queens Museum. Photo by Hai Zhang. [image description: a mirrored garbage truck is parked in front of the Queens Museum, it is reflecting the parkland the people behind the camera]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/enacting-stillness-8th-floor-sept-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860933776-OYQZ281GJV0GZ7TQOQW5/nauman_dance2-300dpi.jpg</image:loc>
      <image:title>NEWS - Enacting Stillness exhibition at The 8th Floor</image:title>
      <image:caption>Bruce Nauman, Still from Dance or Exercise on the Perimeter of a Square (Square Dance), 1967-68 (Courtesy Electronic Arts Intermix (EAI), New York). [image description: in this monochrome film still a man stands on part of a square shape that is taped or painted in white on a studio floor, he is dressed in black and has his left foot outwards tracing the edge of the form]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/artists-share-personal-tragic-experiences-health-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860650620-NY1KMHT45XXTVS3IXI11/Jordan-Eagles-Blodd-Mirror.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review: Artists Share Their Personal, Tragic Experiences in Health and Care</image:title>
      <image:caption>Installation view of Jordan Eagles’s “Blood Mirror” in ‘The Power of Your Care’ at the 8th Floor, New York (all photos courtesy the 8th Floor unless otherwise noted). [image description: two overhead projectors sit on the shiny wooden floor of the gallery, they project images of congealed blood on the gallery walls in red, there are also images of blood cells]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860678179-P0410TGVW0SMQSED3BLX/2C3A4085.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review: Artists Share Their Personal, Tragic Experiences in Health and Care</image:title>
      <image:caption>Installation view of ‘The Power of Your Care’ at the 8th Floor. [image description: a variety of wall works are hung in the gallery, at the front is a monochrome image of David Wojnarovicz who has his mouth sewn up with embroidery thread]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860705119-5AE742RD4CK04RM827CZ/2C3A4127.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review: Artists Share Their Personal, Tragic Experiences in Health and Care</image:title>
      <image:caption>In the Power of Your Care at the Rubin Foundation 8th Floor. Installation by artist Caraballo-Farman. [image description: two tumor sculptures in three dimensional plastic, exude light in a darkened room painted black, a white hospital blanked is hung on the right]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860737595-O6HITEFS6KP6SZBS79VA/Rajkamal-Kahloncrop-close-748x1024.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review: Artists Share Their Personal, Tragic Experiences in Health and Care</image:title>
      <image:caption>Rajkamal Kahlon, ‘Untitled Series of Autopsy Reports’ (2011) (detail) (click to enlarge) (photo by the author for Hyperallergic). [image description: text detailing the autopsy is overplayed with a drawn image of an open mouth with some biological details, the background is a cellular image of blood in red]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860768574-P9FQ6522GZ4IXLAPGH9O/Hanna-Wilke-Why-Not-Sneeze.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review: Artists Share Their Personal, Tragic Experiences in Health and Care</image:title>
      <image:caption>Hannah Wilke, “Why Not Sneeze” (1992) (photo by the author for Hyperallergic). [image description: a small birdcage is filled to the brim with different pill bottles and syringes in blue yellow and red, it sits on a pedestal]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860796147-PVKGH3XFDRNVAGWCD8HZ/2C3A4097.jpg</image:loc>
      <image:title>NEWS - Hyperallergic Review: Artists Share Their Personal, Tragic Experiences in Health and Care</image:title>
      <image:caption>Installation view of ‘The Power of Your Care’ at the 8th Floor. [image description: three women conceal their faces in the color photographic portraits, each wears brightly colored tops against a sky background]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/art-america-summer-programs-related-aids</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860833627-0CMNQCCA2FEG6AUTR9VC/Reynolds-GoldGlitterBeachHand19.gif</image:loc>
      <image:title>NEWS - Art In America: Review of Summer Programs related to AIDS</image:title>
      <image:caption>Hunter Reynolds, Medication Reminder, 2015. (Video still). [image description: the image is a composite of two mirror images of a hand painted gold, it seems to levitate above a background of a seascape on a sunny day]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860877572-Y27HOPKCKGRLWRZ8NPJW/img-visual-aids-5_162029189932.jpg</image:loc>
      <image:title>NEWS - Art In America: Review of Summer Programs related to AIDS</image:title>
      <image:caption>Ann P. Meredith: Elena y Rosa, the Ellipse at the White House, Washington, DC, 1988, digital archival print, 14½ by 22 inches. ©AnnPMeredith.com. Courtesy Leslie-Lohman Museum, New York. [image description: a woman crouches down to hug a little girl neither looks at the camera or at each other, the photograph is black and white and there is a wooden fence behind them with men standing outside, and hints at a protest taking place]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/indigenous-new-york-solidarity-artistic-practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393532633-GTN83WO8RXA2GBAENPJO/Emily-Johnson-leads-the-closing-performance-copy.gif</image:loc>
      <image:title>NEWS - Indigenous New York: Solidarity through Artistic Practice</image:title>
      <image:caption>Emily Johnson leading the final performance at The New School. [image description: people in a variety of positions, crouched, standing, sitting, are participating in a room with objects on the wood floor, these are ambiguous props for the workshop]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/center-architecture-architectural-residency-program-new-york-city-schools</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531860035362-YW864BLR10JJX77C8VT2/Screen+Shot+2018-07-17+at+4.36.12+PM.png</image:loc>
      <image:title>NEWS - Center for Architecture: Architectural Residency program for NYC schools</image:title>
      <image:caption>3rd graders at PS 133M construct bridges based on research of local structures and studied engineering strategies. [image description: children are making architectural models as part of an education program]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/franklin-furnace-artists-teaching-sequential-art-kids-ps217k</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858913061-TACJJIN5F36UP6GLRCZU/Webimage.gif</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>All photographs courtesy of Franklin Furnace. [image description: double photograph, on the left a child is making a comic he wears a stripy top in greens, on the right is a comic book library in the form of a box with different handmade comics]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393533035-9SK6MMNEIB011BQGZ5BF/KenButler-copy.jpg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>All photographs courtesy of Franklin Furnace. [image description: man plays a japanese stringed instrument dramatically in a room full of different classical and contemporary stringed instruments]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858970527-MTU5H97J7G6XQGDCPEX6/LouiseDiedrich-copy.gif</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>All photographs courtesy of Franklin Furnace. [image description: child from previous photograph is working on his comic with an instructor with blond hair in a classroom environment, a girl in a pink dress stands on the right of the image behind a number of school desks]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531859194537-LOW9HNAWR3CFUUBOWHOV/Nicol%C3%A1sEst%C3%A9vez-copy.gif</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>All photographs courtesy of Franklin Furnace. [image description: photographic portrait of artist Nicolás Dumit Estévez Raful, he wears black heavy rimmed glasses and is in front of a bookcase with a black toy car on one of the shelves]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393532434-1U5EOX5EJS9B867V7K9L/Dustin-Grella-copy.jpg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>All photographs courtesy of Franklin Furnace. [image description: double image of a man holding a baseball bat on the left above his shoulder, on the right is a baseball card with text about the score history of Dustin Arthur (Dusty) Grella]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393534736-VHQKDGBOUOEB1D08Y8UO/NaimahHassan-copy.jpg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>Portrait of Naimah Hassan All photographs courtesy of Franklin Furnace. [image description: a woman smiles into the camera, she has long dreadlocks and large oblong hoop earrings in silver, she wears a traditional african print dress]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393537146-Z7PDRCBFTNRDM03UPOW3/RonLittke-copy.jpg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>Portrait of Ron Littke. All photographs courtesy of Franklin Furnace. [image description: a man with gray hair and a stripy top in gray and white conducts a singing workshop with young students, everyone is smiling]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393536548-WMCXYK17B1Q0A0QZUY7E/PatriciaMiranda-copy.jpg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>Portrait of Patricia Miranda. All photographs courtesy of Franklin Furnace. [image description: a woman holds a small object that she or a student made in a classroom environment]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393543752-EOYN7HHKWNDIEILN08X0/Unknown-2.jpeg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>All photographs courtesy of Franklin Furnace. [image description: Alva Rogers sits with her hand under her chin, she has spiky afro hair and is sitting on a gridlike chair</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393532731-WLDO9RYXOQ1DOD8A16VU/HarleySpiller-copy.jpg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>Portrait of Harley Spiller. All photographs courtesy of Franklin Furnace. [image description: Harley smiles broadly into the camera he is standing in front of book shelves]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393534629-A64TLDIRU5XRNXB1W24W/MarySuk-copy.jpg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>Portrait of Mary Suk. All photographs courtesy of Franklin Furnace. [image description: a woman is conducting a movement or dance class, she has her hands above her head, in the foreground students are mirroring her movements]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531859416235-CYAMIC4AT2Q97NAJJTZP/Unknown-1.jpeg</image:loc>
      <image:title>NEWS - Franklin Furnace Artists teaching SEQuential ART for KIDS at PS217K, PS20K, and PS185K</image:title>
      <image:caption>Portrait of Martha Wilson. All photographs courtesy of Franklin Furnace. [image description: a woman looks directly at the camera, she wears pink glasses, her hair on the left side is gray and cut short, on the right she has a bob haircut dyed bright orange]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/nyt-simone-leighs-exhibition-reviewed-new-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858723438-PTGKJR3ETKWDRWLNJUVL/BN-OR230_NYWAIT_P_20160627144656.jpg</image:loc>
      <image:title>NEWS - WSJ: Simone Leigh's exhibition reviewed at the New Museum</image:title>
      <image:caption>New York artist Simone Leigh explores health and wellness in ‘The Waiting Room’. [image description: people in a room with cushions on the floor and a projection in the background of someones head are lounging while looking at the iPhone like screens provided in the installation, it is a darkened space with gray walls]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858806027-UBMEWWUT49364COO8XTT/BN-OR227_NYWAIT_J_20160627144229.jpg</image:loc>
      <image:title>NEWS - WSJ: Simone Leigh's exhibition reviewed at the New Museum</image:title>
      <image:caption>SimoneLeigh, artist-in-residence, in front of a model apothecary that is part of ‘The Waiting Room.’ Photo: Kevin Hagen for WSJl. [image description: Simone Leigh stands in a navy colored tunic in front of rows of shelves, the jars on the shelves carry a number of different medicines, ranging in colors from yellow, orange, green, red, white and black]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/new-grantee/grantee-participant-inc-featured-new-york-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858650804-6L8B4QHTGCSWRSOZW3MW/02LIA-WEB-master768.jpg</image:loc>
      <image:title>NEWS - Lia Gangitano, Director of Participant Inc interviewed in the New York Times</image:title>
      <image:caption>Lia Gangitano, the founder of Participant Inc, in her art space on the Lower East Side. “It’s very much a labor of love — and a vow of poverty,” she said. [image description:a woman with slicked down black long hair and black clothing stands with her hands clasped in a room with distressed walls in a mustard color, there is a painting on the right, which has geometric forms on in grays]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/national-endowment-arts-interview-michele-kotler-community-word-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858533109-SO1IHS6SSEE7QHOL1LVX/Community-word-project6-18-12-7867.jpg</image:loc>
      <image:title>NEWS - National Endowment for the Arts interview with Michele Kotler of Community-Word Project</image:title>
      <image:caption>Student mural. Photo source: Community-Word Project. [image description: a pink painting with text and cartoon like drawings in bright colors, says “The spectacular Bronx splashes and crashes burnishing our hearts in one big POW!]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/grantee-accomplishments/rxart-education-programs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858440631-XONFWP4A3ABREAYPORF8/Screen-Shot-2016-06-22-at-11.33.59-AM.gif</image:loc>
      <image:title>NEWS - RxArt Education Programs Launched this Spring</image:title>
      <image:caption>Workshop led by Julia Chiang. [image description: a person holds a painting up to the camera, it is blue in semi-transparent washes with what look like glitter buttons stuck on it]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/grantee-accomplishments/art-present-month2month-by-jennifer-dalton-and-william-powhida</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858259903-DOMAWRZO7HJ9DFKQMOBB/c44ff796-2c57-4cc8-b7ae-34affcaa05d21.jpg</image:loc>
      <image:title>NEWS - +Art present Month2Month by Jennifer Dalton and William Powhida</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531858230537-05NRFACHIGBCV1FSW6UW/Web-Powhida.png</image:loc>
      <image:title>NEWS - +Art present Month2Month by Jennifer Dalton and William Powhida</image:title>
      <image:caption>[image description: the top image is of a meeting whiteboard with questions on it, including '“Is housing a right or a privilege?” and “Is private development the best way to keep New York City viable for all its current and future residents” in the bottom image two people sit looking into the camera in a living room, on the left is a woman with a gray sweater and reddish hair: Web, and on the right a man in a gray jacket and black shirt with gray hair: Powhida]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/new-grantee/nyfa-announces-mentors-for-immigrant-artist-mentoring-program</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393516328-491TZ0NRVDGISSCTELYG/Leverich-Aug-29-15.jpg</image:loc>
      <image:title>NEWS - NYFA announces Immigrant Artist Mentoring Program in Social Practice</image:title>
      <image:caption>Carlos Martinez, Unlocked and Reimagined, 2015. The Leverich Family Burial Ground in Jackson Heights. [image description: a large number of people are participating in what looks like a discussion in an urban garden, people are wearing summer clothes]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857999820-I37HHUYY9YTCVWYBDT6S/22BRIC_Filibuster_Alicia-G-7-by-Angelys-Ocana.jpg</image:loc>
      <image:title>NEWS - NYFA announces Immigrant Artist Mentoring Program in Social Practice</image:title>
      <image:caption>Alicia Grullon, libuster, 2016, performance comprised of re­enactment of Senator Wendy Davis' 11 hour filibuster, at BRIC. [image description:in two photographs a woman is being filmed and speaking at a podium she wears a light gray professional suit]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857821937-Z2BR9YH326YYLYQEJRWM/1carlos-martinez-1438229109.jpg</image:loc>
      <image:title>NEWS - NYFA announces Immigrant Artist Mentoring Program in Social Practice</image:title>
      <image:caption>Portrait of Carlos Martinez. [image description: portrait of artist with a light blue summer shirt, he holds on to the handle of a metal gate with his left hand, he smiles directly to camera]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857886735-BO8UUATH4YOPCT6BOPDX/Berta-Caceres-10-de-Mayo-Mothers-Day-Card.jpg</image:loc>
      <image:title>NEWS - NYFA announces Immigrant Artist Mentoring Program in Social Practice</image:title>
      <image:caption>Rebelené, Berta Caceres Mother's Day Card, 5/10/16 #Justice4Berta action outside of UN. [image description: a woman with glasses smiles to camera, she is wearing a t-shirt in white with a painting of a bare breasted woman nursing an infant in her arms, on the left is a painting, which says “Justice for Mothers” in spanish]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393519134-NR2JN9HV1FGWP8N6A677/Taffoo-2.jpg</image:loc>
      <image:title>NEWS - NYFA announces Immigrant Artist Mentoring Program in Social Practice</image:title>
      <image:caption>Portrait of artist Tattfoo Tan. [image description: a man looking to the left wears a shirt with a grid pattern in bright colors, it has text saying “Remember to take your daily dose of color.” he is standing against a white wall with photographs of circa fifty fruits and vegetables in sections or in whole form]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/news-from-prepatian-arts-education-grantee-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857751893-0YGPNXD9SF7ZYOWP8A4P/Shadow-Lands-BAAD-March-20162-copy.jpg</image:loc>
      <image:title>NEWS - News from Pepatian, Arts Education Grantee 2016</image:title>
      <image:caption>Image courtesy of Pepatián. [image description: a tall photo on the left shows a woman with a mustache and writing in red on her arms, she holds a piece of white paper, two photographs on the right show dance performers in different black leotards in balletic and aggressive movements]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857681113-L8CEQI6ULKD03CJLHGB0/2%C2%A9marisol_diaz_2016_bronx_works_1112-copy.gif</image:loc>
      <image:title>NEWS - News from Pepatian, Arts Education Grantee 2016</image:title>
      <image:caption>Photographer: © Marisol Diaz, 2016. [image description: a group of children stand smiling behind a dj deck in a sunny room, a girl on the left is cueing up records with headphones on]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/sdrf-grantee-creative-time-featured-in-ny-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857583078-YXAUKTO75U3M2JYEM8Z9/29PIGEONS-slide-OIIB-videoSixteenByNineJumbo1600.jpg</image:loc>
      <image:title>NEWS - Rubin Foundation Grantee Creative Time featured in NY Times for Duke Riley Project</image:title>
      <image:caption>The artist Duke Riley and some of his winged charges, atop the Baylander, a decommissioned Vietnam-era aircraft carrier. All photographs by Byron Smith for The New York Times. [image description: this photograph of the gloaming sky in dark navy, overlooking NYC has light trails across the sky in circular formations, they are the trails of birds fitted with lights literally drawing on the sky]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857611296-Q082PKD57D1SLEQO9DD0/29PIGEONSSUB-master675.jpg</image:loc>
      <image:title>NEWS - Rubin Foundation Grantee Creative Time featured in NY Times for Duke Riley Project</image:title>
      <image:caption>Portrait of Duke Riley. [image description: in the gloaming, a man in a reversed baseball cap is surrounded by flying pigeons on a rooftop, behind him to the right is bird coop]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/out-magazine-interview-on-in-the-power-of-your-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857409700-EW30S6UYEBPZEFJXB5MJ/Web1-Eagles-BloodIllumination-9menpanels-300dpi.jpg</image:loc>
      <image:title>NEWS - Out Magazine Interview: In the Power of Your Care</image:title>
      <image:caption>Jordan Eagles, Blood Illuminations, 2015. Photo courtesy of artist. [image description: an overhead projector sit on the shiny wooden floor of the gallery, it projects images of congealed blood on the gallery walls in red through multiple slides of red blood cells]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/the-shelley-donald-rubin-open-call-for-funding-in-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857296962-RPFKXBIH7V0C8SL4ELZA/Charles_Roussel-20160318-8335.jpg</image:loc>
      <image:title>NEWS - Open Call for Funding in 2017 Deadline September 15, 2016</image:title>
      <image:caption>Shelley &amp; Donald Rubin Foundation's Artistic Director Sara Reisman congratulates the 2016 grantees at the Foundation's Grantee Reception on March 18, 2016. Photograph by Charles Rousell. [image description: people at an event in a white cube gallery space are listening to Sara Reisman give a talk, a number of text pieces are in the room, in the foreground is a stack of boxes covered with crudely painted text in a variety of colors]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/1482</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857130284-TVMC69WSW4239JH9PVJS/1989_Andreas-Sterzing_Untitled-silence-death_11-x-14-inches.gif</image:loc>
      <image:title>NEWS - In the Power of Your Care at The 8th Floor</image:title>
      <image:caption>Andreas Sterzing, David Wojnarowicz (Silence=Death); New York (1989/2014). [image description: a monochrome photograph of David Wojnarowicz with his mouth sewn together with embroidery thread]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/tania-bruguera-on-tv-for-referendum-at-union-square-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531856978009-HBWP4OYPU1E15JBYXRMM/12841157_10154079143803474_7266747358445590839_o.jpg</image:loc>
      <image:title>NEWS - Tania Bruguera on BBC Radio 2 and NY1 Noticias for Referendum at Union Square Park</image:title>
      <image:caption>Photograph of Referendum by Tania Bruguera in Union Square. [image description: the photograph depicts people with their backs to the camera, it is nighttime in Union Square, they are looking up at a blue screen of a map and text saying “Borders Kill Should We Abolish Our Borders”, with a tally “Yes” or “No” there are three white tents with polling booths inside]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531857044740-XRTC8JMCCI4KHL8RCJQ7/Fullerwork.png</image:loc>
      <image:title>NEWS - Tania Bruguera on BBC Radio 2 and NY1 Noticias for Referendum at Union Square Park</image:title>
      <image:caption>Krizia Ruiz reporting live at Tania Bruguera’s performance. [image description: a woman with long hair and a fur trimmed coat talks into a mic, on a sunny day in Union Square park, there is a neo-classicism]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/the-art-newspaper-dear-new-yorkers-tear-down-those-walls-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531856930107-X6RRVUSYZLEBGIJ0HLJS/WEB-Untitled_TaniaBruguera_NB2015_01.jpg</image:loc>
      <image:title>NEWS - The Art Newspaper: 'Dear New Yorkers, tear down those walls'</image:title>
      <image:caption>Tania Bruguera, Referendum, (2015) Commissioned for Nuit Blanche Toronto 2015, Curated by Agustin Perez Rubio. [image description: an evening shot of a woman with long hair smiling, she stands in front of a voting booth, signs behind her say “Vote Here”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/new-grantee/friends-materials-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393507329-52R4E78BD72YZEF7E4SQ/Juan-Hinojosa-Third-Thursday-Collage-Making-Small-copy.jpg</image:loc>
      <image:title>NEWS - Friends of Materials for the Arts</image:title>
      <image:caption>[image description: people engaged in a workshop making collages in a studio]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/referendum-performance-by-tania-bruguera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393508629-TUREAVSUNJJ4KKAMX3O5/referendum-e1455057783504.jpg</image:loc>
      <image:title>NEWS - Referendum: Performance by Tania Bruguera</image:title>
      <image:caption>Tania Bruguera, Referendum, 2015. Performance in Union Square, NYC. [image description: close up of the led screen at night in Union Square Park, depicting an outline of all global countries in white on blue. the yes vote is 2667 and the no vote is 2686]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393507931-NJJZO2WG99AGYO44TG69/Untitled_TaniaBruguera_NB2015_08-copy.gif</image:loc>
      <image:title>NEWS - Referendum: Performance by Tania Bruguera</image:title>
      <image:caption>Tania Bruguera, Referendum, 2015. Performance in Union Square, NYC. [image description: a close of photograph in the late evening of a hand putting a ballot into a slot]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/46-nyc-arts-organizations-awarded-grants-by-the-sdrf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531856598999-HHKAPRIRK4SNTEC3GA3Z/Pruitt-dry-erase-at-St.-Marys-Hospital-for-Children-Bayside-NY.jpg</image:loc>
      <image:title>NEWS - 46 NYC Arts Organizations awarded grants by the SDRF</image:title>
      <image:caption>Pruitt dry erase at St. Mary's Hospital for Children, Bayside, NY. [image description: a man with a shaved head in a wheelchair is looking at the wall, the wall is covered in a zebra skin pattern with circles in which there are images of panda bears and colored circle with gradients from orange to yellow or purple to red]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/new-york-times-sdrf-grants-for-social-justice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531856212383-YCEJ3ZQPGS120NF7EESQ/Image4_Socrates-small.jpg</image:loc>
      <image:title>NEWS - New York Times: SDRF Grants for Social Justice</image:title>
      <image:caption>The Living Pyramid by Agnes Denes, at 2016 grantee organization Socrates Sculpture Park. [image description: a curved pyramid sculpture which is covered in grasses is within the park, in the background is the Hudson river and the Manhattan skyline, it is a sunny day]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/when-artists-speak-truth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531855924379-EPA2EL944B7SXQKEKDFI/AB13-006-small-1024x683.jpg</image:loc>
      <image:title>NEWS - When Artists Speak Truth...</image:title>
      <image:caption>Andrea Bowers, Workers’ Rights Posters, 2013. Spray-paint on gift wrapping paper. Image courtesy of the artist and Andrew Kreps Gallery. [image description: a grid of 32 spray painted images on a white wall in a variety of colors, each has text but is mostly indecipherable, one says “Filthy Rotten System”]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/events/artslant-review-i-cant-breathe-performance-by-shaun-leonardo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531855873772-D0AALVRLBW9OB13SHRM5/20151008203043-IMG_4395.jpg</image:loc>
      <image:title>NEWS - ARTSLANT REVIEW: I Can't Breathe performance by Shaun Leonardo</image:title>
      <image:caption>Photograph of the performance at The 8th Floor. [image description: two sets of two people are wrestling on the ground, each has the other in a chokehold, reminiscent of that used by police]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/all/brooklyn-rail-in-conversation-sara-reisman-with-kara-rooney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393498228-JA5CGBKMU5R15HXJAZ25/Reisman-Rooney_web3.jpg</image:loc>
      <image:title>NEWS - Brooklyn Rail: In Conversation, Sara Reisman with Kara Rooney</image:title>
      <image:caption>Mierle Laderman Ukeles Artist's Letter of Invitation Sent to Every Sanitation Worker with Performance Itinerary for 10 Sweeps in All 59 Districts in New York City 1979 printed brochure. Courtesy Ronald Feldman Fine Arts, New York. [image description: photographs and indecipherable text, both images feature the artist talking to sanitation men beside their trucks in black and white]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/sd-rubin-news/art-in-america-between-history-and-the-body</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531855663713-M9PP3FW13PQUI71G787R/Website1.jpg</image:loc>
      <image:title>NEWS - Art In America: Between History and the Body</image:title>
      <image:caption>Brendan Fernandes: As One II, 2015. Silver gelatin print. Commissioned by Seattle Art Museum. Courtesy the artist. [image description: in a monochrome photograph a man leans against a plinth with his right leg bent and left leg stretched out backwards, on one of the three plinths in the image there is an african mask, which is part of the museum collection, the lighting and shadows are in high contrast in the piece]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/the-bronx-museum-of-the-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1573241921395-1BR8EID9YYRP6HN9HYOS/Screen+Shot+2019-11-08+at+2.37.31+PM.png</image:loc>
      <image:title>NEWS - THE BRONX MUSEUM OF THE ARTS</image:title>
      <image:caption>Maximo Colon, Untitled, c.1970. Digital print, Courtesy of Maximo Colon. [image description: in this black and white photograph three youths stand by a fence, they are shot from below, and above them there are three flags waving in the breeze outside the building they are in front of]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/village-voice-anatomically-direct-between-history-and-the-body-tells-it-like-it-is</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531855077400-5SD4400WVF3DUEDIBTPS/Website.jpg</image:loc>
      <image:title>NEWS - Village Voice: Anatomically Direct, Between History and the Body tells it like it is</image:title>
      <image:caption>Look back: Chungpo Tsering, Selfie, 2014. Courtesy of the Shelley and Donald Rubin Private Collection. [image description: in this charcoal drawing, a single figure whose head is comprised of a multitude of security cameras, is taking a selfie]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/foundation-for-contemporary-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531854789399-ION7SIWQVYR0G2EKS0BV/image-asset.jpeg</image:loc>
      <image:title>NEWS - FOUNDATION FOR CONTEMPORARY ARTS</image:title>
      <image:caption>[image description: in a white cube gallery space there is a small painting on the left, a doorway in the middle, and a large white painting with dramatic washes of oil paint in purple, navy and orange, on top of which on the left side is a single neon light]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/new-york-foundation-for-the-arts-nyfa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531854456250-PJQEWVAGL01S6L6GXYH7/NYFA-Photo-2-copy.jpg</image:loc>
      <image:title>NEWS - NEW YORK FOUNDATION FOR THE ARTS (NYFA)</image:title>
      <image:caption>NYFA's Immigrant Artist Mentoring Program, Group Meeting at NYFA's offices in DUMBO Brooklyn, 2013. Photo courtesy of NYFA. [image description: a large classroom full of people is listening to a demonstration or talk, they all have orange binders of paper and pens]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/rxart</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531854005538-B0KAEB2O6PFS7YF6VFYI/AVAF-at-The-Special-Childrens-Center3.jpg</image:loc>
      <image:title>NEWS - RX ART</image:title>
      <image:caption>Sercan Sezgin AVAF at La Clinica del Barrio (Metropolitan Hospital Center) in Harlem, NY. [image description: a man with a gray jacket and yellow t-shirt is posing next to a little boy with a navy top and glasses, they are in front of a painted mural in vibrant brushstrokes and colors]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/socrates-sculpture-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531853879826-HZ9TJU6VGNHMBUTNOGQX/Image2_Socrates.jpg</image:loc>
      <image:title>NEWS - SOCRATES SCULPTURE PARK</image:title>
      <image:caption>The public helped artist Agnes Denes create her 30-foot-high environmental work, The Living Pyramid by planting grasses and flowers throughout the opening. [image description: a curved pyramid sculpture which is covered in grasses is within the park, it is a sunny day, two people in front of the pyramid planting flowers]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/franklin-furnace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531853588867-NDY2LLCLSHEK1GQQCU5L/JulieLemberger-2240.jpg</image:loc>
      <image:title>NEWS - FRANKLIN FURNACE</image:title>
      <image:caption>[image description: a group of people are pointing at instructional didactic texts about plants and landscape, it is a sunny day]</image:caption>
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  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/groundswell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531853326963-WQ7ZPMQSINPUJML7LN4M/DSCN08201.jpg</image:loc>
      <image:title>NEWS - GROUNDSWELL</image:title>
      <image:caption>“Justice Mandalas” Groundswell © 2013. [image description: two men facing left are painting a mural in an interior, it is abstract with geometric forms in blue purple pink and red]</image:caption>
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  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/creative-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531852938139-HD8S7GQBNE97XEVAR0Y6/2014_BRB3.jpg</image:loc>
      <image:title>NEWS - CREATIVE TIME</image:title>
      <image:caption>Xenobia Bailey participating in Funk, God, Jazz, and Medicine: Black Radical Brooklyn. [image description: the artist sits in a room decorated with coupon pages from newspapers, she is folding more newspaper and smiling off camera, she wears an orange crochet hat and glasses]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/select-current-grantees/community-word-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393483629-A1243E639TMOENNLNERM/cwpmain.png</image:loc>
      <image:title>NEWS - COMMUNITY-WORD PROJECT</image:title>
      <image:caption>All photographs are © Craig Hayes/Community-Word Project. [image description: teenage students are painting a large-scale painting with text on it and multiple small image of fruit]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/lower-eastside-girls-club-lesgc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393486328-1NQLPNHJ67V0V40OXUSO/legscmain.png</image:loc>
      <image:title>NEWS - LOWER EASTSIDE GIRLS CLUB (LESGC)</image:title>
      <image:caption>[image description: a group of young women are collaging or baking, it is unclear, they all wear orange apron]</image:caption>
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  <url>
    <loc>https://www.sdrubin.org/blog/uncategorized/forbes-magazine-nick-cave-ana-mendieta-and-brendan-fernandes-shine-in-between-history-and-the-body</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531852747969-VNAXHC7XV1AABN3HIFK8/Ana-Mendieta-Glass-on-Body-E.jpg</image:loc>
      <image:title>NEWS - Forbes Magazine: Nick Cave, Ana Mendieta And Brendan Fernandes Shine In 'Between History And The Body'</image:title>
      <image:caption>Ana Mendieta, Untitled (Glass on Body Imprints), 1972‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬, Suite of six estate color photographs. Courtesy of the Estate of Ana Mendieta and Galerie Lelong. [image description: a woman with her back to the camera is holding a rectangle of glass firmly against the skin of her back, making impressions where the glass touches her, she is holding it in place with both hands]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1528393494328-ZM2JOSV6BZF8AAGT4YZV/Nick-Cave-Soundsuit-in-motion-HR.jpg</image:loc>
      <image:title>NEWS - Forbes Magazine: Nick Cave, Ana Mendieta And Brendan Fernandes Shine In 'Between History And The Body'</image:title>
      <image:caption>Nick Cave, Soundsuit, 2011, Mixed media including rugs, afghans, metal, fabric, and mannequin. ©Nick Cave. Photo by James Prinz Photography. Courtesy of the artist and Jack Shainman Gallery, New York. [image description: a dancer with the top half of their body is leaning left, they are wearing a full body sculpture in crochet, their features completely obscured within the suit, it has brightly colored panels, including a car]</image:caption>
    </image:image>
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  <url>
    <loc>https://www.sdrubin.org/blog/all/nyc-department-of-cultural-affairs-and-mayors-office-of-immigrant-affairs-announce-tania-bruguera-as-artist-in-residence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531852440371-A1IYLLUD2NEMSSOC1VWP/art21-bruguera-tania-bio.jpg</image:loc>
      <image:title>NEWS - NYC Department of Cultural Affairs and Mayor's Office of Immigrant Affairs Announce Tania Bruguera As Artist-In-Residence</image:title>
      <image:caption>Portrait of Tania Bruguera. [image description: a woman wearing a loose shirt and t-shirt in grays, is smiling at the camera, behind her out of focus re various pieces of paper taped to the walls]</image:caption>
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  <url>
    <loc>https://www.sdrubin.org/blog/all/tania-bruguera-an-artist-in-havana-has-a-great-new-york-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531852293293-RYLWU2GQMULQCX7GU629/14ARTIST-master675.jpg</image:loc>
      <image:title>NEWS - NY Times: Tania Bruguera, an Artist in Havana, Has a Great New York Week</image:title>
      <image:caption>Portrait of Tania Bruguera by Andrew Testa for The New York Times. [image description: photograph of a woman with hair tied back and to one side is wearing a shirt in gray, the background is gray]</image:caption>
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    <loc>https://www.sdrubin.org/blog/all/the-8th-floor</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2019-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531865074573-6BK3Z3KYGYLH3QM1CTJY/8th-floor.jpg</image:loc>
      <image:title>NEWS - Between History and the Body at The 8th Floor</image:title>
      <image:caption>Brendan Fernandes, As One I, 2015. C-type Print. Courtesy of the artist. [image description: a female dancer in tights and a leotard leans against a plinth with an african mask on it, there are two other pedestals on the right of the photograph, and the monochrome image is shot in high contrast with dramatic shadows of the sculpture]</image:caption>
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    <loc>https://www.sdrubin.org/blog/all/sara</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2019-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531864939620-A8T3P284DUSG8TQZHZ86/sara.jpg</image:loc>
      <image:title>NEWS - The Shelley &amp; Donald Rubin Foundation Announces the Appointment of Sara Reisman as Artistic Director</image:title>
      <image:caption>[image description: color photograph of Artistic and Executive Director Sara Reisman, she is smiling at the camera and wearing a jacket made from multiple patterns and textures of fabric, predominantly purple, beige, orange and indigo]</image:caption>
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    <loc>https://www.sdrubin.org/blog/all/mobility-and-its-discontents</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2019-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/1531864881720-73HI28RIU97DIQYG5L78/51d8f_feb27_8floor_img.jpg</image:loc>
      <image:title>NEWS - Mobility and Its Discontents Exhibition at The 8th Floor</image:title>
      <image:caption>Jorge Wellesley, Dyslexia II, 2013. Watercolor on paper. [image description: this painting features three delapidated billboards, pieces of fabric hang from them in odd angles, only their frameworks are left, they are along a highway and the mountains are blue in the distance]</image:caption>
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    <loc>https://www.sdrubin.org/blog/category/All</loc>
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    <loc>https://www.sdrubin.org/blog/category/Grantee+News</loc>
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  <url>
    <loc>https://www.sdrubin.org/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-03-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/3da87bc6-ee73-41a3-b476-ff8f1b7e0fb3/NIC+Kay-pushit%21%21+%282019%29.jpeg</image:loc>
      <image:title>Home - An Inherent Undoing</image:title>
      <image:caption>On view through June 6 at The 8th Floor</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/8b21a7db-bfdc-4012-a555-60eb5c0d9932/Screenshot+2026-03-26+at+1.03.48%E2%80%AFPM.png</image:loc>
      <image:title>Home - Upcoming Programs</image:title>
      <image:caption>Sight/Geist screenings &amp; more to be announced</image:caption>
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      <image:title>Home - An Incomplete Archive of Activist Art</image:title>
      <image:caption>Published by the Shelley &amp; Donald Rubin Foundation</image:caption>
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      <image:title>About</image:title>
      <image:caption>Meg Webster, Concave Room for Bees, Socrates Sculpture Park. [Image Description: Constructed circular garden made of mostly of green plants. Behind the installation is the East River and a view of Manhattan skyscrapers.]</image:caption>
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    <loc>https://www.sdrubin.org/early-initiatives</loc>
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    <lastmod>2019-08-28</lastmod>
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      <image:title>Early Initiatives</image:title>
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      <image:title>Early Initiatives</image:title>
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      <image:caption>sandd</image:caption>
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      <image:title>Our Board and Staff</image:title>
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      <image:title>Our Board and Staff - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Our Board and Staff</image:title>
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      <image:title>Our Board and Staff - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2019-09-17</lastmod>
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    <lastmod>2026-02-23</lastmod>
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      <image:title>Opportunities - Sight/Geist: Open Call for Emerging NYC Film &amp; Performance Artists</image:title>
      <image:caption>Submissions are currently closed</image:caption>
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      <image:title>Opportunities - Annual Open Call for Curators</image:title>
      <image:caption>Opening reception for Heart Howls: Latin American Performance in Revolt at The 8th Floor, NYC on September 29, 2022. Photograph by Phillip Andrew Iglesias.</image:caption>
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      <image:title>AND community letter Mar 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Meg Webster, Concave Room for Bees, Socrates Sculpture Park. [Image Description: Constructed circular garden made of mostly of green plants. Behind the installation is the East River and a view of Manhattan skyscrapers.]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/05926dc6-db8c-463b-97d5-63b311341864/MLU_71A0506-LowRes.jpg</image:loc>
      <image:title>About (new test) - Make it stand out</image:title>
      <image:caption>Mierle Laderman Ukeles, One Year’s Worktime II, 2016. Courtesy of Foundation 2021 grantee Queens Museum. Photo by Hai Zhang. [Image Description: A photograph of a large atrium space with a massive rainbow-like color mural in the background, running from left to right in green, blue, red, and orange. It has an abstract geometric pattern all over it.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/719d5025-be39-4f4a-a624-9dc22b86ad07/2_HMI_WarmUp.jpg</image:loc>
      <image:title>About (new test) - Make it stand out</image:title>
      <image:caption>The guests of a Theater of the Oppressed scene-sharing workshop warm up together. Photo by Alex Woodhouse. [Image Description: A large number of people engage in a theater workshop in a circular formation. Each holds their hand out towards the center, exclaiming something.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/b16b4aa1-458a-4f8f-a87f-bd29f5e72c01/crop-laudromat.jpg</image:loc>
      <image:title>About (new test) - Make it stand out</image:title>
      <image:caption>Ahmed Tijay Mohammed, a Laundromat Project Artist-in-Residence, with LP staff. Photograph courtesy of George Bolster. [Image Description: Four people smiling in front of a collage featuring African fabrics and portraits of women.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/curators</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/60b549a2-0188-4340-972d-3d38162c963d/coc25image.png</image:loc>
      <image:title>Curatorial Open Call - Make it stand out</image:title>
      <image:caption>Opening Reception of Scrawlspace, The 8th Floor, New York. September 2024. Photo by Gabrielle Beaumont.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sdrubin.org/artists</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b15a5559772aeb3c1ab5332/aea3699f-e9c4-4157-bfaf-9c2004618115/8thFLOOR-0216.jpg</image:loc>
      <image:title>Sight/Geist: Film &amp; Performance Open Call for Emerging NYC Artists - Make it stand out</image:title>
      <image:caption>Marcelline Mandeng Nken, Rush Hour, March 20, 2025, at The 8th Floor, New York. Photo by Charles Roussel</image:caption>
    </image:image>
  </url>
</urlset>

